Five Favorite Films

Five Favorite Films with Djimon Hounsou

The Push loves Martin Scorsese and David Lean.

by | February 5, 2009 | Comments


Djimon Hounsou
After giving critically-acclaimed performances in Oscar-nominated films like Amistad, In America, Gladiator, and Blood Diamond, Benin-born actor Djimon Hounsou finally gets to play a villain in this week’s science fiction thriller, Push. Rotten Tomatoes spoke with Hounsou about his Five Favorite Films of all time and discussed the two-time Oscar nominee’s philosophies on the nature of acting, the perils of creating a signature style, and more.

In this week’s Push, Djimon Hounsou strikes a menacing pose as Carver, the ominous head of a secret government agency working to cultivate an army of telekinetics, psychics, shape-shifters, and others endowed with unique powers. It’s a bit of a departure for Hounsou, who came to attention as the leader of a slave rebellion in the Oscar-nominated Amistad only a little over a decade ago, but achieving variety, it would seem, is Hounsou’s intent. Read on as Djimon Hounsou takes us through his favorite films — classics of their respective generations — and shares his thoughts on filmmaking, acting and creative versatility.

“I’d like to think that when a story changes, your vision changes.” — Djimon Hounsou

 

Raging Bull (1980, 98% Tomatometer)



Raging Bull
What a scope of a film for Martin Scorsese. To really dig into the humanity of that character, Jake La Motta. And what a portrayal by Robert De Niro! What an amazing talent. How he was able to really touch into this organic moment…it was just unbelievable.

Lawrence of Arabia (1962,
98% Tomatometer)

Lawrence of ArabiaJust the scope of the film. The journey the film takes, the journey the character takes. Doing that film today you couldn’t get your head around it — it was such a massive undertaking. It leaves so much room for imagination, to escape. I escaped with that film.




The Bridge on the River Kwai
(1957, 95% Tomatometer)



The Bridge on the River Kwai
I think it was a beautiful, well-told story. If you’re learning to know how to direct a film, it’s a great subject film to study.


The Usual Suspects (1995, 89% Tomatometer)



The Usual Suspects
Obviously it has to do with the story and how complicated it was. [Bryan Singer] was an impressive young man, to be able to draw that.


Taxi Driver (1979,
100% Tomatometer)

Taxi DriverI thought its arc of character was beautifully captured. [Martin Scorsese] has got so many dramatic views — men fed up with life, the situation, the system. These days people are more experienced [as filmmakers] but we’ve just been poorly making movies lately. We used to tell beautiful, humane stories. We used to care about characters instead of just blowing some f***ing building down.


Next: Hounsou talks about Push, as well as formenting a personal style in the movies.

Rotten Tomatoes: In Push, the government secretly trains people with a number of special powers, but the most dangerous ones are “pushers” — people who can make you believe lies are real. Are all the best actors really pushers of some sort?

 

Djimon Hounsou: I guess you could look at it that way. But at the end of the day, actors are “pushing” themselves, not you; that belief makes you [the audience] believe. They don’t alter your thinking; they alter their own beliefs, embodying the life condition that they’re playing. They are convincing themselves, not you.

And you, do you ever push yourself too far?

 

DH: [Smiling] No. I’m not an actor who takes his bulls*** home. There are limitations.

 

Hounsou in Push.

 

Your director, Paul McGuigan, was previously known for a few very striking movies, Gangster No. 1 and Lucky Number Slevin among them. Did you feel that Push would fit into Paul’s style, or do you resist the idea that filmmakers or artists can have a signature style?

 

DH: I don’t know if it’s such a nice thing [to be thought of as having a signature.] It’s like a painter — where one stroke of a brush can be read into. In that sense, maybe. I like to think that moving to a new project, your style should change to accommodate the story. If it’s the same, you become repetitive with your style. Paul [McGuigan] is known for his visual interpretations, but I’ve paid attention to his directorial visions. I think of Push as an entity unto itself, completely independent of all other films. I’d like to think that when a story changes, your vision changes.

When I spoke with Ed Zwick, who you worked with on Blood Diamond, he said he preferred to not be typed and to let a film speak for itself.

 

DH: I certainly don’t see Zwick other than his great storytelling; I don’t want to pigeonhole him by saying I see the “Zwick trait.” I don’t look at directors like that. Hopefully we don’t all.

You’ve done historical drama, action drama, and now, sci-fi action. How do you strike a balance between the projects you choose?

 

DH: I guess you could try to balance but at the end of the day you’re left to what’s available at the time. Some projects can be amazing, but they won’t happen until five years from now. You sort of have to surrender to the outcome of what’s present at the time, and hopefully choose one of the best and hope it creatively comes together.

Push opens in wide release February 6, 2009.
Click here for a full synopsis, photo gallery and trailers.

Want more Five Favorite Films? Check out previous installments with Ernest Borgnine, Jean Reno, Danny Boyle, and James Franco.

Tag Cloud

Extras Year in Review Election binge Summer TV A&E Sci-Fi PaleyFest Comic Book Thanksgiving CBS All Access Musical based on movie Video Games Pirates Box Office Red Carpet Disney Channel Unbreakable Kimmy Schmidt The CW MSNBC Photos Nat Geo HBO TCA 2017 AMC biography Valentine's Day diversity Set visit Toys 45 Trailer Rom-Com Dark Horse Comics MTV Opinion Musicals Rock Rocky Lionsgate Awards Fox News Star Wars Tomatazos TIFF thriller LGBTQ Bravo Writers Guild of America Warner Bros. CNN Crackle Syfy transformers First Look Ellie Kemper Oscars GoT 007 BET adventure E3 cops Nominations science fiction FOX discovery DC Universe Superheroes SundanceTV Comedy Calendar Premiere Dates Starz Food Network docudrama Logo romance politics Drama comiccon TCM ABC historical drama composers Tumblr VH1 Countdown dramedy harry potter serial killer GIFs Showtime El Rey Adult Swim Masterpiece Winners crime thriller singing competition 2015 political drama Netflix Star Trek Lifetime Podcast Marvel Watching Series Cartoon Network CBS cooking BBC social media Certified Fresh Amazon Disney DC Comics Super Bowl OWN X-Men zombie Ghostbusters DirecTV FXX Marathons Action Horror Schedule BBC America WGN Music Comedy Central TNT E! TCA Winter TV Character Guide Mystery Infographic cats boxoffice cinemax sitcom what to watch Esquire Fantasy NBC Emmys Paramount 2016 TruTV President Biopics Hulu IFC NYCC Reality Competition Pop ABC Family police drama Martial Arts psycho 24 frames Interview Sundance YA Holidays Spring TV Mary Tyler Moore Nickelodeon crime drama Best and Worst Freeform technology travel Cosplay Teen Sneak Peek TBS TLC sports vampires war Mindy Kaling Grammys aliens American Society of Cinematographers RT History Universal Fall TV 2017 ESPN PBS Trivia crime History SDCC TV Land VICE GLAAD Animation Kids & Family period drama Country APB ITV USA FX Reality The Arrangement talk show supernatural CMT Polls and Games