Actor Khalid Abdalla on The Kite Runner: The RT Interview

Meet the actor who learned to speak fluent Dari for his role as Amir.

by | December 11, 2007 | Comments

Khalid Abdalla would hardly seem a candidate to star in The Kite Runner
. He hadn’t read the source novel when he auditioned for the
role of Amir (the character’s journey back to Afghanistan to atone for childhood mistakes
is the story’s main plot), didn’t speak a word of Dari, and had acted in only one
prior film.  But that film was the Oscar-nominated United 93,
and his memorable performance as Ziad Jarrah happened to grab the right people’s
attention.

In Rotten Tomatoes’ second Kite Runner interview (you can
read our interview with author Khaled Hosseini
here,
while our interview with writer and novelist David Benioff will run later this
week), we met with Khalid Abdalla in San Francisco to discuss Afghanistan, his
relationship with the children on set, and why The Kite Runner (opening
this Friday) is quintessentially an American story.

Were you a fan of the book before auditioning for the role of Amir?

Khalid Abdalla: I always wish I could say that I read it before I was asked to audition for it, but I hadn’t. I first heard about it when I was asked to audition for it. But then I read it immediately. I went out and bought two copies, in fact. I read it in a day and thought it was an extraordinary story.

You have a strong background in theater. How does that come into play when filming a feature, like United 93 and The Kite Runner?

KA: Obviously there’s a huge difference between the mediums, but essentially you’re dealing with the same material. In some ways, it’s a different way of expressing it and you’ve got different means to do so. As an actor, it feels kind if similar. But United 93, it was a totally unorthodox filming experience. Our average take was 25 minutes and our longest take was an hour and 15 minutes, which is kind of unheard of — and it was entirely improvised. I guess a theater background helped with that because you’re running at it in long sequences, but each film comes with its own challenges. The essential thing that binds them all together is trying to tell stories for audiences, whether it’s for theater or film. Being able to share my experience with people is what I love.


Amir is such a well-known character from the novel. How did you approach portraying him on-screen?

KA: I guess it really started for me after the first audition. Marc Forster called me to tell me, “It’s you, it’s you. But first, we have to go to Afghanistan to find someone to play the younger Amir.” So they went to Afghanistan for three months to search for as many people as they could, and a month and a half later, they found the boys. During that time I didn’t want to get into the role, I was being held back like a bull. I really wanted to go at it, but I felt that if I did, I wouldn’t get the part — kind of a superstitious feeling. Then finally with six days notice I got a call saying, “We’ve found the boys. Get on the plane.” Six days later, I’m in Kabul.

I spent a month in Afghanistan and that month was absolutely extraordinary and crucial. I was born in Scotland, brought up in London, my parents are Egyptian, my father was born in Illinois. I’d never been to Afghanistan. In that month, I was in total immersion. I banished English completely, had Dari lessons five hours a day. I ate everything I had never eaten before, I went everywhere that was referenced in the book, I built my relationship of love with Afghanistan during that period. I did everything I could and the reward I got at the end was being able to speak the language, which I managed to do in a month somehow.

I’ve heard that people who are completely fluent in Dari have seen the film and think you are totally conversant.

KA: I had to take on that responsibility, it wasn’t a question. I know what it feels like to be misrepresented on-screen. This is an opportunity. This is the first film for the region, and particularly for Afghanistan, where the first point of contact is a human family story instead of what everyone’s used to with political violence and bombs. To go in and not to do that as authentically as possible would be absurd. It would be so wrong. That’s why everyone gave as much as they could to it. That was part of my responsibility. I could never forgive myself if at the end of the film, Afghans would walk out feeling misrepresented.

Marc Forster has a beautiful phrase that this film is “a love letter to Afghanistan.” If I didn’t commit myself completely I would feel like I had destroyed it. It hurts to be misrepresented, that’s why I gave everything that I could. It’s really beautiful to be part of something which is, as well as being a great story, a cultural project. It’s giving in so many directions, which is part of the pride. Hopefully that’s what translates onto film. The film is made by people who love the book. People came from 26 different countries and we had 46 languages on average to translate from on the set each day. It was about people, not borders, and it’s that spirit that’s in the approach.

Do you think the film will help some people’s preconceived notions about Afghanistan?

KA: I certainly hope so. That is definitely what the book is about. So many people say that in reading the book, they thought of Afghanistan in a totally different way. I hope that when people see the film, they feel like they traveled to Afghanistan. When you have a meeting with someone you’ve never met before from a different country, you never meet them through a bomb. You meet them through their own stories and hopefully that’s what the film does.


A lot of the appeal of the book has to do with the fact that this friendship could take place anywhere. Many readers can relate to the story, no matter where they come from.

KA: It’s a quintessentially American story, just 100 years late. It’s a story of leaving your homeland to come and make a life in America. It is a story that so many immigrants in this country have lived through. With my background, and this opportunity to travel to Afghanistan, I like to think of myself as a person who is not so interested in borders. I’m interested in people and their stories.

One of the things that struck me about The Kite Runner is how many Afghan refugees live in this country.

KA: Absolutely. Afghanistan is a country that had at one point over six million refugees. When you think of the traumas that means for a whole country, the journeys they’ve had to make, the family members who have died along the way, a story like The Kite Runner becomes a drop in a nation. Most people don’t associate that with Afghanistan, they think of the people that brutalized the country rather than the people who were brutalized.

The friendship between young Amir and Hassan plays an integral part in the story, but as the adult Amir, you don’t have any scenes with them. Did you watch their scenes being filmed?

KA: I was there every day. I think there were only ten shots that I missed. I met the boys for the first time in Kabul. We learned how to fly kites together. I was there each day supporting them and they came to support me as well. We developed a special relationship.

The children in the film were incredible.

KA: They were extraordinary. It’s a really special age as well. It’s an incredible act of casting of well. It’s kind of there in the book, that final moment of childhood. A year-and-a-half later, they start becoming teenagers. And that’s a very different age.

Tag Cloud

MSNBC nature Acorn TV blockbuster directors serial killer golden globes Sundance Now E! Country Hallmark Christmas movies indie spain spanish language crime drama news TCA Awards child's play television Awards Tour CBS werewolf romantic comedy PBS HBO Max Premiere Dates Syfy Hallmark comiccon Anna Paquin Emmy Nominations Apple TV+ APB politics YouTube Premium BET Awards technology Baby Yoda NYCC Horror cancelled television HBO Year in Review VOD concert mockumentary Starz Lifetime satire Britbox supernatural Chilling Adventures of Sabrina 2017 franchise A&E Reality Competition social media animated reviews vampires Oscars Martial Arts discovery Ovation See It Skip It Classic Film dramedy disaster New York Comic Con Universal best Stephen King obituary renewed TV shows El Rey joker DirecTV hollywood screenings Elton John TV political drama Rock Tubi WarnerMedia foreign casting Epix cancelled TV shows sequel mutant unscripted USA Network films Amazon Studios Spike Superheroes dragons adaptation Rom-Com 45 richard e. Grant Mary poppins LGBT Grammys batman YA true crime Best and Worst stop motion zombie Interview festivals Endgame TBS Women's History Month Super Bowl FXX DC streaming service The Witch IFC reboot Disney+ Disney Plus Pixar GLAAD Television Academy historical drama TCA 2017 Video Games breaking bad medical drama Netflix CW Seed Holidays docudrama game show spy thriller Comic Book stoner Podcast binge crime X-Men cops Comedy ABC Family chucky screen actors guild sports Red Carpet BBC One Pop Cosplay E3 name the review Brie Larson 2019 DGA crime thriller Apple psycho Disney Channel OneApp Bravo TCA Winter 2020 parents 72 Emmy Awards Marvel Musicals versus classics dc Turner Music Tarantino Mary Poppins Returns Emmys rotten criterion book scary movies FX Paramount Film spinoff Walt Disney Pictures SundanceTV PlayStation Turner Classic Movies Adult Swim Box Office Crackle free movies Nat Geo aliens Shudder PaleyFest slashers teaser Black History Month A24 stand-up comedy mission: impossible Song of Ice and Fire Amazon Prime Chernobyl cars all-time science fiction Academy Awards police drama Star Trek indiana jones 2016 National Geographic President Rocketman TCA SXSW 71st Emmy Awards 20th Century Fox Marathons Crunchyroll Mindy Kaling Superheroe dark hispanic movie Sci-Fi Sneak Peek American Society of Cinematographers The Purge Nominations YouTube WGN CMT Western 007 revenge Unbreakable Kimmy Schmidt Quiz Comedy Central cats Cannes Tomatazos Pet Sematary The Arrangement Biopics ghosts nbcuniversal Arrowverse Certified Fresh latino ABC anime Amazon Shondaland History San Diego Comic-Con Dark Horse Comics documentaries Television Critics Association based on movie fast and furious cults Winners Trivia Animation Rocky DC Universe RT History war ratings FOX Pirates Captain marvel Star Wars cinemax jamie lee curtis hist FX on Hulu Family blaxploitation USA Hulu First Reviews Apple TV Plus VICE harry potter video Mystery Nickelodeon Infographic Binge Guide BBC America Spring TV Hear Us Out SDCC Creative Arts Emmys dogs Winter TV TCM ESPN Reality sag awards VH1 Teen kids worst Polls and Games Schedule singing competition comics Peacock TruTV Set visit Black Mirror BAFTA theme song Trailer laika 24 frames Lifetime Christmas movies Pride Month DC Comics quibi Writers Guild of America toy story Thanksgiving elevated horror Columbia Pictures 4/20 psychological thriller Esquire biography thriller Vudu period drama adventure GIFs YouTube Red anthology cooking TIFF 2015 GoT Disney cancelled TV series Disney Plus streaming emmy awards CNN comic south america MTV universal monsters natural history Sony Pictures Freeform Film Festival transformers First Look Showtime die hard superhero documentary TV renewals justice league talk show zero dark thirty NBC Travel Channel Funimation Discovery Channel Valentine's Day 2018 zombies AMC Cartoon Network Tumblr 2020 video on demand Christmas green book BET Kids & Family 21st Century Fox canceled TV shows a nightmare on elm street travel LGBTQ twilight witnail diversity canceled space composers Sundance crossover Opinion Summer Character Guide TLC ITV OWN christmas movies sitcom Mary Tyler Moore MCU Masterpiece cartoon comedies Comics on TV facebook IFC Films finale Countdown Sundance TV HBO Go dceu Ellie Kemper Election Amazon Prime Video tv talk Heroines TV Land Pop TV BBC Awards robots independent miniseries Extras boxoffice halloween what to watch Watching Series Trophy Talk Holiday Fox News Musical Spectrum Originals critics Disney streaming service Ghostbusters children's TV series movies CBS All Access rotten movies we love Fall TV doctor who Fantasy cancelled Toys Warner Bros. Lionsgate Calendar The Walking Dead Lucasfilm The CW Action TNT Drama spider-man Marvel Studios Paramount Network Marvel Television RT21 game of thrones asian-american strong female leads romance Mudbound Netflix Christmas movies Logo Avengers Photos Food Network award winner