Five Favorite Films

Death Stranding Director Hideo Kojima's Five Favorite Films

The visionary behind Metal Gear Solid on the dream fulfillment of 2001: A Space Odyssey and how George Miller guided him through his darkest hour.

by | December 20, 2019 | Comments

Rotten Tomatoes
(Photo by Rotten Tomatoes)

One of Hideo Kojima’s most resonant achievements in his 30-year career as a video game designer and director came early. Kojima saved a troubled project at Konami called Metal Gear by reducing the game’s combat and emphasizing avoiding detection, pioneering the stealth genre. When it was ported to the Nintendo Entertainment System, it sold over a million copies in America.

Kojima returned to the series in 1998 with Metal Gear Solid for the PlayStation, a groundbreaking hybrid of intense stealth action dressed with stylish cinematic flair that went on to move six million units. He designed and directed four more direct Metal Gear sequels, piecing together a complex and occasionally bizarre tale of nanotechnology, nuclear proliferation, military conspiracies, and, yes, love blooming on the battlefield that has found wide appeal beyond core gamers.

That explains the cast Kojima was able to put together for his latest game, Death Stranding. Through motion capture, Norman Reedus stars as as Sam Bridges, a cargo carrier tasked with connecting a post-apocalyptic America back online, outpost by outpost. Reedus is joined by Lea Seydoux, Mads Mikkelsen, Margaret Qualley, Lindsay Wagner, Guillermo del Toro, and Nicolas Winding Refn in an audacious boots-on-the-ground epic, which emphasizes collaboration with other players online over violent shootouts in rebuilding America, featuring Kojima’s signature maximalist storytelling.

He’s always worn his inspirations in the open, and the way they weave into his games is part of their crossover charm and fun. You can get a sense of what movies Kojima watches through playing his games: Blade Runner is all over cyberpunk graphic adventure Snatcher, there’s plenty of Escape From New York‘s DNA in Metal Gear Solid, and Death Stranding even has a major character named Die-Hardman. So when Kojima stopped by for a tour of Rotten Tomatoes HQ on the eve of The Game Awards — where Death Stranding won Best Game Direction, Best Score/Music, and Best Performance (Mads Mikkelsen) — we had to sneak in a Five Favorite Films.


2001: A Space Odyssey (1968) 92%

It’s like a monolith to me, that movie. Every time it’s re-shown in theaters, I always go. Star Wars was a big hit in 1977 which created a big sci-fi boom. So 2001 came to Japan, and I saw it in theaters when I was in middle school. Before experiencing that, I was just listening to radio dramas. I read the original novel, but the movie was totally different. I didn’t really understand it the first time. Now, I have a different interpretation every time I watch it. As a creator, I have periods of difficult times, but whenever I feel particularly in need of a pick-me-up, I watch 2001. It’s a perfect movie for me.

It was a real space experience. Exploration even before man went to the moon. I always wanted to be an astronaut when I was a kid, but Japan doesn’t have NASA. You had to go either to USSR or China. Although I felt like I had to give up on the dream of becoming an astronaut, when  I saw 2001: A Space Odyssey, I felt like I really went to outer space. It’s a life-changing movie because it made me feel like I accomplished a dream.

Did you see Christopher Nolan’s 70mm restoration of 2001 last year? Did your interpretation of it change?

Yes, I went to see it with my son.  I was more interested  about what my son would think. It seems it was quite shocking for him, like something he has never seen or experienced before. Something not really predictable. It’s really difficult to find something that’s created by man which is unpredictable. These days it’s all set.

Taxi Driver (1976) 96%

Taxi Driver. Martin Scorsese. Growing up, most of my friends were interested in becoming bankers or working in a company. I, however, wanted to become a movie director. This was something that I couldn’t be open about with my friends and oftentimes I felt lonely because I couldn’t share those aspirations. I lost my father when I was quite young. My mother was working and I was a latchkey child. Even if I talked to a lot of people, I always felt a little lonely. I thought maybe I’m sick, maybe I’m ill. There was no counseling, or there were no therapists. It was not a trend at that time. So I thought maybe I’m really strange.

After watching Taxi Driver and seeing Travis, I felt this immense similarity between the character and myself. He lives in New York, surrounded by so many people, but he still felt lonely. This surprised me, and I thought “Here is this guy, living in America, who is like me.” Seeing his character, I felt relaxed and realized there are others like me. I felt I was okay.

And I wanted to put that feeling in Death Stranding. Like, you’re all alone, trying to connect the world. Everything has been connected by the internet recently. In so many ways, everyone is battling each over the internet. If you play online, you get head shots, but, like, you don’t know who you actually shot, right? To connect is a very positive concept. But there are people who don’t want to feel connected anymore, and I think a lot of people play games that don’t offer human connection. I can’t tell anyone that I feel lonely or I’m in solitude, and I have this big problem which I couldn’t share with my friends. It’s a big load to carry, just like Sam Bridges. And you’re kind of traveling, you’re sent orders, you go to this place, you trip over, and drown in a river.

But at one point, you have this indirect connection system where you know you’re not alone. It’s not an isolated, lonely planet. There is someone who creates a road. There is someone who has made the coffee. It’s not just me, and I wanted to put that in a game.  This is the same feeling I got from Taxi Driver.

Mad Max 2: The Road Warrior (1982) 93%

Mad Max. George Miller is my ultimate mentor. I went to see Fury Road 17 times in the cinemas.

I can’t really express in one word of how good Mad Max 2 is. There’s hardly any dialogue in that movie, right? But the character stands out so much, visually, how he moves. Usually, you express through dialogue, but with George, it’s totally different. Like how a character throws a boomerang: No dialogue, but all character. I’m also influenced by where Geroge places the camera. It never goes away, far from Mel Gibson. Even looking through the telescope, usually the camera jumps to that location, but here you’re always looking at Max. It’s kind of basic, but George Miller keeps it basic in a way no one else can.

It was tough when I had to leave my previous company. George came to Japan, and that was the first time we met. He cheered me up in my darkest time. After I became independent,  and opened my studio, I went to Australia in 2017.  I had two trailers at that time, but there was no gameplay revealed yet of Death Stranding. I explained what Death Stranding would be over an hour — the system, the story, the world. George told me, “What you’re doing is mathematically, philosophically, and physically correct.” He said: “Congratulations; it’s a guaranteed success.”

George is a very kind gentleman. He is really into computer graphics and technology, and he also knows game technology. It’s really rare that a director of his generation knows all of these. He’s even older than me, but he has a lot of energy. There are game producers who are much older than me. But, as for creators who actually write scenarios or game designs, I think I’m the oldest in the industry. Sometimes I feel lonely because of that. But then there’s George; he’s over 70, and he’s still wearing this leather jacket, still young. That cheers me up.

High and Low (Tengoku to jigoku) (1963) 95%

Stanley Kubrick, Hitchcock, Kurosawa: My father always showed me these directors’ movies, whether I liked it or not. I’m selecting Kurosawa’s High and Low because it’s a little different.

It’s based on a story by Ed McBain, and it’s about a kidnapping. During those times in Japan, if you kidnapped someone, you weren’t penalized too much. To have a harsher sentence, other charges, like drugs, were needed. But because of High and Low, the law in Japan changed. The movie had made a positive impact in society. That’s my kind of wish when I create a game. I think entertainment has that power to change society. You don’t have to be a politician or run for a cause to create change. High and Low was, in that sense, really impactful.

Entertainment isn’t really just entertainment. It leaves something in people’s hearts and that person might be moved to create something. It’s a push for that person the next day, and I think entertainment should be similar, including games. When you experience something, and then come back to the real world, I want people to feel a little influence in their world.

Blade Runner (1982) 90%

When it was first released, I was in university. I went to see it alone. In Japan, it only showed for two weeks. There were probably similar reactions in America after its release.

Nowadays, it’s regarded as a classic, but when it was first revealed, there was a lot of criticism. Maybe Death Stranding is the same [laughs]. When Blade Runner was shown for the first time in movie theaters, it was totally different from other movies. The rhythm of how it begins and all, that’s why it catches my eyes. It’s something that’s really indigestible in the beginning and stays in me. Then we moved on to the home video era, where you can watch videos over and over in your room. In the cinemas, you see it once and it’s over. Anything else that’s not digestible and that you can’t relate to, will be criticized. But for videos, it’s different. You can watch it over and over until you digest it yourself. Blade Runner might at one time be perceived only as a “cult movie,” but turned mainstream from the ability to watch it over and over and allow the viewers to digest the content. So Blade Runner was ahead of its time for the current generation at its release.

Ghost in the Shell was probably the same, because it was on video where people watched it over and over. It got really popular; everyone got it. I deliberately made the tempo of Death Stranding totally different than the current games out there. So it might not be for everyone. Blade Runner showed in the cinemas, but then it changed when it came to video. Same with games. We have a platform, we have a console, and then in the future, it will be all streaming. Everything, storytelling, and the rhythm of how you play games will totally change in the near future.


Alex Vo for Rotten Tomatoes: You also made headlines recently because Kojima Productions is moving into the movie space. What can you tell us about the process so far?

Hideo Kojima: I’ve already started kind of, yes, but I can’t really announce it yet. Games are primary for Kojima Productions. Of course, I have staff that need to work. We create games, and maybe in-between… We’re an indie company, so maybe something really punkish in a very small team sort of way, we do a smaller game, and we might do some short films too.

I get a lot of offers, but I’m not really free all the time. If I do 100% movies, the staff will have nothing to do for the other projects, right? So I am doing all these things, but eventually think games and movies will all be on streaming platforms. I could just shoot normal movies and maybe that could be one project I could do. But I think other than that, doing something on a streaming platform and doing something new that no one has done before is more interesting to me.

Thumbnail image: Warner Bros., Columbia Pictures


Death Stranding is currently available for PlayStation 4.

Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Tag Cloud

Awards Thanksgiving Star Wars The Walking Dead Toys comics tv talk revenge Hallmark Christmas movies BBC One Spike Ovation comedies spain Western 2019 Family breaking bad science fiction 71st Emmy Awards Mary Poppins Returns foreign LGBT zero dark thirty sag awards The Purge movie Chernobyl Oscars miniseries aliens Creative Arts Emmys psycho franchise werewolf RT21 Peacock cancelled crossover sequel quibi Photos all-time stoner X-Men AMC theme song 21st Century Fox Comedy Central Election game show Rock Brie Larson Pop BBC laika Baby Yoda documentary cops Binge Guide stand-up comedy christmas movies halloween Polls and Games disaster MCU DGA Year in Review DC streaming service game of thrones Vudu A&E video on demand green book political drama Comedy BBC America Paramount Network GoT DirecTV Disney Channel DC Comics New York Comic Con richard e. Grant Crackle cinemax YouTube Red The CW El Rey elevated horror VOD President sports police drama Sony Pictures Dark Horse Comics FXX indie spanish language parents Women's History Month Britbox cartoon ghosts Nat Geo book Epix classics Character Guide Best and Worst TCM talk show spy thriller Grammys Elton John Rocky TLC Acorn TV hollywood Anna Paquin docudrama best Classic Film comic SundanceTV Horror zombie renewed TV shows Drama Discovery Channel TCA Heroines Pirates Cosplay YouTube cancelled television Musical The Witch hist dramedy twilight cars PlayStation Tarantino dragons ESPN justice league Captain marvel GIFs Reality Competition Fantasy Mystery See It Skip It criterion adaptation anthology video Emmy Nominations obituary Shudder toy story stop motion FX Disney+ Disney Plus canceled Syfy Trivia films Universal Song of Ice and Fire crime drama what to watch Lifetime Christmas movies Funimation 24 frames Turner television thriller Opinion die hard scary movies Holiday kids Spring TV WGN Biopics YA casting VICE Pixar Mary poppins Travel Channel 2020 south america vampires Kids & Family Awards Tour Cannes Netflix Christmas movies Box Office Lucasfilm DC Universe TCA Awards Pet Sematary Starz biography 2017 TruTV Sundance Trophy Talk blockbuster Comics on TV travel BET Awards joker award winner Rocketman period drama boxoffice cults sitcom Winter TV Disney streaming service 2018 ITV Showtime E3 72 Emmy Awards mission: impossible San Diego Comic-Con TIFF rotten finale Food Network romance Lionsgate SXSW Apple TV+ VH1 Mudbound crime crime thriller Stephen King fast and furious name the review TNT 4/20 Countdown PaleyFest Superheroe Marvel Television Christmas Hallmark Avengers NYCC Mary Tyler Moore A24 Walt Disney Pictures witnail RT History Calendar 20th Century Fox LGBTQ Amazon directors History Star Trek Trailer robots TV Land YouTube Premium Pop TV WarnerMedia Podcast anime Fox News Martial Arts romantic comedy Infographic Superheroes Summer NBC harry potter blaxploitation Watching Series dark worst Cartoon Network facebook Quiz Apple TV Plus latino based on movie rotten movies we love spider-man ratings Masterpiece true crime series Ellie Kemper Extras Emmys Warner Bros. Musicals child's play Video Games nature 2015 2016 cats dc OWN superhero HBO Television Academy cancelled TV series satire strong female leads nbcuniversal reboot Winners Television Critics Association Tomatazos Amazon Prime Video emmy awards Sneak Peek dogs E! Red Carpet jamie lee curtis Shondaland PBS comiccon Freeform Premiere Dates Writers Guild of America Disney Plus Hear Us Out TBS asian-american CBS All Access Mindy Kaling Schedule screen actors guild Logo singing competition teaser APB Rom-Com TCA 2017 concert cancelled TV shows Turner Classic Movies Spectrum Originals First Look versus reviews Endgame National Geographic TV Esquire Arrowverse unscripted news Sci-Fi discovery Hulu IFC social media Netflix BET Reality golden globes Crunchyroll serial killer CW Seed Interview TCA Winter 2020 Certified Fresh First Reviews festivals movies historical drama Marvel natural history OneApp critics Ghostbusters screenings Pride Month Music Disney HBO Go indiana jones 45 composers war CBS GLAAD CNN Marathons Sundance TV Sundance Now Nickelodeon mutant supernatural Unbreakable Kimmy Schmidt CMT Animation streaming Set visit Academy Awards Black History Month Nominations cooking SDCC Comic Book spinoff ABC Family 007 Bravo hispanic Action universal monsters chucky Chilling Adventures of Sabrina Valentine's Day free movies Film Festival Super Bowl Fall TV dceu Teen Holidays MSNBC Paramount documentaries American Society of Cinematographers politics Country USA Network Amazon Prime binge batman ABC Film technology Tubi Marvel Studios TV renewals FOX psychological thriller a nightmare on elm street animated Tumblr Adult Swim medical drama The Arrangement IFC Films HBO Max zombies Amazon Studios canceled TV shows FX on Hulu Black Mirror Columbia Pictures slashers transformers space adventure doctor who BAFTA USA mockumentary Apple Lifetime children's TV MTV diversity independent