Exclusive: McG Talks Terminator Salvation

RT sits down with the much-maligned director planning to make good.

by | March 26, 2009 | Comments

Exclusive: McG Talks Terminator Salvation

The news that one of the greatest sci-fi franchises of all time was to get a full-fat reboot predictably sent cyborg fanboys into paroxysms of joy. For about 10 minutes. That Arnie, otherwise engaged running the world’s fourth largest economy, wouldn’t be back was partly compensated for by the casting of Christian Bale. But the revelation that McG was to be at the helm put an abrupt stop to the celebrations. Recently, though, the tide’s been turning with trailers and longer assemblages revealing a gritty war movie with more in common with Mad Max and Children of Men than Charlie’s Angels. RT talked exclusively to the much-maligned McG about the rise of his machines…


Terminator Salvation

[tomatometer]MuzeID=1197277[/tomatometer]

Pitch Terminator Salvation to us.

McG: The whole idea for doing this movie is to honour the first three movies but begin again. The big difference is we’re post-Judgement Day, whereas the other pictures were all contemporary, with Terminators coming back in time. It’s deep post-Judgement Day, it’s a new beginning, and because the future is malleable, there are a great many places to go.

One of the joys of this picture is it explores the space between Judgement Day and the becoming of the T800. So we get to see all the research and development that went into the proficiency of the T800. It’s like an Apple computer; the first ones you got 15 years ago had 2 megs of memory, and they weren’t so fast. And now today it’s the Macbook air and it does back flips. You know, it’s the same thing with the Machine world. And it suggests a world that’s less based in science fiction than it was when Jim Cameron was making the movies.

How do you mean?

McG: Well we live in a time where if you have an arthritic shoulder, they’ll give you a new one. We can make a 70-year-old woman pregnant, and deconstruct the human genome. And certainly the days of talking to a psychiatrist about your mommy and daddy issues are over — they just want to manipulate your serotonin levels. And therefore it’s real — it’s here. It’s now. That wasn’t the case when Ridley Scott made Blade Runner, or the first Terminator pictures, or even when the first Matrix came out. So in response our film was designed to have that tactile reality of Children of Men, or even the Bourne franchise.

Terminator Salvation
Christian Bale and Sam Worthington in Terminator Salvation.
Click here for more Terminator Salvation images.

Are there obvious elements in the previous movies that have to come back into play in yours?

McG: Certainly. We pay off a great many things that are established — particularly with Kyle Reese. We talk about the mythology of his shotgun strap, his proficiency for stealing cars, and we see where he learned a lot of these skills. And it wasn’t from Connor, it was from the Marcus character, which is one of the joys of the picture. We cite “Pain can be controlled, you just disconnect it,” you know, and we realise where he got that, and there’s a great many tidbits for the hard-core fans out there. But it’s designed as well for people who don’t know that much about the ins and outs of the first films.

Any “Hasta la vista, baby” moments?

McG: We’re working on a few. But I would never be so bold as to say we’ll have that good fortune of, you know, stuff sticking around to that degree. [Laughs]

You’ve got a really talented team of writers on board.

McG: Yeah, we wanted it to be written with the deftest pens possible. There’s a writing team called Ferris and Brancato that wrote the original draft. Then when I got involved, I brought in Paul Haggis, we worked for about 2 months on the script, with Christian as well. He taught us a great deal about character. Then we brought in Jonathan Nolan — who wrote the Batman pictures, Prestige, and largely Memento. So it’s a very cerebral bunch that’s here to make a film of the highest quality.

Continue onto the next page as McG talks about the challenges of shooting the film, his approach to CGI and whether he could take Linda Hamilton in a fight.

Exclusive: McG Talks Terminator Salvation


Terminator Salvation

[tomatometer]MuzeID=1197277[/tomatometer]

What were the most complicated scenes to shoot?

McG: Well a lot of the scenes take place in one shot, and figuring out places to hide the cuts… Again, I go to Children of Men — the car sequence, where the motorbikes come, and Julianne Moore is shot, and the whole thing plays in one shot. Figuring that out is very difficult, and you’ve got to figure out exactly where you’re going to have your blend points; you need to measure everything off, and consult with the visual effects people.

There’s a big gas station sequence that had that, and that was very, very tedious, and very, very technical filmmaking. And that’s why I love this film — one day we’re shooting a very intimate, character-driven scene, and there’s nothing going on but Connor and his wife in a room, and she’s the only one he can talk to about what’s on his mind. And then the next day we’re, you know, blowing up half of New Mexico, and going to a place of extraordinary action. So those are decidedly different hats to wear, day in, day out.

Do you deliberately do as much physically as you can? George Lucas would shoot the whole thing on a green screen, with guys wearing ping-pong balls…

McG: I say with respect to George Lucas, who I adore, I don’t like that at all. This is why Stan Winston‘s team is here. We do as much practically and in camera as possible. I want the machines to be real and we built all the machines. We built all the prosthetics. And then they’re accentuated and added to, certainly.

Terminator Salvation
Christian Bale in Terminator Salvation.
Click here for more Terminator Salvation images.

McG: I believe in visual effects completely. But I just don’t believe in saying, “throw up the green screen, and let’s make it happen.” I think the audience has become so skilled in recognising that – they sniff it out and it loses its potency. We’re going to have 800 CGI shots in this — I mean it’s a CG festival, that’s why I brought in the best minds in the business to come in and get it done – but we don’t just say, “put a blue sleeve on the Marcus character,” I mean — the guy spent six hours in make-up.

How do you inject humour and warmth into this universe?

McG: I don’t. There’s not a great deal of humour and warmth in this universe. It’s very largely influenced by the Cormac McCarthy novel The Road. It’s designed to feel that way — detached and existential, it’s got a great deal of Camus’ The Stranger in it. But there’s a gallows humour. We could all be in a bunker somewhere, and every now and again, you elbow the guy next to you and you make a wisecrack — what else are you going to do? It’s one of the defining characteristics of being human, even in the face of death. But the movie is designed to be very serious and very credible.

Could you take Linda Hamilton in a fight?

McG: Most certainly not. After those pull-ups in the psychiatric ward, I don’t think I could make that happen.

Terminator Salvation is released in the US on 21st May, in the UK on 3rd June and in Australia on 4th June.

Tag Cloud

Best and Worst YA vampires TIFF Amazon Prime Video GIFs Valentine's Day finale spinoff Columbia Pictures biography Kids & Family ghosts TV Mudbound USA Masterpiece Starz Comedy FXX CW Seed Unbreakable Kimmy Schmidt comiccon binge Martial Arts Comedy Central RT21 Character Guide APB Anna Paquin Britbox Star Trek Horror festivals elevated horror Lionsgate cinemax Cannes Calendar witnail what to watch Biopics cooking TCM cancelled TV shows mutant YouTube Red USA Network Emmys diversity Comic Book TV renewals Disney streaming service Reality Competition Shudder MTV Ovation Vudu CBS game of thrones Opinion MCU DirecTV travel PaleyFest See It Skip It revenge MSNBC Cartoon Network WGN Lucasfilm Music BBC America YouTube police drama cops canceled Ghostbusters award winner spy thriller singing competition Spectrum Originals 45 Warner Bros. First Look Countdown period drama E! justice league Disney south america Rocky spider-man Pirates social media space Superheroe spain Mystery VICE Bravo Animation The Witch slashers canceled TV shows Election Toys dramedy Apple TV+ Musical Western Brie Larson miniseries NBC 71st Emmy Awards 2019 Nickelodeon zombie SXSW BET zombies Black Mirror The Arrangement game show animated GLAAD halloween Song of Ice and Fire adventure dragons Winners SundanceTV thriller sitcom true crime Family historical drama 2015 Sundance Now 007 Infographic Sundance unscripted Spike Interview based on movie Crackle Premiere Dates RT History zero dark thirty Podcast Video Games Certified Fresh Freeform streaming Photos Marathons dceu Trophy Talk mockumentary Christmas series Amazon Prime CBS All Access Heroines Lifetime Adult Swim Trivia TNT Oscars doctor who TBS Emmy Nominations El Rey Awards Tour kids San Diego Comic-Con sequel cars jamie lee curtis Ellie Kemper Captain marvel composers toy story video renewed TV shows American Society of Cinematographers Awards cancelled television 24 frames DGA X-Men Summer Thanksgiving Cosplay IFC HBO Red Carpet docudrama Elton John disaster Television Academy CMT Grammys Polls and Games New York Comic Con WarnerMedia latino Sneak Peek Rocketman adaptation anthology romance OWN Pixar television Chernobyl richard e. Grant Comics on TV robots 21st Century Fox politics Disney Channel Amazon Superheroes Teen 20th Century Fox ESPN technology Sci-Fi The Walking Dead crime thriller Hulu Marvel Film PBS National Geographic Mindy Kaling hispanic GoT comic green book cults Stephen King Reality Walt Disney Pictures NYCC talk show VH1 YouTube Premium quibi TruTV Apple Logo TCA medical drama ABC psychological thriller Drama cancelled Quiz Box Office free movies Pride Month Musicals Fantasy crime Tarantino Set visit Holidays movies Tumblr psycho batman CNN Nat Geo Peacock stand-up comedy Women's History Month facebook foreign anime golden globes LGBT Writers Guild of America BBC Tomatazos Watching Series Universal hist transformers FX DC streaming service Year in Review Fall TV History Super Bowl President theme song Creative Arts Emmys ABC Family HBO Max joker Syfy Arrowverse casting Dark Horse Comics A&E Acorn TV blaxploitation ITV Mary Tyler Moore ratings Country Netflix IFC Films Mary poppins Pet Sematary Rock serial killer book Rom-Com political drama TV Land Spring TV 2018 sports FOX children's TV dc strong female leads harry potter tv talk SDCC Extras First Reviews Fox News Esquire AMC TLC Paramount supernatural natural history 2016 Trailer Star Wars Schedule Action E3 Winter TV spanish language aliens science fiction Film Festival crime drama discovery Sony Pictures Nominations cats Epix TCA 2017 Disney Plus DC Universe 2017 crossover boxoffice Shondaland nature Binge Guide Mary Poppins Returns cancelled TV series Chilling Adventures of Sabrina Pop war teaser Food Network Paramount Network DC Comics LGBTQ The CW Showtime