Brother of Children Of Men helmer Alfonso Cuaron and Oscar-nominated screenwriter of sizzling Mexican roadtripper Y Tu Mama Tambien, Carlos Cuaron makes his directorial debut with comedy drama Rudo and Cursi. He inked the script, too, which sees Gael Garcia Bernal and Diego Luna as rival siblings going head to head as professional footballers. Rudo is the tough-guy goalkeeper. Cursi is the happy-go-lucky goal-machine. Something has to give. Powered by their energetic performances, it’s spiky, frantic, funny and, according to Cuaron, nothing to do with football…
Carlos Cuaron: I cannot say they are the worst players… but they are not as good as Rudo and Cursi! We all play in the same Saturday league, although they don’t play that often because they’re always working or touring. They used to play in a team that I founded 23 years ago. We just have fun.
CC: It’s all scripted. There’s very little improv, because we didn’t need it. Maybe only two or three bits. I was looking for naturalness and the dynamic these two guys have together is just amazing.
CC: When I was writing the script, I knew didn’t want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke’s Funny Games, which is probably the most violent film I’ve ever seen — but the violence is off camera. When I finished watching the film, I said, ‘Hey, that’s what I have to do.’ Haneke gave me this solution.
Gael Garcia Bernal in Rudo and Cursi
CC: Sports like baseball or baseball are easy to dramatise, because all of them have a pause and that helps with the tension. Football never stops. I’m a football fan. I believe in the beauty of the game. If you are a fan, you have two choices. Go to the stadium, where you see the whole beauty of it. Or stay at home, watch the beautiful moves on the slo-mo cameras. Don’t go to the cinema, because you won’t see it there.
CC: Exactly. The only moment football really stops is with a penalty kick — and that is a moment that is really dramatic. A penalty kick becomes a Western duel. It’s two guys facing each other. Destiny and potential death, whether metaphorical or literal. That’s why in the penalty kick at the end of the film, I shot it like an homage to the Sergio Leone Westerns I saw when I was a kid, especially The Good, The Bad And The Ugly.
CC: I think Children Of Men is just amazing. I’m not a Harry Potter fan but I enjoyed Azkaban. I did Y Tu Mama Tambien with him and I think it’s a beautiful movie. But when he says that A Little Princess is his most personal film, I know that it is. It was our first feature. Whenever we talk about it, I tell him, ‘We were so unconscious. We knew shit, man!’ I didn’t even know how scripts were written! I hope I could do that again. But how can you recapture that freshness? I think Francois Truffaut said that a director’s first film is his best because it is his purest. And that’s probably true.
CC: I have an agent in Hollywood and he’s looking for material. If I get the offer and I feel I relate to that material, I will do it. I would love to do a horror film, a thriller, a tearjerker… I like diversity. I would just like to sustain my sense of humour!
Rudo and Cursi is out in the UK today.