25 Most Popular TV Shows Right Now: What to Watch on Streaming
Want to know what popular and new TV shows this week are keeping watchers glued to the screen and Rotten Tomatoes users engaged on site? Here are the current top 25 series:
Last week, HBO dominated the top three. But Apple TV+ and Netflix have ended its three-peat with The Witcher and Down Cemetery Road coming in at number two and three. And speaking of three-peats, IT: Welcome to Derry still sits at the coveted number one spot for the second week in a row. Will it hold on for a third?
Click on each show for reviews and trailers, where to watch, and how to cast your own ratings vote. Check back weekly for latest updates to the charts. (And also check out the most popular movies out right now!)
Critics Consensus: While scattered plotting occasionally drains the fear from its chilling premise, IT: Welcome to Derry compellingly deepens the myth of Pennywise through sharp social commentary, a dreadful atmosphere, and committed performances.
Critics Consensus: While Geralt of Rivia gets a new face, The Witcher overall is beginning to grow stale in a fourth season that dutifully sets up the series' endgame without having enough fun along the way.
Critics Consensus: A twisty mystery that grows more addictive as it unfolds, Down Cemetery Road is tonally imbalanced but has a steadfast center of gravity in Emma Thompson's flinty star turn.
Critics Consensus: Tim Robinson's volcanic comedic ethos finds an ideal outlet in The Chair Company, a descent into paranoia that finds huge laughs in deeply uncomfortable places.
Critics Consensus:Dark Winds' third season tests Lieutenant Joe Leaphorn's resolve more than ever before, providing the outstanding Zahn McClaron with some of his best material yet.
Critics Consensus: Mark Ruffalo and Tom Pelphrey are superb in Task, a culturally-specific crime story that's unrelentingly bleak but equally riveting.
Critics Consensus: Miles Heizer's terrific performance has the right stuff in Boots, a likable dramedy that explores masculinity and queerness to powerful effect.
Critics Consensus: In its second outing, Nobody Wants This' sharp humor and warmly chaotic ensemble keep it an engaging and emotionally observant rom-com that still charms even as it stumbles.
Critics Consensus: Elevating both the geopolitical and personal stakes while remembering to have fun, The Diplomat goes from strength to strength throughout its dishy third season.
Critics Consensus:Slow Horses loosens the reins in a more lighthearted season that doesn't quite measure up to the series' high bar, but it still excels as one of the most compulsively watchable offerings on television.
Critics Consensus: Elegantly plated but over-seasoned with grit, Black Rabbit's unrelenting edginess can be off-putting but Jason Bateman and Jude Law's committed performances make for a satiating enough meal.
Critics Consensus: An eerie mystery that eschews easy answers, Wayward can occasionally feel as listless as its title, but surprising twists and Toni Collette's committed performance keep this thriller intriguing.
Critics Consensus: Squandering a crackerjack premise, The Last Frontier stretches on for too long to sustain momentum while also leaving its potential largely unexplored.
Critics Consensus: Genuinely original science-fiction fare from television veteran Vince Gilligan, Pluribus leads Rhea Seehorn through a brave new world with plentiful returns.
Critics Consensus: Brightening up its mysteries with a hometown affection for Tulsa and hanging its hat on Ethan Hawke's hangdog charisma, The Lowdown reaches impressive highs as pulpy entertainment.
Critics Consensus:Devil in Disguise: John Wayne Gacy offers a compassionate, morally clear reexamination of the infamous killer's crimes that honors victims and finds fresh purpose in retelling their stories.
Critics Consensus: An irreverent and self-referential comedy speaking to Gen Z existentialism, I Love LA is equal parts funny and cringe thanks to creator Rachel Sennott's absurdist sensibility.
Critics Consensus: Pairing Glen Powell's charms with a frequently off-putting role, Chad Powers throws comedic curveballs that often backfire but don't necessarily strike out entirely.
Critics Consensus: Stylistically bold and scary as hell, Noah Hawley's Alien: Earth transplants the Xenomorph mythos into the television medium with its cinematic grandeur intact while staking out a unique identity of its own.