News

5 Ways Buried Made Its Single Location the Most Terrifying Ever

A decade after its debut, the claustrophobic Ryan Reynolds thriller is still a showcase for his talents and a tension-filled nightmare.

by | September 24, 2020 | Comments

Ryan Reynolds in Buried

(Photo by ©Lionsgate courtesy Everett Collection)

Sometimes, when a movie is set entirely in one location, it’s a sure bet that the filmmakers were able to squeeze their budget for every penny, and you can tell that’s the only logical reason why the characters seem unable to go anywhere else. But there are some movies that manage to use this limitation to great effect.

In the case of thrillers or horror movies, the use of a single location can serve to increase the tension through a feeling of claustrophobia, something typically alleviated in other films by cutting away to a new location. One of the best examples of this is the 2010 film Buried, in which Ryan Reynolds plays an American contractor named Paul Conroy who is working as a truck driver in Iraq when he gets kidnapped and, well, buried in a wooden box somewhere in the desert.

To mark its 10th anniversary, let’s grab our Zippo lighters and Blackberry phones as we dive into what makes Buried so terrifyingly effective.


It Wears Its Hitchcockian Influences on Its Sleeve

Ryan Reynolds in Buried

(Photo by ©Lionsgate courtesy Everett Collection)

The director of Buried, Rodrigo Cortés, cites Alfred Hitchcock as a major influence on the film, and it shows. The film begins with an extended credits sequence that instantly brings to mind the work of legendary graphic designer Saul Bass, who designed the credit sequences of many of Hitchcock’s thrillers, like North by Northwest and Vertigo. From there, the movie utilizes some of the Master of Suspense’s most effective techniques and adapts them to fit the more modern script, including the real-time suspense of Rope, the confined location of Lifeboat and Rear Window, and even the creative use of lighting that comes from the main character’s phone and Zippo lighter, effectively contrasting the warmer hues of the latter with the cooler ones of the former.


It’s Incredibly Claustrophobic

You’d think that spending 95 minutes in a single, confined location would grow stale rather quickly, but somehow Buried manages to keep it feeling fresh throughout its runtime. The film rarely uses the same shot twice, and for the most part, it plays in real time, adding to the sense of dread as the clock continues to tick. As the story progresses, viewers are also introduced to new elements that threaten Paul, like a snake that finds its way into the coffin for a snuggle.

Cortés and his cinematographer Eduard Grau compensate for the film’s minuscule set by finding novel angles from which to shoot Paul’s suffering. Multiple coffins were built for the film, allowing the camera crew to capture those impossible angles, getting as uncomfortably close to Reynolds — or as far removed, as if we’re seeing Paul from above the ground — as needed. The resulting effect adds greater tension to the film, as it plays with the audience’s expectations that Paul will manage to break free eventually.


Ryan Reynolds Rises to the Challenge

Ryan Reynolds in Buried

(Photo by ©Lionsgate courtesy Everett Collection)

Ryan Reynolds had already dabbled in several genres by the time he made Buried, but he was still mostly known for romantic comedies like Definitely, Maybe and The Proposal. His intimate and emotional turn as Paul in Buried helped prove he had more than one ace up his sleeve.

Because we never cut away to what’s happening outside of the wooden box Paul finds himself in, the entire plot unfolds via various hysterical phone calls he makes to ask for help. These serve both to provide exposition for Paul’s predicament (and the efforts to rescue him) and to function as vessels for the drama that slowly but steadily sketches the details of Paul’s life. Reynolds has never been as believable or understated as he is in this movie, and the more we find out about his personal life — like tensions with his wife’s friends, the death of his father, his mother’s dementia — the more we realize Paul was dead inside long before he was trapped in the coffin.

Single-location movies hang on the shoulders of its actors. Locke wouldn’t work nearly as well as it does without Tom HardyAndre Gregory and Wallace Shawn make My Dinner with Andre more than just another banal conversation. Likewise, Reynolds delivers an incredibly raw performance in Buried, and it’s because of him that the movie works.


Its Sound Design Stands Out

Since we don’t get a lot of visual stimulation in Buried, the film lets sound do some of the heavy lifting to tell its story. We’ve talked about how much of the plot is revealed through a series of phone calls, but sound designer James Muñoz brings Paul’s suffocating world to life. The wood creaking, the sand falling in from holes in the lid, the burst of the lighter igniting, Paul’s panicked breathing — these sounds rise and fall in intensity with razor-sharp attention to detail to maximize their effectiveness in increasing the tension. The moments when Paul resigns himself to darkness turn even the slightest noise into an instantly bone-chilling encounter with the unknown.


It Commits to Its Premise and Sticks the Landing – Hard

The problem with single-location movies is that, more often than not, they cut away from the main setting to give us a flashback, or allow the protagonist to escape their predicament halfway through in order to move the action to a new level. Buried doesn’t do this. For 95 minutes straight, we are stuck in a coffin with Paul. No matter how many people he calls on the phone during the film’s runtime, he is the only person we see. There is no flashback to his kidnapping, no cutaway to his weeping wife, no check-in with his captors, just Paul. This heightens the tension, as it plays with the audience’s expectation that, at some point, we’ll eventually see something other than the coffin, until we don’t.

Arguably the boldest decision the movie makes is not to rescue Paul. He dies as the coffin fills with sand, and the man in charge of rescuing him can only apologize over and over on the phone. The film literally never leaves Paul’s side, and it ultimately cuts to the credits without a happy resolution. It’s a risky choice not to offer any relief to the audience after watching this man suffer for an hour and a half, and if the unconventional nature of the rest of the film didn’t already turn off some viewers, it’s likely the ending did. But that choice is the only right one to make for a movie that spends its entire runtime subverting expectations; when the lights go up, we are all still trapped in that coffin with Paul, and the realization hits like a ton of bricks. That’s the brilliance of Buried, one of the best single-location thrillers ever crafted.


Buried opened in limited release on September 24, 2010. It is available to rent or buy on FandangoNOW, Vudu, Google Play, and iTunes, and it is currently streaming on Amazon Prime and Hulu.

Tag Cloud

IFC Elton John LGBT monster movies Chernobyl Comic Book stand-up comedy chucky transformers unscripted Tumblr Writers Guild of America kaiju period drama mutant Cosplay spain Awards Best and Worst NYCC Superheroe science fiction Watching Series rotten movies we love Countdown Musicals BBC America romance Disney+ Disney Plus Trailer 2021 CNN Teen 2016 Pride Month RT21 Turner Classic Movies 71st Emmy Awards APB Sony Pictures Pacific Islander free movies Winter TV book Starz 99% Animation anime blockbuster FOX Shudder Superheroes VICE Black Mirror Freeform a nightmare on elm street casting reboot comic DGA spanish Disney Plus elevated horror BBC One 2020 Music Arrowverse independent FXX Alien 4/20 Song of Ice and Fire psychological thriller Emmys AMC green book ID adventure hispanic Reality Shondaland romantic comedy Quiz TCA Comedy Central latino Fall TV HBO Spring TV Disney Channel die hard Broadway south america doctor who Film halloween tv popular E! ITV 2019 RT History women Hallmark Christmas movies ghosts TV One video on demand crime thriller Valentine's Day child's play Pop Lionsgate Academy Awards Grammys Rocky Nominations Extras video Dark Horse Comics composers travel Masterpiece Star Trek true crime social media Holidays CBS All Access asian-american comic books The Purge Martial Arts PBS golden globe awards disaster Winners TNT anthology target A&E laika cats nature 2018 Comics on TV witnail Pixar Stephen King indiana jones japanese New York Comic Con CW Seed The Arrangement Tubi italian 20th Century Fox sag awards HBO Max LGBTQ MTV Cannes Thanksgiving rotten Mary poppins TV satire Logo BAFTA USA Legendary obituary Sundance TV fast and furious Binge Guide X-Men parents VOD political drama BBC TV renewals Rom-Com Television Academy cancelled TV series Showtime Vudu cults Marvel Studios TCA Awards History halloween Mindy Kaling MSNBC Horror YouTube Premium werewolf Spike Heroines zombies venice critics Pirates mission: impossible Unbreakable Kimmy Schmidt movie Discovery Channel Awards Tour crossover game show festivals space 21st Century Fox Family Chilling Adventures of Sabrina godzilla Christmas 007 Year in Review series marvel cinematic universe finale 45 Food Network all-time WarnerMedia live action zombie The Academy natural history Schedule tv talk Nat Geo Holiday Super Bowl PlayStation Action emmy awards El Rey cartoon Musical movies DC streaming service IFC Films Comedy prank richard e. Grant comedies comics christmas movies canceled NBC ViacomCBS concert Infographic GoT Pet Sematary ABC Family technology Travel Channel Apple talk show miniseries deadpool YA WGN documentaries Lucasfilm heist movie mockumentary Funimation Photos Columbia Pictures dogs TBS aapi Set visit Character Guide dark Image Comics binge Creative Arts Emmys dceu worst Amazon Prime Cartoon Network Fox News Polls and Games 2015 2017 spider-man TV Land television Hear Us Out films new york biography Pop TV Premiere Dates singing competition revenge Exclusive Video Summer worst movies Rocketman psycho Baby Yoda YouTube Red OWN quibi Fox Searchlight football new zealand The Witch Red Carpet stoner scorecard Television Critics Association hidden camera The Walking Dead Crunchyroll Syfy Bravo toronto Women's History Month crime drama reviews Epix Ellie Kemper National Geographic Apple TV Plus universal monsters historical drama Amazon Studios nbcuniversal A24 Nickelodeon Esquire Universal Acorn TV classics Mary Tyler Moore Western Country cops Paramount Hulu rom-coms facebook Mary Poppins Returns Netflix Sneak Peek First Reviews DirecTV Box Office cancelled television children's TV Apple TV+ hollywood Crackle MCU renewed TV shows cancelled superman Sci-Fi razzies Walt Disney Pictures scene in color Sundance USA Network scary movies Paramount Plus President Paramount Network Captain marvel batman TIFF versus twilight SXSW FX ABC Signature teaser superhero Sundance Now international TCA Winter 2020 Calendar zero dark thirty Star Wars Reality Competition kids joker Fantasy harry potter documentary ratings name the review PaleyFest cars indie Disney streaming service spinoff 93rd Oscars strong female leads Kids & Family crime 72 Emmy Awards docudrama spy thriller war GIFs Spectrum Originals dragons breaking bad Amazon Prime Video canceled TV shows FX on Hulu dc Biopics Classic Film OneApp jamie lee curtis jurassic park vampires sequel ESPN Anna Paquin San Diego Comic-Con Marvel Television dramedy Mudbound kong Podcast Disney foreign Interview CBS Oscars BET Awards australia ABC boxing franchise Black History Month best pirates of the caribbean supernatural docuseries trailers TruTV nfl theme song what to watch BET Mystery Lifetime french Adult Swim Netflix Christmas movies discovery police drama telelvision serial killer The CW remakes robots criterion directors DC Comics medical drama sequels slashers HBO Go Tomatazos Peacock 78th Annual Golden Globe Awards Trophy Talk Ghostbusters lord of the rings Certified Fresh golden globes aliens First Look YouTube Film Festival animated archives cooking rt archives cancelled TV shows boxoffice TCA 2017 Brie Larson Marathons Avengers king kong Toys Tarantino Britbox festival thriller Amazon comiccon screenings E3 Opinion saw Drama Emmy Nominations news Rock streaming TLC VH1 CMT award winner Trivia American Society of Cinematographers Warner Bros. Turner high school game of thrones cinemax SDCC diversity spanish language Endgame justice league black Lifetime Christmas movies stop motion Video Games sitcom fresh sports Election james bond adaptation blockbusters See It Skip It toy story based on movie politics GLAAD know your critic new star wars movies 24 frames hist Ovation Marvel blaxploitation Hallmark The Walt Disney Company screen actors guild TCM DC Universe book adaptation SundanceTV