Total Recall

The 10 Worst-Reviewed Best Picture Nominees

We run down the most critically derided Best Picture noms.

by | January 26, 2015 | Comments

The Oscars are supposed to celebrate cinematic excellence, but it doesn’t always work out that way; in fact, over the years, Academy voters have ended up nominating any number of movies whose reputations later took a nosedive. With the 87th Academy Awards fast approaching, we’ve decided to take a not-so-fond look back at some of the least-loved Best Picture nominees from the previous 86. It’s time for Total Recall!


10. The Greatest Show on Earth (1952) 42%


“Wait,” you might be saying. “‘The Greatest Show on Earth?’ Isn’t that the circus?” It is indeed, and for this 1952 extravaganza, director Cecil B. DeMille turned to Ringling Bros. and Barnum & Bailey — including 1400 human performers, hundreds of animals, and all their assorted gear — to form the backdrop for a drama about circus hopefuls (played by Betty Hutton, Charlton Heston, and a makeup-covered James Stewart) struggling to make their way into the big top. Critically divisive during its theatrical run, The Greatest Show on Earth ended up winning Best Picture through what many saw as the Academy’s desire to give a belated show of recognition for DeMille; today, it’s frequently derided as one of the worst winners in Oscar history, and panned by outlets like Film4, where it’s described as “A great big lumpen mass of a movie that won a couple of Oscars and is studded with stars, but ultimately collapses under the weight of the clichés it carries round with it.”


9. Alibi (1929) 50%


Directed by the eccentric noir pioneer Roland West, Alibi is actually a pretty fascinating example of early experiments with a variety of film techniques, including unusual camera angles and sound — but as an involving viewing experience, it doesn’t hold together as well. As Dennis Schwartz put it in his review, “The story pales when viewed in modern times, and the acting that was thought so wonderful at the time is simply atrocious by modern standards.” Slant’s Fernando F. Croce was a little more forgiving, saying that “Alibi is awkwardly suspended between the gliding camera of silent cinema and the stagnant medium-shot of early talkies.”


8. Naughty Marietta (1935) 56%


This 1935 adaptation of the Victor Herbert operetta stars Jeanette MacDonald and Nelson Eddy, and you have to say this much for the duo: People really liked them, because they went on to star in seven more hit films after this, and Naughty Marietta has even been preserved in the National Film Registry. In other words, it’s better-loved than a great many of the films on this list, but this tale of a strong-willed Spanish princess (MacDonald) who trades places with a servant and flees on a ship bound to New Orleans in order to avoid an unwanted marriage hasn’t aged particularly well; in fact, its longest-lasting contribution is arguably its inclusion of the song “Ah! Sweet Mystery of Life,” described by the Chicago Reader’s Dave Kehr as “the parodist’s favorite.” At the time of its release, critics seemed somewhat indifferent to Marietta‘s charms, with Variety complaining that “The comedy being insufficient to sustain this much footage, with no especially exciting action, provides serious handicaps.”


7. Anne of the Thousand Days (1969) 38%


Admittedly, not every castle-bound period piece is created equal, but on the surface, 1969’s Anne of the Thousand Days would seem to have everything going for it. For starters, you’ve got the story of an heir-hungry king plotting to have his wife executed as a means of freeing himself up to find a new wife who will bear him a son — and if that isn’t enough, you’ve got Richard Burton and Geneviève Bujold heading up your cast. Certainly some members of the Academy felt that Anne was worth honoring; after all, the movie walked away with an impressive 10 nominations, winning one (Best Costume Design). The critical community, however, was far stingier with its praise, with many scribes singling out the movie’s 145-minute length and rather doddering pace as compelling reasons to stay away (as TIME’s review snidely quipped, “it has perhaps one minor fault: the first two hours”). And while the New York Times’ Vincent Canby couldn’t take issue with the way the production was mounted, it all amounted to little more than a shrug: He deemed it “one of those almost unbearably classy movies, like A Man for All Seasons and Becket, that have a way of elevating the reputations of moviemakers without doing much for the art.”


6. The Hollywood Revue of 1929 (1929) 43%


Well, give it credit for a descriptive title, anyway: The Hollywood Revue of 1929 is exactly what it says it is, a collection of song-and-dance skits performed by pretty much everyone MGM had on the lot in 1929. Unsurprisingly, given its cavalcade of stars, Revue was a financial success, but as a cinematic experience, it didn’t hold up for a number of critics — including Dave Kehr of the Chicago Reader, who admitted it was “by far the most popular” of “the cycle of all-star studio revues that came with the advent of sound,” but cautioned that “the waning of some of the celebrities featured makes it seem a little creaky today.”


5. The Broadway Melody (1929) 33%


In technical terms, The Broadway Melody is a dazzling example of where film was headed as the 1920s ended — it’s the first talkie to win Best Picture, one of the first musicals to use Technicolor, and the first Hollywood musical to feature recorded dialogue. Unfortunately, the film itself doesn’t live up to all the technological wizardry employed to bring it to the screen; many critics pointed out the series of hoary clichés employed throughout its storyline, which follows the romantic ups and downs of actors in a Broadway revue. Though some scribes praised it — and now it’s regarded as a somewhat important curio of the era — the majority sided with TIME’s writeup, which dismissed it as “A tedious musical comedy embedded in a routine story like a fly in celluloid.”


4. The Robe (1953) 32%


The first CinemaScope release, The Robe filled up its increased aspect ratio with a Biblical epic that imagines the fate of the Roman soldier who wins Christ’s robe in a dice game at the crucifixion. Needless to say, it isn’t the cheeriest fate — and while The Robe earned enough money to justify a sequel, and was nominated for five Academy Awards (winning two in the bargain), the movie’s critical destiny was pretty gloomy too. While some scribes enjoyed the production’s sheer spectacle, most reviews echoed the sentiments written by Empire’s Kim Newman, who dismissed it as “Overblown melodramatic biblical nonsense.”


3. Doctor Dolittle (1967) 29%


More than 30 years before Eddie Murphy and a cast of CGI-assisted animals launched a new Dr. Dolittle franchise, Rex Harrison conversed in polar bear and python (and cursed in fluent kangaroo) in this notoriously troubled adaptation of Hugh Lofting’s classic book. Though a fervent studio campaign eventually netted Dolittle seven Oscar nominations, the movie was an unmitigated disaster — both at the box office, where it recouped only half of its $18 million budget, and among critics. “It will put the kids to sleep,” cautioned TV Guide, “but it may kill you.”


2. Blossoms in the Dust (1941) 33%


A drama based on the true story of a woman who battled back against sneering high-society types to help orphaned children find better homes, 1941’s Blossoms in the Dust is essentially the definition of a “worthy film.” Sadly, the end result — starring Greer Garson as the noble Edna Gladney — failed to resonate with pretty much anyone outside the Academy, where it was nominated for four Oscars (and took home the trophy for Best Art Direction). Bemoaning its “sentimentally sugary flavor which also extends over the romantic portions of the film,” Variety grumbled, “There is no comedy relief.”


1. Anthony Adverse (1936) 20%


Released during an epic-friendly era and adapted from a massive 1,200-plus page novel, Anthony Adverse brought all the trappings of a sweeping costume melodrama (globetrotting storyline, life-and-death duels, hidden identities, characters with last names like Bonnyfeather) and a suitably inflated 141-minute running time. It worked, sort of — Adverse was nominated for seven Academy Awards, winning four — but critics were mostly unimpressed, including Frank S. Nugent of the New York Times, who dismissed it as “a bulky, rambling and indecisive photoplay which has not merely taken liberties with the letter of the original but with its spirit.”

 


Finally, here are some scenes from a critically reviled film about the Academy Awards — The Oscar, from 1966:


 

 

  • Matt K

    You must have accidentally left “Crash” off the list. It had all the subtlety of a sledge hammer.

    • JohnG911

      Crash has the honor of being one of two movies I walked out on.

  • Emily Domike

    This must be the pre 70’s worst list. There are many recent ones that should be on the list.

  • Jesus Castillo

    I have seen almost everyone of these films and I must agree with the selections. But I must disagree with the fact they were the worse. We have had some really bad films in the last 10 years which were nominated and even won oscars which the actors guild may have chosen but the general public totally rejected by way of attendance and purchase. One that always come to mind was the film the “Artist”. What were they thinking? The other was ” Twelve Years a .Slave”, which had a good story line but the acting was horrible. The Film “Into the Woods”, had a score of good actors but some of their performances especially the lead actress are way below expectations. Besides Streep should never appear in a film where the other actors have better voices then she has. Anna Kendrick
    has an amazing voice and Streep sounds like a amateur sing in a high school play next to her.

  • jehanne

    With all the total garbage nominated over the last 20 years, they could not find one. But put Jesus in the film and all of a sudden it is “Biblical nonsense” like the Robe. I feel so bad for avant garde movie critics. Jeez I hope they make it to confession before they meet that “king of nonsense.”

    • Willard Gibbs

      Robe was particularly bad, helped by one of the kings of bad movies, Richard Burton.

      • jehanne

        I thought it was a great movie. Of course, I am known to throw up on what Hollywood honors all the time, so one of us is really off base.

  • kuvasz

    Pauline Kael once described “The Sound of Music” as “the single most repressive influence on artistic freedom in movies”

Tag Cloud

Creative Arts Emmys name the review all-time Freeform classics Horror cooking TV Martial Arts blaxploitation Extras Country Hear Us Out Comedy Lucasfilm Disney mutant mockumentary VOD unscripted Amazon Prime Video Mudbound documentary tv talk Travel Channel Winter TV Cannes Television Academy political drama joker HBO cops harry potter fresh Biopics The Purge FXX 78th Annual Golden Globe Awards french Sci-Fi Starz cults New York Comic Con comics fast and furious RT21 Cartoon Network 2019 natural history diversity crossover Lionsgate crime drama critics technology Apple screen actors guild Funimation Mindy Kaling TCA HBO Max 20th Century Fox Lifetime DC Universe cartoon History Winners Certified Fresh Superheroe Showtime NYCC Pride Month Arrowverse chucky Interview richard e. Grant Teen Spike Turner Classic Movies comedies a nightmare on elm street politics news BET SundanceTV MCU reviews scorecard Binge Guide crime thriller Endgame rom-coms justice league BET Awards Unbreakable Kimmy Schmidt PlayStation best Trivia dceu Chilling Adventures of Sabrina stop motion screenings WarnerMedia disaster Western Alien halloween indiana jones Disney Channel kids The Walking Dead Premiere Dates sag awards Britbox Pop Musical hispanic Brie Larson YouTube Red TLC Pop TV E3 renewed TV shows dramedy festival concert Spring TV First Reviews Classic Film Marvel anime romance Tarantino TNT Apple TV+ movie BBC Christmas Reality Comics on TV See It Skip It Paramount Network Song of Ice and Fire Bravo Black History Month Disney+ Disney Plus zombies Character Guide SXSW Paramount directors Chernobyl rotten movies we love BAFTA dragons Syfy spanish language Shudder Crackle movies zombie book reboot Rocketman ratings mission: impossible Election miniseries crime Crunchyroll GLAAD CBS All Access aliens Marvel Studios trailers nfl Anna Paquin Awards Tour X-Men TV renewals Logo Music MTV Disney streaming service Universal TCA 2017 green book Calendar twilight Amazon 2018 Food Network Kids & Family historical drama singing competition Amazon Prime Musicals series video Discovery Channel game of thrones composers talk show Drama USA Network cancelled TV shows Toys casting elevated horror franchise Thanksgiving independent pirates of the caribbean halloween tv Nominations Sundance TV cancelled television IFC spider-man Reality Competition Captain marvel Awards scary movies PBS Star Wars italian australia Rom-Com Spectrum Originals boxing period drama Quiz Shondaland The CW USA true crime quibi Pirates breaking bad comic books animated Fall TV jamie lee curtis Action Warner Bros. Trophy Talk GoT batman 2015 Nat Geo DGA Peacock stoner worst movies A24 theme song binge Film Festival 24 frames ABC Signature NBC Comedy Central OneApp foreign psychological thriller A&E VICE Vudu YA Film Hulu American Society of Cinematographers Countdown Netflix Stephen King ID Fox News IFC Films werewolf Schedule boxoffice robots TIFF TBS comiccon YouTube revenge facebook TCA Winter 2020 Grammys golden globes Holidays Holiday television festivals cars TCM satire adaptation The Arrangement Avengers Columbia Pictures San Diego Comic-Con Apple TV Plus Marvel Television blockbuster CNN 72 Emmy Awards dark Masterpiece free movies christmas movies cinemax Epix serial killer asian-american worst discovery dc Turner hollywood Podcast nature DirecTV TCA Awards Baby Yoda Black Mirror Sundance Now children's TV south america sequel Tomatazos james bond ESPN rotten films golden globe awards 2016 zero dark thirty football VH1 SDCC Amazon Studios El Rey FX on Hulu National Geographic deadpool indie Mary Poppins Returns jurassic park sports supernatural Walt Disney Pictures Ovation teaser LGBTQ Mary poppins Rocky AMC Opinion transformers Hallmark Christmas movies space Acorn TV cancelled TV series Tumblr Marathons 21st Century Fox MSNBC laika Cosplay sequels Disney Plus Box Office PaleyFest Superheroes Animation Super Bowl FOX ABC The Walt Disney Company 4/20 toy story obituary Trailer japanese Academy Awards CMT Pet Sematary WGN police drama anthology doctor who TV One Nickelodeon Mary Tyler Moore ABC Family DC Comics science fiction child's play Sundance First Look Watching Series Best and Worst black Emmys The Academy Fantasy Television Critics Association Oscars DC streaming service 2020 CW Seed dogs war Family medical drama comic Comic Book video on demand versus adventure sitcom social media ITV spy thriller 007 parents latino Netflix Christmas movies RT History thriller criterion CBS Red Carpet 99% Video Games Ellie Kemper 71st Emmy Awards APB Set visit Writers Guild of America Elton John Hallmark game show YouTube Premium Valentine's Day docudrama Dark Horse Comics cancelled 2017 canceled TruTV Tubi spain die hard spinoff Women's History Month Polls and Games Heroines The Witch archives FX biography finale Pixar based on movie Summer strong female leads nbcuniversal TV Land Sony Pictures President BBC America E! hist universal monsters Emmy Nominations cats spanish superhero OWN Star Trek Rock Mystery remakes venice witnail Year in Review ghosts Lifetime Christmas movies LGBT psycho Fox Searchlight what to watch Infographic travel Ghostbusters documentaries streaming Sneak Peek award winner slashers Adult Swim rt archives canceled TV shows toronto BBC One vampires 45 Photos stand-up comedy Esquire HBO Go GIFs emmy awards romantic comedy