Critics Consensus

Critics Consensus: Alexander and the Terrible, Horrible, No Good, Very Bad Day Is Okay

Plus, The Judge, Dracula Untold, Men, Women & Children, Addicted, and Certified Fresh TV.

by | October 9, 2014 | Comments

This week at the movies, we’ve got family pratfalls (Alexander and the Terrible, Horrible, No Good, Very Bad Day, starring Steve Carell and Jennifer Garner); a tense trial (The Judge, starring Robert Downey Jr. and Robert Duvall); a legendary vampire (Dracula Untold, starring Luke Evans and Sarah Gadon); a failure to communicate (Men, Women & Children, starring Adam Sandler and Rosemarie DeWitt); and a torrid affair (Addicted, starring Sharon Leal and Boris Kodjoe). What do the critics have to say?

Alexander and the Terrible, Horrible, No Good, Very Bad Day


<pTerrible, horrible, no good, and very bad? Or terrific, honest, noteworthy, and very good? Critics say Alexander and the Terrible, Horrible, No Good, Very Bad Day falls directly in the middle — it’s pleasant, charming, inoffensive, and a little tepid. Based upon Judith Viorst’s beloved children’s book, the movie stars Ed Oxenbould, who has a lousy day at school and subsequently wishes that his other family members are also stricken with bad luck as well. Hilarity and, ultimately, family bonding ensue. The pundits say Alexander and the Terrible, Horrible, No Good, Very Bad Day is perfectly passable family entertainment — it’s well-meaning and reasonably funny, but nothing earth-shaking. (Watch our video interviews with stars Jennifer Garner, Steve Carrell, Ed Oxenbould, and more.)

The Judge


It’s been a while since we’ve been treated to a weighty courtroom drama at the multiplex, so it’s not unreasonable to have high expectations for The Judge — especially since it stars Robert Downey Jr. and Robert Duvall. Unfortunately, critics say that despite its fine performances, the film is overlong and far too predictable. Hank Palmer (Downey) is a big-city attorney who returns to his hometown in Indiana for his mother’s funeral. His estranged father Joseph (Duvall), the town judge, is accused of murder, so Hank ends up defending him, while trying to make peace with the past. The pundits say The Judge is impeccably crafted, and the stars play off each other quite well, but it’s got too much melodrama and not enough suspense. (Check out our video interviews with Downey, Duvall, and more.)

Dracula Untold


You can drive a stake through his heart, expose him to sunlight, and come at him with a convent’s-worth of crucifixes, and still, Dracula will rise again — since the silent era, we’ve been treated to hundreds of cinematic depictions of Transylvania’s favorite son. That said, critics say Dracula Untold is visually striking but narratively shaky, borrowing heavily from a wide range of fantasy/adventure movies. In 15th Century Romania, Vlad Tepes (Luke Evans) makes a deal with an old vampire in order to protect his kingdom from an invading army. He’s granted a variety of supernatural powers, but at the cost of developing a taste for blood. The pundits say Dracula Untold offers some fun battle scenes, but it’s a bit unclear on the rules of being a vampire. (See interviews with Evans, Sarah Gadon, and more.)

Men, Women & Children


In Up in the Air and Young Adult, director Jason Reitman crafted witty, portraits of lonely people trying to connect with others. Unfortunately, critics say his latest, Men, Women & Children, jettisons the wit in favor of a more hectoring tone that’s only partially redeemed by the strong cast. It’s a multi-stranded ensemble piece set in a small town in Texas, in which adults and their teenage children are immersed in their phones and computers, but have difficulty communicating offline. The pundits say Men, Women & Children is ambitious and well-acted, but its message ultimately overrides its storytelling.



We’d love to tell you what the critics thought of Addicted, but it wasn’t screened prior to its release. It’s the tale of a successful businesswoman who gets in over her head when she cheats on her husband with an artist. Guess the Tomatometer!

Certified Fresh on TV this week:

We’ve seen plenty of heavy, gritty superhero stories lately. What critics say makes The Flash (Certified Fresh at 96 percent) stand out is it light, likeable tone — it’s energetic, buoyant, and likely to have appeal beyond the comics crowd.

The fourth iteration of Ryan Murphy’s creep fest, American Horror Story: Freak Show (Certified Fresh at 79 percent) proves there are plenty more dark corners for the series to explore; Critics say it’s stylishly presented and well-acted by returning players Jessica Lange, Sarah Paulson, Kathy Bates, and Angela Bassett.

Also opening this week in limited release:

  • Whiplash, starring Miles Teller and J.K. Simmons in a drama about an ambitious jazz drummer and his punishingly strict teacher, is Certified Fresh at 97 percent.
  • The Overnighters, a documentary about the influx of people looking for stable jobs amidst North Dakota’s energy boom, is at 94 percent.
  • Dead Snow 2: Red vs. Dead, the second installment of the horror/comedy franchise about Nazi zombies, is at 87 percent.
  • Kill the Messenger, starring Jeremy Renner in a drama about investigative journalist Gary Webb’s discovery of CIA ties to a drug trafficking conspiracy, is at 71 percent (check out Renner’s Five Favorite Films here).
  • The Canal, a horror film about a man who is haunted by a grisly murder that took place in his home, is at 71 percent.
  • St. Vincent, starring Bill Murray and Melissa McCarthy in a comedy about a hard-living curmudgeon who bonds with his neighbor’s 12-year-old son, is at 63 percent.
  • One Chance, a drama based on the true story of the amateur opera singer who became an overnight sensation on Britain’s Got Talent, is at 61 percent.
  • I Am Ali, featuring audio recordings of the boxing legend, is at 42 percent.
  • You’re Not You, starring Hilary Swank and Emmy Rossum in a drama about a woman suffering from ALS and the college student who cares for her, is at 22 percent.
  • Autómata, starring Antonio Banderas and Melanie Griffith in a sci-fi drama about an insurance agent who investigates a self-improving robot, is at 21 percent.
  • The Pact II, a horror film about a woman who’s bedeviled by a serial killer, is at zero percent.
  • Kite, starring Samuel L. Jackson and India Eisley in a thriller about an orphan who attempts to break free from the detective who trained her to be a killer, is at zero percent.
  • Catch Hell, starring Ryan Phillippe as a has-been actor who’s kidnapped and blackmailed while shooting an indie film, is at zero percent.

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