Long before Zack Snyder’s big-screen stab at Watchmen, prevailing wisdom was that writer Alan Moore and artist Dave Gibbons’ epic, genre-defining graphic novel was impossible to adapt for the screen. The 2009 feature film treatment did little to counter the argument — the movie has a 64% score on the Tomatometer.
Damon Lindelof’s upcoming HBO effort might have better luck. The new series is not an exact adaptation, but a sequel in series format, and it is still under particular scrutiny going into its October 20 premiere.
Set 30 years and change after the events of the original source material (which Lindelof considers canon and does not stray from), this Watchmen follows — among other things — the rise of a white supremacist terrorist group called the Seventh Cavalry and the masked police force in Tulsa, Oklahoma, tasked with finding them out and taking them down. King stars as detective Angela Abar (aka Sister Knight), while Irons’ character, on the other hand, has been sealed tight in secrecy. Many theories and leaks suggest that he’s playing an aged Ozymandias from the original novels, but how he fits into the plots of Sister Knight and the Seventh Calvary remains unclear. One thing is certain: Both roles give the inimitable acting talents a lot to play with.
(Photo by Colin Hutton/HBO)
The two joined Lindelof, series director Nicole Kassell, and castmates including Jean Smart, Hong Chau, and Tim Blake Nelson on stage at New York Comic Con on October 4, where they teased what’s to come in the much-anticipated, 10-episode first season, and King and Irons shared exactly how the creator of Lost and The Leftovers courted them for his latest buzzy project.
“Damon took me to lunch,” Irons said in his iconic drawl, admitting that he didn’t fully understand what he was getting himself into. “[He] talked for an hour and a half, very quickly, with enormous enthusiasm, showing me that he had an imagination of an enormous wit. And I ate, and I understood about, I don’t know, 10 percent of what he was saying…. So I ate well, and at the end, I thanked him for his time and I left.”
While the content of the graphic novel and the world that Lindelof was creating here was lost on Irons (“He was talking about this graphic novel/comic book world of which I knew nothing because I live in England and I’m over 45. Somehow that whole world had passed me by!”), the actor was left “fascinated” by the man pitching him from across the table.
“He gave me bits of the script, which I had read, and it amused me hugely,” Irons continued, “but mainly all I thought was: That man who I just had lunch with has such energy and enthusiasm, I don’t know what he’s going to do, and I don’t know what he’s going to make, but if he thinks that I can be of some help in this story, then I’m on board.”
King, an Emmy nominee for her work with Lindelof on season 2 of The Leftovers, was similarly wooed, but not until he broke one of his own filmmaking rules to hire her. Prior to King, the creator had adamantly never worked with actors on more than one project.
“It was a dumb rule!” he exclaimed to the NYCC audience.
“I’m glad I didn’t know about rule, because I would’ve thought that it was a joke,” King chimed in before recounting how she received a letter and script from Lindelof to her personal address. “It came directly to my house and it had the loveliest letter that said this is his next project, it’s dear to him, and he couldn’t see anyone else to be on this train with.”
Talk about an opening line — King admitted that from that moment, she didn’t “even really care what I’m about to read, I’m in it!” But what really sold her was Lindelof’s inclusion of a sealed envelope midway through the script that instructed: “Regina: Don’t open this until you get to this page. Don’t cheat!” So upon getting to the envelope in the script (it was tucked between the first pages of Sister Knight’s introduction), she opened it. “I opened it up and it was an artist’s rendering of my face as Sister Knight,” King said to a round of applause from her audience.
“It would’ve been very awkward if you had said no,” Lindelof said. “Very, very awkward.”
King’s first thoughts on reading the script? She related: “I had never read anything like this. I had never seen this world, I had never seen this woman before. So complex… How could I not say yes? Just tell me where I have to show up.”
Watchmen premieres Sunday, October 20 at 9 p.m. on HBO.