Further Reading: Marion Cotillard and Forest Whittaker in Abel Ferrara's Mary

The wild director attempts to tame a mad take on the bible.

by | October 3, 2008 | Comments

Further Reading by Kim Newman

As the NFT in London prepares a Juliette Binoche season, Kim looks at Abel Ferrara‘s Mary which also stars Marion Cotillard and Forest Whitaker.

Say what you like about wild man writer-director Abel Ferrara (probably still best known for The Driller Killer), but he knows how to land the talent. His 2005 picture Mary — which gets its first UK screenings, at the NFT in London as part of a Juliette Binoche season, on the 2nd and 3rd of October — not only casts the 1995 Best Supporting Actress Oscar winner (The English Patient), but finds room for 2007 Best Actor Forest Whitaker (The Last King of Scotland) and 2008 Best Actress Marion Cotillard (La Vie en Rose), plus Matthew Modine (returning as a Ferrara alter ego after The Blackout) and Euro-favourite Stefania Rocca (best known for The Talented Mr Ripley).


In the past, Ferrara has managed (against the odds) to get solid work from hit-or-miss talents like Madonna (reasonably credible in Snake Eyes aka Dangerous Game), Asia Argento (outstanding in New Rose Hotel) and Ice-T (good in R’Xmas), and guided powerhouses like Christopher Walken and Laurence Fishburne (The King of New York), Harvey Keitel (Bad Lieutenant) and Lili Taylor (The Addiction) through method performances which would fill shelves with statuettes if folks in Beverly Hills paid attention to films as rough, challenging and strange as the Ferrara oeuvre.

Made partially as a response to Mel Gibson‘s The Passion of the Christ, Mary is a hard-to-categorise exercise in street theology — which touches on Da Vinci Code-ish speculations about the gospels, and wrestles with the age-old problems of faith and uncertainty in a mix of subtle character interplay and outright silent movie-style melodramatics. Tony Childress (Modine) has just finished directing and starring in a film called This is My Blood (not to be confused with There Will Be Blood), which is attracting Last Temptation of Christ-style organised protests for supposed blasphemy and anti-semitism. Marie Palesi (Binoche), the actress cast as Mary Magdalene, has been so overwhelmed by the experience of playing the role that she has opted to abandon her career and go to Jerusalem (‘what are you doing,’ Tony asks, ‘healing lepers?’) to explore spiritual pursuits and dispense enigmatic wisdom via cell-phone.


It seems that she has come to believe that the depiction of Mary as a prostitute in the gospels and as Jesus’s wife in modern fiction are both male-perpetrated myths designed to cover up the fact that the messiah chose her, not Saint Peter, as his chief disciple — this is an interesting ‘what if’ in itself, and the scenes from This is My Blood in which Mary resists being shut out of the disciples’ boys’ club have a Pasolinian vigour that bests Gibson’s Christian torture porn and at least competes with Scorsese’s It’s a Wonderful Life heresies.

Further Reading by Kim Newman

A year later, with the film edited and due for release, Tony has shaved off his Jesus beard and retreated behind dark glasses while embarking on an embattled publicity tour for the film, responding to the protests with desperate aggression and hurt-little boy pride (Ferrara has been playing autobiographical games on the theme of artist as childish monster ever since The Driller Killer, and Modine enthusiastically plays up to the director’s out-of-the-room image). Ted Younger (Whitaker), a New York-based talk show host, conducts nightly interviews with theologians and Biblical historians (what channel could this possibly air on?) and Tony agrees to appear on the program (hinting that Marie might show up to solve the mystery of her disappearance) if Ted covers the scheduled premiere, which is expected to feature a possibly-violent clash with protestors (in a jarring shock scene, what seems to be a mix of hasidic Jews and a street gang attack the limo Tony and Ted are riding in).


Ted is being unfaithful to his pregnant wife Elizabeth (Heather Graham) with actress Gretchen (Cotillard), and this ‘sin’ is punished when Elizabeth gives premature birth to a baby who struggles to live (it’s probably a mercy that Ferrara uses a plainly healthy baby, though this undercuts the desperation of the hospital scenes). Just as Harvey Keitel’s Bad Lieutentant bared his soul to Jesus, so Whitaker’s straying commentator stops the show with an angst-driven prayer — very few actors can get away with praying on screen, especially if they have to talk out loud to God and the audience, but Whitaker is as good here as in any given Idi Amin scene.

With his spirituality completely turned around by this travail, Ted doesn’t give Tony the easy ride he expects on his show — and brings in the distant voice of Marie, who remains certain and centered as the men around her descend into mania. Like many a Ferrara film, the home stretch is deliberately chaotic and hard to follow, but a bomb threat disrupts the This is My Blood premiere and Marie takes to a fishing boat in Israel as she blends even more with Mary Magdalene. As cued by a debate in which characters (and the audience) are enjoined to ‘really think’ about the crucifixion, everyone gets a ‘big suffering scene’: Modine’s turn comes when Tony goes crazy as he works a projector, screening his film to the cops searching the auditorium for a bomb and gloating that there are ‘lines around the block in Chicago’. Only Binoche remains serene, though Marie’s abandonment of the life of a movie star for that of a saint might prompt audiences to muse that when Ferrara gives her great iconic close-ups he is turning saintliness back to old-fashioned stardom.


Ferrara has always had one foot in the grindhouse and the other in the arthouse. He even made (and starred in) a porn movie (9 Lives of a Wet Pussy), which is unusual for someone as inclined as fellow New York Italian-American Martin Scorsese to make bizarre religious films. Then again, ‘really think’ about the crucifixion, as Mel Gibson did, and you find the horror movie bleeding heart of Roman Catholicism — previously strongest in the Ferrara filmography in the revisionist vampire movie The Addiction.

Perhaps to put further distance between Mary and Gibson’s film, it inclines towards the respectable end of Ferrara’s output, which means even fans who cherish the likes of Ms .45 and Body Snatchers (on which he first worked with Whittaker) haven’t completely embraced it. Like Ferrara’s New Rose Hotel, R’Xmas, Go Go Tales and the documentary Chelsea on the Rocks, Mary has mostly screened at film festivals. Since The Blackout in 1997, even independent distributors haven’t got behind his films in the UK: they don’t even go direct to DVD, where you could find a Driller Killer 2 if any schlockmeister got the rights to it. This is the penalty for making films at a volume of eleven.

Tag Cloud

Pirates Polls and Games festivals Mary Tyler Moore DC streaming service witnail VICE Comedy Central justice league SXSW Lucasfilm Ellie Kemper Pixar TruTV space travel NBC Winners Western Trailer discovery Song of Ice and Fire DC Comics Adult Swim Mudbound CBS All Access Paramount Network Grammys Stephen King Opinion blaxploitation Universal Oscars sequel Chilling Adventures of Sabrina LGBTQ PaleyFest Shudder IFC Films Sneak Peek serial killer PBS Heroines FX Lifetime Netflix zombie science fiction Pop 45 spider-man ESPN Marvel sitcom doctor who dc Pride Month 2015 CBS television ABC Family adaptation Countdown based on movie spinoff 2017 GoT Calendar politics E! Disney Channel TCM Infographic American Society of Cinematographers crossover BET Certified Fresh what to watch Comic Book HBO vampires finale disaster AMC Mary Poppins Returns binge Trophy Talk The Arrangement Country APB Apple period drama romance Set visit Rom-Com Best and Worst Mindy Kaling 2016 supernatural robots psychological thriller RT History New York Comic Con social media 21st Century Fox historical drama IFC green book cults DC Universe Character Guide Christmas diversity Nat Geo Action docudrama Cartoon Network Superheroes boxoffice 007 Captain marvel Musical TLC jamie lee curtis Holidays Rock YouTube Red X-Men Brie Larson Musicals Music crime unscripted BBC America Disney 24 frames dragons animated TCA 2017 dceu comiccon talk show The CW Walt Disney Pictures See It Skip It Amazon Prime streaming MSNBC San Diego Comic-Con Elton John Video Games CNN political drama Freeform Unbreakable Kimmy Schmidt BBC Awards Tour TV Land Awards Interview Ovation Winter TV CW Seed VH1 Syfy FOX dramedy Fox News cops Schedule hist Super Bowl elevated horror Spring TV ABC Epix Star Wars Film Festival The Witch theme song WGN Fantasy Reality Competition miniseries E3 Spike nature TCA First Look Mary poppins DGA Tomatazos teaser Year in Review psycho spy thriller Nickelodeon Black Mirror ITV facebook SundanceTV Quiz Rocky Horror Reality aliens zero dark thirty transformers technology war CMT ratings A&E SDCC Podcast Pet Sematary Creative Arts Emmys Comics on TV RT21 Britbox Toys 2019 TIFF anthology National Geographic Showtime MTV thriller Drama casting Superheroe zombies Cannes Logo Shondaland Tarantino cooking OWN Dark Horse Comics USA Network LGBT TBS crime thriller Election DirecTV GLAAD Lionsgate Mystery 2018 true crime police drama TV Spectrum Originals Teen award winner cinemax Starz Ghostbusters Crackle singing competition YA comic 20th Century Fox Amazon Vudu Animation Thanksgiving Comedy adventure Biopics Trivia crime drama richard e. Grant Sundance Now Esquire composers Extras Box Office NYCC strong female leads Columbia Pictures Premiere Dates Martial Arts Women's History Month Tumblr cats Writers Guild of America Cosplay Hulu Emmys Emmy Nominations biography Sony Pictures harry potter El Rey sports medical drama mockumentary Summer TNT anime USA Valentine's Day Chernobyl FXX GIFs Fall TV Sci-Fi Watching Series Masterpiece mutant MCU President Marathons Anna Paquin natural history Food Network Photos Acorn TV Warner Bros. Bravo YouTube Premium golden globes Star Trek game show Red Carpet Nominations Kids & Family Sundance History toy story Paramount Rocketman