Five Favorite Films

Guy Pearce's Five Favorite Films

The Proficient Actor Explains His Love for Peter Weir, Al Pacino, and Why Elephant Man Hits Close to Home.

by | March 7, 2017 | Comments

(Photo by Neilson Barnard/Getty Images)

Memento was a mindbending mystery flick that rested almost entirely on Guy Pearce‘s electrifying breakout performance in the lead role. Consider his work in other films like The Adventures of Priscilla, Queen of the Desert, L.A., Confidential, The King’s Speech, The Time Machine, ABC’s When We Rise, and soon, Alien: Covenant, and it’s easy to see why his remarkable versatility has become a hot commodity.

This week, Pearce stars in Brimstone as an intimidating reverend out for revenge, and we were almost a’scared to ask the guy anything, but we were pleased to find that he loves movies just as much as the rest of us. Ever charming and earnest, he gave us his list of Five Favorite Films, which you can read below.

The Elephant Man (1980) 93%

It came out in 1980 and I have a sister with an intellectual disability. I think in 1980 — when I was 12 and I saw The Elephant Man for the first time — the film just struck a chord in me that nothing ever had before, and it does to this day when I watch it. Obviously the performances by Anthony Hopkins and John Hurt and John Gielgud, etc. are just so sensitive and touching that it’s heartbreaking for me. It really touches me in a way that I think has — not to suggest that my sister has the same condition that Joseph Merrick had — but the way in which that character feels ostracized and the way in which people are judgmental of him are all things that really hit home for me as a young boy trying to protect my sister out there in the world. Very much connected to my upbringing, but obviously quite a different story.

But I just think Anthony Hopkins in that film, the way that David Lynch captured him, and obviously the way he performed that role of Freddy Treves just… There’s nothing better. Anthony Hopkins is someone who I think does sensitivity on screen better than anybody anyway, so his heartbreak and his compassion for that character was just unforgettable really.

A Streetcar Named Desire (1951) 97%

Something actually I watched recently — my girlfriend hadn’t seen it yet — A Streetcar Named Desire. I’m a huge Marlon Brando fan, as a lot of actors are. I know it’s a cliché, but obviously there are many performances of Brando’s that are just exquisite, but there’s something about that performance as Stanley in Streetcar that I think is just so raw and electric, as everybody says. I’m not saying anything that anybody hasn’t said before, so excuse my banter, but you just cannot take your eyes off him. I think as a young male actor at the time, when I first started seeing that film, you just wanted to deliver everything that he could deliver, and of course, none of us can. I certainly can’t, but the envy that I would feel for him, as well as the thrill of watching what he could do, was so mixed up in my head and my body that I just go back to that film every couple of years and watch it again.

Obviously, Tennessee Williams is such a wonderful writer, and we all understand, I think, those powerful emotions that exist within families, and those things that seem very subtle at one point that can then be the breakdown of a family. I just think the combination of his writing and Brando’s performance is just exquisite. It’s really exquisite.

The Godfather (1972) 97%

Okay. I do come back to The Godfather, and to be honest, if I had more time to think about it, I would probably leave The Godfather out only because I know that it’s a film that is often touted. But primarily, I think it’s about Pacino for me.

I think all of the things that make The Godfather what people call the perfect film, where you’re taken into a world where, for most us, is really just — we’re never going to go there ourselves, into the world of the mafia and organized crime, but to see how it’s connected to family and how that is the basis of this story being the bond within a family, is so foreign to, I think, most of us. Foreign as far as where killing is part of family life. It’s just so unusual, but at the same time, it’s done in such a way that they make it feel perfectly normal.

Of course, again, there’s Brando, there’s Pacino, and then in the second one we see De Niro.

I think I’m often drawn to films primarily because of the performances, and speaking of performances, I would then probably move to Dog Day Afternoon with Al Pacino for very different reasons. We see Pacino in Godfather in an extremely restrained performance. And then, of course, in Dog Day Afternoon, we see just this loose mess of a human being spilling out out all over the place, and he’s just absolutely electric and just as compelling and just as unpredictable as the character Michael Corleone in Godfather, but completely at opposite ends of the spectrum.

I just think Pacino is someone for me who, like Brando, I just find him completely watchable and can’t get enough of him. Anything he does, really, I would find compelling. Although there have been performances lately that haven’t been as interesting as the earlier stuff.

[Godfather and Dog Day Afternoon] are so different. They’re really, really different. I think Godfather is a better film, but I think Dog Day — that performance — John Cazale‘s performance in Dog Day, as well — and as you know, I have really eclectic taste anyway in the kinds of things that I like, and the kinds of jobs that I choose, too. I get just as much out of both of those films. The potential energy that exists in Godfather versus Dog Day is that they’re just extreme, explosive kind of sweaty performances of Pacino [and they are] are two completely different things, but they both affect me a great deal.

Bridget Jones's Diary (2001) 80%

I’m also a big fan of comedy as well, so even things to this day like Bridget Jones’s Diary, there was just something about Bridget Jones that I thought … And I guess it’s [Renée Zellweger‘s] performance. I remember there was a lot of talk about the fact that they cast an American in that role, but I think she captured the sensibility of a repressed English girl who was desperate to fall in love so beautifully And as an actor myself, often you caught slack if you’re playing a gay person and you’re not really gay, or you’re playing an American and you’re not really American, or you’re playing whatever it happens to be. I just think if you can find the essence in a character and pull it off, then it doesn’t matter where you’re from or what your nationality is, etc. There’s something to me about that film that’s like the perfect romantic comedy. I just think it’s a bit hard to put my finger on what it is, to be honest. It’s just beautifully executed. Everything’s so well balanced. Often whenever I read a romantic comedy now, I’m comparing it to Bridget Jones and if it’s planned well.

Gallipoli (1981) 91%

One of my favorite directors is Peter Weir, and a film that I watched recently of his is Gallipoli — Mel Gibson and Mark Lee, as well as a bunch of other great Australian actors. I think that film for me is this incredible combination of the brutality of war and yet the sensitivity of the human spirit, and I think Mel Gibson is absolutely electric and fantastic in that film, but I think Mark Lee is utterly heartbreaking. His almost non-sexual personality and spirit is so engaging and sensitive that the film, and the combination with his performance, the energy of the film, and then the music in that film really — I think music is a really important aspect in film, and, as you know, you can play Yakety Sax over a scene, or you can play something from Morricone over a scene, and the scene will then have a completely different meaning and feel. That’s an extreme example, but if music is done well in a movie, it can turn anything, even a three dimensional performance — it can make it turn more three dimensional because it enhances what is meant to be there. I think that the music used in Gallipoli is just utterly heartbreaking. Really, really heartbreaking and beautiful.


Brimstone opens on Friday, Mar. 10, 2017 in limited release.

Tag Cloud

A&E HBO Max remakes docuseries comedies Mary Poppins Returns Ovation biopic saw Amazon Prime Video singing competition miniseries comic book movies leaderboard sitcom MSNBC Comic Book Netflix ratings biography Marvel japan zombie serial killer DirecTV stand-up comedy Broadway Food Network GIFs prank FX Neflix CMT laika Superheroes rotten movies we love Walt Disney Pictures festival Trophy Talk TNT cults mcc romantic comedy scorecard new york AMC Plus Watching Series Funimation Emmys telelvision Star Trek green book The Witch 2019 spy thriller movie docudrama spinoff rotten TCA psychological thriller football Cartoon Network know your critic FXX 72 Emmy Awards kong binge dramedy Writers Guild of America X-Men 2020 witnail Classic Film USA Network comiccon Best Actress Esquire Arrowverse Apple versus Country Mindy Kaling razzies Dark Horse Comics ESPN PaleyFest Brie Larson superhero Red Carpet cancelled TV series BAFTA Sci-Fi suspense Turner Classic Movies Sundance Now live action Teen pirates of the caribbean best See It Skip It reviews Musical Universal APB diversity Thanksgiving SXSW spider-verse TV Land Calendar Lifetime Pirates DC streaming service The Walking Dead Rocketman free movies Fargo space dragons science fiction DC Universe comics blockbuster reboot The Walt Disney Company video on demand historical drama series 73rd Emmy Awards Drama italian mockumentary comic book movie Hollywood Foreign Press Association sequels die hard Action Elton John The Purge fresh ITV TCA Awards new star wars movies Anna Paquin The Arrangement Spring TV Spectrum Originals superman Comedy Peacock godzilla 94th Oscars Exclusive Video doctor who Image Comics Biopics adventure Chilling Adventures of Sabrina Kids & Family international Sundance TV worst movies RT History OneApp Reality Film Rom-Com worst YA Women's History Month supernatural Sundance Musicals spanish language Schedule Tumblr olympics Pride Month nfl Lionsgate summer preview ABC Family HBO Go Discovery Channel 1990s rt labs critics edition Shudder CNN slasher Animation Disney+ Disney Plus Summer Alien crime drama scary dexter Martial Arts king arthur 45 Winter TV trailers satire joker Fall TV political drama summer TV preview breaking bad news name the review Family Best Actor Tomatazos Sneak Peek technology parents Britbox black comedy documentary jurassic park LGBT justice league target Trailer television Emmy Nominations Starz dogs Stephen King IFC Films king kong Premiere Dates Hear Us Out South by Southwest Film Festival scary movies hist Photos History Marvel Television chucky south america Baby Yoda medical drama classics TV Interview Creative Arts Emmys USA Countdown comic books Winners 4/20 Certified Fresh PBS AMC American Society of Cinematographers genre screenings concert Columbia Pictures ViacomCBS dark Election strong female leads HFPA Oscars YouTube Premium popular Freeform new zealand Horror VH1 TCA 2017 Adult Swim hispanic heritage month NYCC marvel comics Apple TV Plus Music adaptation war BBC basketball cinemax finale video First Look live event WarnerMedia Marvel Studios PlayStation films 78th Annual Golden Globe Awards mob VICE Legendary crossover mutant Shondaland foreign Wes Anderson MCU critic resources emmy awards FOX SundanceTV sag awards ABC kids VOD Pop TV kaiju Rock Focus Features Fox Searchlight facebook posters Oscar Set visit Prime Video Trivia 93rd Oscars spanish Valentine's Day TLC batman Nat Geo 007 Captain marvel Vudu Podcast women 99% E! Marathons boxoffice Masterpiece E3 BET Tokyo Olympics RT21 Epix hispanic disaster sports Instagram Live Paramount Network Apple TV+ blaxploitation book obituary hollywood Acorn TV TruTV Hulu 79th Golden Globes Awards Holidays child's play Chernobyl obi wan GLAAD streaming movies franchise Logo 2017 TBS high school Sony Disney Channel LGBTQ 20th Century Fox Nickelodeon 21st Century Fox stoner royal family Box Office Rocky Amazon Studios ghosts gangster cops Infographic DC Comics OWN aapi Mudbound Nominations Pet Sematary summer TV 90s streaming dreamworks richard e. Grant CBS All Access psycho TV One IFC movies Ghostbusters Crackle Warner Bros. hidden camera Tarantino zombies cancelled TV shows slashers elevated horror 2018 IMDb TV Black Mirror all-time Comics on TV Star Wars Hallmark Christmas movies A24 black Pacific Islander YouTube Red blockbusters children's TV Mary Tyler Moore vs. deadpool sequel asian-american documentaries Comic-Con@Home 2021 police drama TIFF Fantasy Showtime WGN Academy Awards art house golden globe awards Black History Month unscripted halloween jamie lee curtis natural history Travel Channel Disney streaming service dceu Mary poppins rom-coms stop motion Comedy Central Fox News TV renewals indie discovery werewolf Superheroe Television Critics Association National Geographic NBA cancelled television Television Academy golden globes Tags: Comedy Super Bowl revenge DGA harry potter criterion Universal Pictures Lucasfilm travel Disney Plus CW Seed The CW festivals vampires TV movies New York Comic Con fast and furious latino dc marvel cinematic universe a nightmare on elm street casting nbcuniversal teaser crime heist movie Paramount australia screen actors guild Quiz award winner TCM Tubi archives 2021 Cosplay FX on Hulu french Awards Ellie Kemper venice critics toy story Grammys Holiday christmas movies Character Guide Lifetime Christmas movies young adult MTV Toys debate japanese scene in color animated 2015 rt labs SXSW 2022 independent Bravo rt archives mission: impossible Avengers President Extras Pixar Netflix Christmas movies El Rey cars Pop monster movies Spike canceled GoT Opinion indiana jones thriller Hallmark comic twilight Turner cooking Year in Review Disney period drama Endgame Paramount Pictures based on movie cancelled 71st Emmy Awards universal monsters Sony Pictures wonder woman streamig spain BET Awards zero dark thirty Western interviews composers Polls and Games what to watch feel good Video Games action-comedy true crime Mystery lord of the rings halloween tv Binge Guide game of thrones ID romance San Diego Comic-Con directors HBO Amazon talk show game show transformers politics social media Song of Ice and Fire boxing broadcast 2016 Syfy Reality Competition ABC Signature The Academy Christmas YouTube toronto MGM crime thriller Crunchyroll Unbreakable Kimmy Schmidt cartoon robots anime trophy BBC One 24 frames spider-man Paramount Plus First Reviews canceled TV shows book adaptation james bond TCA Winter 2020 Cannes BBC America Amazon Prime Best Picture Awards Tour Best and Worst legend adenture CBS anthology sopranos cats Film Festival renewed TV shows quibi Best Director SDCC theme song Heroines nature NBC tv talk aliens