TAGGED AS: Best and Worst, Winter TV
Winter/Spring TV Scorecard 2016
With more and more shows being released jockeying for your attention, Rotten Tomatoes offers up our Winter/Spring 2016 TV Scorecard where we rank new and returning shows by Tomatometer. We’re updating this countdown every Monday with new scores and critics responses, so say goodbye to being stuck with bad binges this season!
#102
Critics Consensus: The visibly low-budget Hunters unsuccessfully searches for a well-executed plot in a forest of common tropes and cheap clichés.
#101
Critics Consensus: Rosewood comes up anything but roses with a poorly written, ill-paced, and overall insubstantial entry in the crowded procedural genre.
#100
Critics Consensus: Heartbeat is a Frankensteined drama made up of hospital genre cliches and unlikable characters, though the cases-of-the-week are sporadically interesting.
#99
Critics Consensus: Beyond Borders relies on the same characters and storylines the franchise has used for years, with an extra undertow of xenophobic paranoia.
#98
Critics Consensus: Second Chance boasts a few interesting ideas and Robert Kazinsky's game performance, but there aren't enough functioning parts in what's ultimately yet another mediocre take on the Frankenstein myth.
#97
Critics Consensus: A talented cast is left with no room to flourish in Crowded, a misfire whose dated feel is compounded by a pronounced lack of laughs.
#96
Critics Consensus: After the initial dose of nostalgia, Fuller House has little to offer to anyone except the original series' most diehard fans.
#94
Critics Consensus: The Dice man is back with a few surprisingly funny guest stars, but they're not enough to salvage a series of unfunny storylines.
#93
Critics Consensus: Bordertown's controversy-rich premise is an idea disappointingly ill-served by its execution, which repeatedly mistakes crass, desperate gags for topical humor.
#92
Critics Consensus: Of Kings and Prophets tries to add a Game of Thrones-inspired spin to the Old Testament, but ends up an aimless muddle.
#91
Critics Consensus: Dull and pointless, Flaked makes it uncomfortably clear that the man-child persona is no longer compelling.
#90
Critics Consensus: Those Who Can't is sporadically funny, but its attempts at light-hearted comedy are undone by derivative writing and a crude, somewhat depressing tone.
#88
Critics Consensus: Banish thee from the airwaves, oh Angel from Hell, for sins of commonplace sitcom triteness and obnoxious use of an iconic comedic lead.
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