TAGGED AS: Best and Worst, Fall TV
Fall TV Scorecard 2016
#66
Critics Consensus: Haters Back Off is bizarre, painful, and often times excruciatingly funny-yet the appeal of the YouTube transport doesn't quite carry over in the longer television format.
#65
Critics Consensus: The Great Indoors serves up one repetitive, formulaic joke, though the cast performs respectably within the significant constraints of the material.
#63
Critics Consensus: American Housewife is boosted by a strong and enjoyable lead performance by Katy Mixon, yet her performance alone strains to sustain an excessively quirky show that relies too heavily on stereotypes.
#62
Critics Consensus: Graves squanders the talent of its star, Nick Nolte, and lacks the sharp satire needed to live up to its claim as a political dramedy.
#61
Critics Consensus: A formulaic set-up and predictable plotting are elevated by The Ranch's surprising sensitivity and strong performances.
#60
Critics Consensus: Son of Zorn earns points for originality, a talented cast, and intermittent laughs, but they aren't quite enough to prop up a gimmick that's still in search of a workable premise for an ongoing series.
#59
Critics Consensus: Lethal Weapon's overly polished production values and tired narrative are somewhat overcome by solid chemistry between its two leads.
#58
Critics Consensus: While the execution borders on superficial, the dark humor and character chemistry in Divorce hit the mark.
#57
Critics Consensus: Though the narrative remains too ambitious, DC's Legends of Tomorrow enjoys a freer creative arc with the removal of problem characters.
#56
Critics Consensus: Odd and ambitious, Dirk Gently's Holistic Detective Agency sometimes overdoses on pure weirdness but offers absurdist rewards to those who stick with it.
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