News

The 8 Best Ways to Turn a Movie into an Amazing TV Series

Whether it's a faithful companion series like What We Do in the Shadows, a complete reinterpretation like Fargo, or a corrective do-over like Buffy the Vampire Slayer, here are the best ways to adapt a movie for TV.

by | May 15, 2020 | Comments

Poster for TNT's Snowpiercer
(Photo by TNT)

On May 17, Bong Joon-ho’s Snowpiercer will become a TNT television series starring Jennifer Connelly and Daveed Diggs. It’s not the first property to jump from the big screen to the small one (it was technically a French graphic novel first), and it certainly won’t be the last. For decades now, television producers have been going to the movies and asking themselves if they could make what they’re watching work in an episodic format. Who needs writers to come up with ideas when the movies can do it for you?

The resulting series have been all over the map critically, from projects that were canceled early to ones that ran for years, nearly obliterating the original film from viewers’ minds. It got us thinking about the variety of approaches that creative voices have taken when they try to sing a cinematic song on TV. The jury is still out on whether or not the futuristic vision of Snowpiercer will translate into a multi-season hit, but here are the eight approaches that have worked in the past with an example from the top tier of the film-to-TV canon for each.


Make It Your Own: Fargo

Ewan McGregor in Season 3 of Fargo
(Photo by ©FX)

When Noah Hawley entered the world of Joel and Ethan Coen’s 1995 masterpiece, he knew a literal approach wouldn’t work (and not just because it had already been attempted in 2003 with Edie Falco as Marge Gunderson in a failed TV pilot). He decided to use the atmosphere and language of the Coen-verse to tell his own stories, and the result became an award-winning critical darling. The best singers don’t just cover a song, they make it their own, reworking it in a way that redefines it. Fargo wouldn’t exist without the work of the Coen brothers, but no one would argue that it’s a direct interpretation of their creativity either. As much as Bryan Fuller’s Hannibal stands alongside both the Thomas Harris books and films, these shows use their cinematic sources as inspirations instead of a template waiting to be copied.


Make It a Prequel: Bates Motel

Freddie Highmore in Season 5 of Bates Motel
(Photo by Sergei Bachlakov/©A&E)

Sometimes the best way to adapt a cinematic property is to go back to the beginning. On paper, a young adult version of Norman Bates in contemporary times sounded like a horrible idea; it could have ended up just another teen drama like Gossip Girl, but with a little more murder. But the creators of Bates Motel deftly balanced nods to the Robert Bloch book and influential Alfred Hitchcock film throughout, culminating in a stellar final season that really tied it all together in unexpectedly moving ways. By going the prequel route, the creators had the freedom to tell a new story, even if it ultimately led to a familiar set of stairs.


Make It a Corrective: Buffy the Vampire Slayer

Sarah Michelle Gellar in Buffy the Vampire Slayer
(Photo by © 20th Century Fox Film Corp.)

It may have a cult following now, but writer Joss Whedon notoriously disliked the way his 1992 film Buffy the Vampire Slayer was altered from his original intention. And so he convinced a fledgling network called The WB to give him a second shot at the character in weekly form, and the rest is TV history. It’s funny to watch the film now and see echoes of it in the series, which is darker, denser and more nuanced in ways that Whedon wasn’t allowed to be on the big screen. It’s a case in which the film probably should have been a TV series from the very beginning.


Make It Fun: Ash vs. Evil Dead

Lucy Lawless, Bruce Campbell, Dana DeLorenzo, and Ray Santiago in Ash vs. Evil Dead
(Photo by Matt Klitscher/©Starz)

Twenty-three years after Army of Darkness, no one expected to return to the world of Ash and the Deadites, but along came Starz’s gloriously gory Ash vs. Evil Dead, which carries in every frame an air of “can you believe we’re doing this?” Much like the Netflix reboot of Wet Hot American Summer, this show recognizes the fact that most people involved never thought they’d get the chance to make it, and so they’re going to have as much fun as possible while they can. And that fun can be infectious. Not everything needs to be “Prestige TV;” sometimes fans of a film just want to rekindle that fun sensibility that made movies like Evil Dead 2 and Wet Hot into cult hits in the first place.


Make It Feel New: Westworld

Jeffrey Wright and Evan Rachel Wood in Westworld
(Photo by John P. Johnson/HBO)

One wonders how many people trying to decipher the current season of Westworld have any idea it’s even based on a movie. While some adaptations exist to call back to their cinematic fan bases (see previous entry), others barely acknowledge the existence of the original property. The back story of a show like Teen Wolf doesn’t depend on knowing the Michael J. Fox original, and you don’t need to have seen the 1973 Yul Brynner film (or its truly dire 1976 sequel, Futureworld) to be invested in the saga of Dolores Abernathy and the Man in Black. And that’s just the way HBO likes it.


Make It Unexpected: The Girlfriend Experience

Riley Keough in The Girlfriend Experience
(Photo by Kerry Hayes/©Starz)

Sometimes the best shows are developed from films that no one involved ever thought would become a TV show (Snowpiercer might fall into this category). Steven Soderbergh’s drama about a high-priced escort didn’t exactly scream weekly drama, but the Starz adaptation found new stories to tell within this concept. Sometimes TV shows can even build on their source in ways that make them feel more creatively accomplished, such as Netflix’s Dear White People, which unexpectedly turned a good film into a great series. Going the blockbuster-to-show route can often lead to mediocre product, but shows like The Girlfriend Experience prove that there’s no specific “type” of movie that will succeed as a series.


Make It the Same: What We Do in the Shadows

The cast of What We Do in the Shadows
(Photo by Russ Martin/©FX)

The most common creative tenet of film-to-TV adaptations seems to be “If it ain’t broke, don’t fix it.” After all, if people liked it on the big screen, they’re bound to like it on the small screen, right? While this often produces faded carbon copies of creative ideas, it also just works sometimes. The dynamic between Oscar and Felix in The Odd Couple that went from stage to screen to TV didn’t need to change. The movie Fame practically played like a pilot for the show. And the Taika Waititi hit that blended reality TV filmmaking with vampire lore was a perfect fit for the series, now on FX, without much alteration to the formula other than dividing the storytelling into bloody chunks and a change in location from New Zealand to Staten Island.


Make It Emotional: Friday Night Lights

Friday Night Lights
(Photo by ©NBC)

The main thing the best TV adaptations do is provide a recurring emotional connection that usually naturally dissipates after the credits have rolled on a film. Millions of people spent years with the families on shows like Friday Night Lights and Parenthood, two programs that are arguably on the Mt. Rushmore of film-to-TV because they treated the source material as something not just to copy but to emotionally enrich. The format allowed the creators of these shows to go deeper and make these characters a part of viewers’ families for multiple seasons. People may have first checked out FNL because of the movie, but they hung around because of their emotional connection to the show. If only more film-to-TV adaptations were this good.

Tag Cloud

zero dark thirty IFC jamie lee curtis Reality Competition binge Creative Arts Emmys 20th Century Fox Comic Book Polls and Games latino adaptation cooking Mystery Infographic Musical GIFs Hulu Disney Plus Spectrum Originals WarnerMedia MCU SundanceTV TCA Winter 2020 TCA Marvel Studios Food Network Vudu Podcast composers Fall TV finale twilight Amazon Studios dragons Martial Arts Netflix Christmas movies politics Adult Swim Spike Amazon Prime Video harry potter Teen Film ABC Family Pop TV blaxploitation science fiction Opinion Esquire Holiday A24 animated children's TV Captain marvel See It Skip It Apple TV Plus AMC serial killer transformers romantic comedy cinemax 2016 Pixar Horror Trivia San Diego Comic-Con Black History Month MSNBC cats Sony Pictures Tubi miniseries TBS NYCC Marvel Superheroe dceu sag awards Discovery Channel Baby Yoda streaming E! mockumentary cartoon Nickelodeon period drama New York Comic Con game of thrones psychological thriller zombie die hard spain Dark Horse Comics VICE FXX Hear Us Out tv talk Fox News golden globes Sci-Fi OneApp Awards Tour Cannes television universal monsters Turner Classic Movies werewolf nature breaking bad movie Kids & Family Interview Mary poppins a nightmare on elm street Disney+ Disney Plus Pet Sematary TIFF Disney Channel Drama Holidays Ovation RT History 21st Century Fox Avengers psycho The Arrangement historical drama TV Land mission: impossible Summer Film Festival festivals Oscars Turner robots scary movies Apple TV+ book comic diversity Star Wars Rocketman criterion YouTube Premium reboot Premiere Dates TCM spanish language blockbuster BET Awards Universal video on demand films PlayStation TV renewals Sundance TV toy story Lionsgate History Warner Bros. Cartoon Network 2015 space independent Sneak Peek Ellie Kemper Country Epix Winter TV singing competition Rocky Academy Awards Photos police drama Sundance Now YA Hallmark Christmas movies based on movie Biopics slashers Tarantino 45 Nat Geo witnail elevated horror technology Western CBS All Access stoner 007 cancelled TV shows DirecTV BET Lifetime Apple BAFTA The Purge canceled medical drama sitcom BBC series unscripted hispanic screenings social media hist joker dramedy chucky comedies FOX directors disaster Rom-Com Star Trek spy thriller Mindy Kaling comiccon The Walking Dead halloween crime drama Heroines Valentine's Day documentary Red Carpet Syfy Toys YouTube ratings Pirates Ghostbusters Cosplay Pride Month Comedy Central Travel Channel crossover National Geographic Animation cops ITV south america Musicals Spring TV docudrama discovery cars reviews dc 2017 Acorn TV HBO Max zombies screen actors guild mutant Marathons anime Box Office Women's History Month El Rey Emmys President Tumblr war Lucasfilm Britbox NBC Peacock cults free movies Certified Fresh BBC America Shudder SXSW sequel DC Comics USA BBC One Mary Tyler Moore Year in Review boxoffice Mudbound Character Guide 24 frames richard e. Grant thriller OWN romance 2020 Columbia Pictures Super Bowl 4/20 TruTV Comedy Calendar renewed TV shows Binge Guide First Look kids name the review Unbreakable Kimmy Schmidt Trailer YouTube Red indie Grammys DC streaming service Lifetime Christmas movies VOD cancelled TV series Freeform strong female leads Black Mirror revenge what to watch Quiz Paramount Classic Film theme song Chernobyl Music Christmas ghosts Netflix comics child's play E3 supernatural SDCC IFC Films DGA WGN critics casting video Fantasy Marvel Television game show LGBTQ FX on Hulu X-Men Sundance Chilling Adventures of Sabrina CMT TV Awards christmas movies sports PBS versus Thanksgiving Crackle news Schedule FX indiana jones Nominations justice league cancelled MTV satire Video Games The Witch franchise award winner Trophy Talk PaleyFest GLAAD crime Starz Shondaland 71st Emmy Awards USA Network Song of Ice and Fire rotten movies we love HBO Go Mary Poppins Returns crime thriller Crunchyroll Election Family Masterpiece A&E travel TNT Best and Worst LGBT CW Seed Superheroes 2018 all-time green book anthology TLC Set visit Stephen King ESPN talk show Bravo Brie Larson teaser canceled TV shows stand-up comedy biography Amazon adventure asian-american ABC natural history Pop Rock spinoff Countdown Walt Disney Pictures Reality GoT Winners Anna Paquin APB facebook Funimation 2019 Endgame Disney streaming service vampires CNN concert dark Writers Guild of America Logo DC Universe Comics on TV cancelled television parents RT21 movies batman aliens Arrowverse The CW documentaries Paramount Network political drama Hallmark Action spider-man quibi Amazon Prime dogs Elton John Showtime TCA 2017 Extras VH1 true crime best Emmy Nominations Watching Series American Society of Cinematographers doctor who CBS Tomatazos First Reviews Television Academy HBO Disney foreign