Critics Consensus

Critics Consensus: The Hobbit: The Battle of the Five Armies is a Solid Sendoff

Plus, Night at the Museum is so-so, Annie hits a sour note, and Wild is Certified Fresh.

by | December 19, 2014 | Comments

This week at the movies, we’ve got Middle-earth warriors (The Hobbit: The Battle of the Five Armies, starring Martin Freeman and Ian McKellen), a world-travelling night watchman (Night at the Museum: Secret of the Tomb, starring Ben Stiller and Robin Williams), a streetwise orphan (Annie, starring Quvenzhane Wallis and Jamie Foxx), and a determined hiker (Wild, starring Reese Witherspoon and Laura Dern). What do the critics have to say?

The Hobbit: The Battle of the Five Armies


It would be nearly impossible for director Peter Jackson to top — or even equal — the sweep and grandeur of the Lord of the Rings movies, and while the reviews for the first two Hobbit films were generally positive, many found something lacking. Critics say The Hobbit: The Battle of the Five Armies brings this trilogy to a close in reasonably rousing fashion, but while the battle scenes are visually striking, the story is more than a little thin. After going up against the fire-breathing dragon Smaug, Bilbo (Martin Freeman), Gandalf (Ian McKellen), and makeshift battalions of men, elves, and dwarfs must join forces to fight off an onslaught of orcs and restore order to Middle-earth. The pundits say that Jackson’s visual sense is as strong as ever, but this conclusion to The Hobbit saga lacks the human touch and weightiness that made the Lord of the Rings films such revered classics. (Check out our Hobbit Headquarters for much more on The Hobbit: The Battle of the Five Armies, including features, interviews, and countdowns.)

Night at the Museum: Secret of the Tomb


At this point, you pretty much know what you’re getting with a Night at the Museum movie: a few good laughs, a bunch of famous people playing historical figures, and little to offend — or stir — anyone in your family. Critics say that’s basically the deal with Night at the Museum: Secret of the Tomb, which offers up some decent slapstick and a few new faces but never quite coalesces into anything truly enchanting. This time out, Larry Daley (Ben Stiller) finally ventures outside the stuffy confines of those crazy museums; instead, he goes on a globe-trotting mission to preserve the magic that animates the museum’s historical populace. The pundits say Secret of the Tomb will probably please the kiddies, and Robin Williams shines in one of his last performances, but it’s largely a slack, so-so affair. (Take a look at this week’s Total Recall, in which we count down Stiller’s best-reviewed movies.)



Annie is one of Broadway’s most durable and beloved productions, but it hasn’t fared nearly as well on the big screen. John Huston’s 1982 version drew decidedly mixed reviews, but critics say this update is even more of a misfire, a surprisingly tuneless, left-footed affair in which a number of big names deliver performances of wildly varying quality. Quvenzhané Wallis stars as the titular orphan, who lives with a mean foster mom until Will Stacks (Jamie Foxx), a businessman with political ambitions, takes her in. The pundits say that while Wallis is charming, the biggest problem is that this Annie is a musical starring talented people who, with a few exceptions, aren’t necessarily the best singers or dancers. (Watch our interviews with Wallis, Foxx, and co-stars Rose Byrne, Cameron Diaz, and Bobby Cannavale.)



After winning strong reviews in limited release, Wild is going wide this weekend, and it’s already generating Oscar buzz for the strength of Reese Witherspoon’s lead performance. Based upon the bestselling memoir from Cheryl Strayed, Wild is the story of a woman reeling from the death of her mother and her recent divorce who decides to walk the entire Pacific Crest Trail by herself in an attempt to get back on track. The critics say this Certified Fresh drama is a thoughtful, emotionally potent character study with strong performances and beautiful natural locations.

What’s Hot on TV:

Homeland (Certified Fresh at 81 percent) wraps up its fourth season Sunday night, and critics say the show has had been smart, tense, and focused, making for the strongest iteration since its hard-hitting first season.

Thanks to some smart, creative storytelling and spectacular performances, The Affair (Certified Fresh at 94 percent), which has its season finale on Sunday night, is a somber, bewitching exploration of truth and desire.

Also opening this week in limited release:

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