Five Favorite Films

Five Favorite Films with Push Director Paul McGuigan

The Scottish filmmaker cites Wong Kar-Wai, Hitchcock, and even Aronofsky.

by | January 27, 2009 | Comments

Paul McGuigan  L. Busacca/
Given his filmography of stylized thrillers, Scottish director Paul McGuigan (Gangster No. 1, Wicker Park, Lucky Number Slevin) seemed a fitting choice to helm this month’s supernatural actioner Push, a Hong Kong-set sci-fi adventure about normal people endowed with super powers starring Chris Evans, Dakota Fanning, and Djimon Hounsou. Accordingly, one may be taken aback to hear that McGuigan names romantic auteur Wong Kar-Wai among his favorite directorial influences, but as he demonstrates in Push — which captures the vibrant streets of Hong Kong in lush detail, appropriately — McGuigan possesses a strong visual finesse that belies his history of making brutal crime movies and Hollywood suspense flicks.

McGuigan shared his Five Favorite Films with Rotten Tomatoes, which range from the above mentioned work of Wong Kar-Wai to UK family classics to the edgy work of Darren Aronofsky and beyond. Read on to discover the films most loved by Paul McGuigan, and learn what Hitchockian backstory he’s developing into a feature film.


In the Mood for Love (2001, 88% Tomatometer)

In the Mood for Love
It’s such a beautiful cinematic poem, I suppose. When I did Push in Hong Kong, it was a great pleasure to be able to shoot the film almost in the style of Wong Kar-Wai — just with him in mind, you know. Beautiful light, reds and greens. I actually stayed in one of the apartments in Hong Kong that he designed, which was nice. Lots of wallpaper. As a movie, you’re just so compelled by these two characters, and he only shows glimpses of them, yet they’re so compelling — which is a feat in itself.

Have you taken any cues from Wong Kar-Wai in your overall directorial style?

I’d like to think so. I would never compare myself to Wong Kar-Wai — that would be silly, that would be like comparing yourself to David Beckham. But I would like to make more work that has the kind of silence that he has, you know?

Push isn’t quite that quiet film, is it?

Push is really loud. There’s not much silence in Push. [Laughs] It’s a pretty cool movie; it’s not going to stretch you intellectually, but it’s definitely going to make you have some fun at the cinema. In a way, that’s as much a part of what I do as anything; just to entertain people. It was great for me to do something like this. I mean, imagine going to work and talking about f***ing floating guns, you know?

Chitty Chitty Bang Bang (1968, 59% Tomatometer)

Chitty Chitty Bang BangMy second favorite film is probably even more intellectually challenging than Wong Kar-Wai; it’s Chitty Chitty Bang Bang. I f***ing love that movie! I have two children; I’ve probably seen this movie, with each child, about 50 times each. And that’s no exaggeration. There’s nothing I don’t know about this movie. I once went to a meeting with an executive in Hollywood, and they asked me what I wanted to do. I said, ‘I’d love to do a remake of Chitty Chitty Bang Bang‘ — I was just making it up — ‘and I’d call it Chitty Chitty Bang Bang Boom,’ and he said that’s a great title! [Laughs] I was only kidding. But that’s a movie I really love.

In the UK at Christmastime, the girls would get The Sound of Music and the boys would get Chitty Chitty Bang Bang. It was that kind of thing, where every Christmas you would see it. So when I had kids, of course I put it on for my son and then he became obsessed with it. It’s the kind of movie where you never really get to the end; it’s so long, and the kids can only really wait so long. But the beginning of the film is like 20 minutes long, before anything even happens. It’s just the story of the car. It’s fantastic!

The Man in the White Suit (1951, 100% Tomatometer)

The Man in the White Suit
Alex Guinness, to me is — forget De Niro, forget Pacino — he’s the man. Alec Guinness is such a quintessential English actor, but he’s also a brilliant actor. He’s just the best. And The Man in the White Suit is just such a beautiful, charming movie. It’s about a man who invents a suit that you don’t have to wash. It’s a whole movie about it! It’s something that some of the more flamboyant directors should think about remaking. [Laughs] It’s about this guy who invents this material that keeps white all the time. It’s directed by Alexander Mackendrick, a fellow Scot, and the opening title sequence is amazing. Mackendrick is a brilliant director. I just enjoy his work; I enjoy the pace of his work. I think he’s really overlooked. He did The Ladykillers and Whisky Galore, and The Sweet Smell of Success. A lot of really cool movies.

Alec Guinness, to me — forget Star Wars and all that — he’s just the best. And to work with someone like Alexander Mackendrick, who really understood what a story meant…it’s funny, because on IMDB the movie is listed as sci-fi. It’s not sci-fi, that’s ridiculous! It’s actually a very nice tale, about inventing the thing that nobody wants. Like a car that doesn’t need petrol. The thing that people don’t want because of the money [the auto industry] could make off of you. If you say hey great, I’ve invented this car that doesn’t need petrol, and then there’s a silence, and then there’s a gunshot, and you’re dead. It’s that kind of thing.

Rear Window (1954, 100% Tomatometer)

Rear Window
I love Hitchcock’s Rear Window. I’m actually developing a movie about Robert Capa, who was a war photographer that Hitchcock seemingly based the movie on. I used to take photographs; I was a photographer for many years, and I’m intrigued by this idea. I think it’s a wonderful idea about being a voyeur. He just watches his next door neighbors, and becomes convinced that one of them has been killed. It’s the idea of what you see versus what you really see.

I loved making documentaries for that very reason; you just watch people, even after you’ve shot it. You go back to the edit suite and watch them, and you can understand when they’re telling the truth and when they’re lying. You get to know that stuff. It’s really fascinating — the idea that you can have a movie about something that might have happened… it’s a trick of the eye, or using the camera in a fascinating way. You’re using it to tell a story based on intrigue, and I don’t think I’ve seen that before, or since.

Requiem for a Dream (2000, 78% Tomatometer)

Requiem for a Dream
Requiem for a Dream is a really interesting film. It changed my idea of what people really wanted to see. Because I came from the UK, as a European film director, it was interesting to see how American studios or financiers were really into European cinema. They would always quote certain movies that I made that nobody else had seen — like Gangster No. 1. I was amazed, like, ‘Wow, you’ve actually seen that movie?’ And it dawned on me that people in America aren’t that dumb after all, you know? They’re kind of smart — much smarter than I was about movies. And when I saw Requiem for a Dream, I understood it. This guy got cash, he got money, to make this movie. It’s quite a hard movie to actually sell — can you imagine trying to sell that movie? And for that alone I think Aronofsky is a genius. I like what he does. I even liked The Fountain. The Wrestler is a great movie; I think Pi is a genius piece of work. I think he deserves a lot of praise.

For people like me, who come from Europe and go to America and think nobody’s going to know what I’ve done, I’m a struggling filmmaker, and then suddenly you go into a studio and the head exec is like, ‘Gangster No. 1, I loved that film, it had this and that person in it…’ They see everything. I was quite cheered by that.

Push opens in wide release February 6, 2009. Click here for a full synopsis, photo gallery and trailers.

Want more Five Favorite Films? Check out previous installments with Ernest Borgnine, Mickey Rourke, Danny Boyle, and James Franco.

Tag Cloud

FXX ITV TV renewals cancelled TV series Amazon Prime series casting Star Wars adventure romance WGN VICE elevated horror cooking spain Mudbound Holidays composers TIFF DGA Opinion Kids & Family Song of Ice and Fire Bravo 20th Century Fox Nickelodeon singing competition Syfy San Diego Comic-Con space Film green book politics Watching Series what to watch Cannes cinemax Reality Heroines Drama Video Games YouTube Premium Winter TV Disney Channel Sci-Fi Paramount Year in Review teaser TruTV cats Esquire Awards dc TV Land NBC robots LGBTQ Trivia south america miniseries BBC America TNT Paramount Network anime Teen canceled PBS SDCC Musical sequel game show festivals Comedy Central Hulu Rocky diversity Photos binge Comic Book Valentine's Day PaleyFest ABC Family Adult Swim Interview discovery Universal Apple TV+ Anna Paquin Pop Fantasy Western Horror richard e. Grant Fox News HBO cancelled Crackle natural history Starz Country Grammys TCA Rocketman The Walking Dead 2019 vampires Logo crime Nat Geo USA Network canceled TV shows anthology Reality Competition LGBT latino RT21 award winner Freeform spider-man Christmas Music 21st Century Fox aliens cops television Rock Ghostbusters Spike WarnerMedia TBS CNN Acorn TV NYCC sports Mystery Calendar TV OWN Masterpiece mockumentary ABC comiccon crime drama mutant Dark Horse Comics crime thriller 2017 zombie Tumblr kids political drama cars TCA 2017 Peacock Cartoon Network IFC Films facebook Mary poppins based on movie The CW Lionsgate Elton John Unbreakable Kimmy Schmidt unscripted Premiere Dates Superheroes dramedy Mindy Kaling BBC See It Skip It Thanksgiving harry potter Sundance doctor who Pride Month X-Men BET Arrowverse Schedule boxoffice slashers Animation YouTube Red Chilling Adventures of Sabrina Awards Tour Trailer Election batman Vudu New York Comic Con spinoff National Geographic Biopics Character Guide Nominations MTV Emmy Nominations Columbia Pictures Captain marvel talk show E3 Infographic strong female leads Action CMT Pirates Spectrum Originals MSNBC golden globes Superheroe Brie Larson TLC DirecTV Pet Sematary nature Star Trek MCU Food Network medical drama Amazon free movies 2016 renewed TV shows supernatural theme song foreign animated CBS Film Festival dceu true crime period drama dragons zombies docudrama witnail Best and Worst Mary Tyler Moore ratings Stephen King Amazon Prime Video GLAAD Disney streaming service Fall TV Pixar serial killer Martial Arts DC Universe DC streaming service Family Countdown Sony Pictures Summer 2018 social media Shondaland Musicals psycho spanish language psychological thriller The Arrangement movies President Women's History Month hispanic IFC A&E thriller Podcast First Look video Chernobyl Writers Guild of America Super Bowl transformers Walt Disney Pictures AMC halloween biography Ellie Kemper Extras First Reviews blaxploitation GIFs SundanceTV Sneak Peek spy thriller streaming Disney CW Seed FX children's TV American Society of Cinematographers hist HBO Max Marvel justice league Trophy Talk Rom-Com SXSW Lifetime APB Television Academy Comedy Creative Arts Emmys technology Shudder Binge Guide E! Winners cancelled TV shows ghosts Spring TV comic Netflix Polls and Games game of thrones travel Showtime FOX crossover cancelled television Epix toy story Marathons jamie lee curtis Sundance Now CBS All Access stand-up comedy book cults USA 24 frames Black Mirror adaptation The Witch Lucasfilm Cosplay Box Office Warner Bros. Tomatazos Quiz disaster Emmys Toys Tarantino Ovation Disney Plus Britbox zero dark thirty RT History revenge History ESPN sitcom war YA Oscars science fiction 2015 GoT Red Carpet TCM historical drama El Rey DC Comics YouTube VH1 finale Set visit 71st Emmy Awards joker Apple police drama Certified Fresh Mary Poppins Returns tv talk Comics on TV 007 45 quibi