TAGGED AS: Comic Book, comics, DC Comics, DC Universe, dceu, HBO Max, streaming, superhero, Superheroes
At a time when critics are beginning to look back and list the best of the past year, fans are still looking forward, specifically to one of the biggest, most anticipated offerings (thankfully still!) of 2020: Wonder Woman 1984. Critics are helping in that anticipation now as the first reviews have arrived more than a week ahead of the DC comic book movie’s Christmas release date.
The sequel is said to be well enough worth the wait. WW84 might not the best-written superhero movie, but it’s at least got all the heart, humor, charm and splashy action you could ask for, according to these first reviews. Plus four delightful leads, split on the sides of good and bad. And while it would clearly be best seen on the big screen, your TV should suffice.
Here’s what critics are saying about Wonder Woman 1984:
It’s also brimming with the same wonder and joy as the first film.
– Kate Erbland, IndieWire
I missed the more hand-to-hand gladiatorial aspect of so many fight scenes in the first movie.
– David Rooney, Hollywood Reporter
WW84 is a pale shadow of its former self with little of the dynamic energy or charismatic verve.
– Rodrigo Perez, The Playlist
1984 feels like a step back.
– Hannah Woodhead, Little White Lies
Not unlike its predecessor, this film’s finale is overwrought, its stakes overdrawn.
– Mary Sollosi, Entertainment Weekly
This sequel shares the significant flaw of its predecessor… an unwieldy and effects-heavy finale.
– Alonso Duralde, The Wrap
(Photo by Clay Enos/©2020 Warner Bros. Entertainment Inc.)
As for the effects, save for one or two examples, they’re mostly practical, which is a welcome change from most other CGI-heavy DC films, including the first Wonder Woman.
– Germain Lussier, io9.com
Wonder Woman 1984 still brings a freshness and a wit that’s often lacking in these gargantuan costumed-hero sagas.
– Alonso Duralde, The Wrap
There’s a heavy [Richard] Donner Superman influence throughout.
– Nicola Austin, We Have a Hulk
A zippy sequence… appears to take some cues from the off-kilter opening of Superman III.
– Kate Erbland, IndieWire
[It] recalls the buoyancy of Superman III, with breezier, comedic-skewing action sequences.
– Courtney Howard, Fresh Fiction
Cheetah in many ways is a less interesting Catwoman, particularly as played so divinely by Michelle Pfeiffer in Tim Burton’s Batman Returns.
– David Rooney, Hollywood Reporter
Barbara’s slow transformation… will get compared to Michelle Pfeiffer in Batman Returns, but it’s actually closer to… something out of Sam Raimi’s Spider-Man.
– Hoai-Tran Bui, Slashfilm
The film is light on its feet, colorful and playful in a way not seen elsewhere in the DC Universe. (I suppose Aquaman comes close in terms of sheer, willful silliness.)
– Richard Lawson, Vanity Fair
(Photo by Clay Enos/©2020 Warner Bros. Entertainment Inc.)
Watching Gadot swing between mall floors on her golden lasso after knocking out the closed-circuit surveillance cameras is an absolute blast…And the stunt work throughout is terrific.
– David Rooney, Hollywood Reporter
Sloppy as the film gets, Jenkins still has a sturdy command of its physics… the slo-mo filming style so heavily favored in the first WW film’s fight scenes is more modestly applied here, which makes the action feel looser, more organic and elastic.
– Richard Lawson, Vanity Fair
There’s action in this film, but it doesn’t really compare to the action in the first film.
– John Nguyen, Nerd Reactor
Its action sequences fail to live up to the joy of Wonder Woman‘s No-Man’s Land scene.
– Katie Smith-Wong, Flick Feast
The plot device that runs Wonder Woman 1984 doesn’t make a whole lot of sense. But I don’t think it’s a movie that’s really trying to make a lot of sense?
– Mike Ryan, Uproxx
There’s a lot to love in WW84… but it’s in service of a plot that loses sight of what makes the character so great in the first place.
– Esther Zuckerman, Thrillist
The plotting is an absolute mess that frequently forgets Diana in favor of confusing villain machinations.
– Matt Goldberg, Collider
The sequel’s cluttered screenplay… spirals into such a chaotic swirl of world political disorder, nuclear threats, the “Star Wars program” and satellite communications monopolization that the characters get lost in the mayhem.
– David Rooney, Hollywood Reporter
WW84 is at its entertaining best in the early sequences.
– David Rooney, Hollywood Reporter
This opening scene is everything you want from a Wonder Woman film.
– Rodrigo Perez, The Playlist
The first 10 minutes of Wonder Woman 1984 moved me to tears.
– Germain Lussier, io9.com
Once [the opening] sojourn is out of the way, the rest of Wonder Woman 1984‘s whopping two-and-a-half hour runtime flies by.
– Hoai-Tran Bui, Slashfilm
The pacing does feel a little uneven throughout, with a slow start establishing new characters.
– Nicola Austin, We Have a Hulk
It takes some time to get to the major action set pieces (other than the prologue, which is gorgeous), but it’s too much of a pleasure to live in this well-realized place, populated by a quartet of capable and charismatic stars, to really care.
– Mary Sollosi, Entertainment Weekly
Wonder Woman 1984 is well past its one-hour mark before its various characters and plot points coalesce into a single story, though it’s all so fun and frisky that such issues don’t entirely grate.
– Kate Erbland, IndieWire
The straightforward premise doesn’t fully justify the elongated run time.
– Courtney Howard, Fresh Fiction
(Photo by Courtesy of Warner Bros. Pictures)
The aesthetics are great, capturing the ‘80s in a way that isn’t distracting or overwhelming but instead feels natural to the characters and the world they inhabit.
– Gabriella Geisinger, Digital Spy
The ’80s decor (courtesy of production designer Aline Bonetto) is by turns cheeky and earnest, celebratory and satirical.
– Justin Chang, Los Angeles Times
It provides the satirical underpinnings for Wonder Woman 1984 to mock the rapacious greed of the Reagan era and its ongoing reverberations into the 21st century.
– Alonso Duralde, The Wrap
The period proves a strangely apt lens through which to view Diana, whose unflappable earnestness can never fully avoid registering as slightly cheesy, but it goes down easier coming from an ‘80s flick.
– Mary Sollosi, Entertainment Weekly
The underlying message the film subtly sends – that all it takes is one person to inspire change in a cynical world – is resoundingly poignant.
– Courtney Howard, Fresh Fiction
There’s a touching message about togetherness that everyone needs to hear.
– Emma Simmonds, The List
Wonder Woman 1984 is a story that only works because it’s about Diana and her distinct evolution, a superhero movie about, of all wild ideas, being a good person.
– Kate Erbland, IndieWire
Wonder Woman 1984 is a movie with a well-intentioned message that has no idea how to put that message into a compelling story.
– Matt Goldberg, Collider
(Photo by Clay Enos/©2020 Warner Bros. Entertainment Inc.)
There really is a beautiful love between the two characters, and in a few key scenes, you’ll be swept up in their romance.
– Nicola Austin, We Have a Hulk
[Pine] and Gadot have solid chemistry and play up the obvious “I missed 70 years of technology” fish-out-of-water bit with great success.
– Germain Lussier, io9.com
The chemistry that Pine and Gadot had in the first film doesn’t radiate in the same way.
– Rodrigo Perez, The Playlist
It feels like a burden in the sequel not simply to the plot but to Diana’s entire character. She becomes almost entirely defined by her devotion to Steve.
– Esther Zuckerman, Thrillist
He is DYNAMITE… Pascal knows he’s in a crazy movie and he amps up the craziness of the plot of this film in every scene he’s in.
– Mike Ryan, Uproxx
If there ever was a role that played perfectly to Pascal’s natural charisma, it’s Maxwell Lord.
– Hoai-Tran Bui, Slashfilm
There will be comic book fans who will not take a liking to certain changes in the Max Lord character. I, for one, love the different take on the villain.
– John Nguyen, Nerd Reactor
The overt Trumpiness, especially this late in the game, is just too on-the-nose to be amusing.
– David Rooney, Hollywood Reporter
Game as Pascal is, I think he could have been jettisoned and Wiig moved to the center.
– Richard Lawson, Vanity Fair
(Photo by Clay Enos/©2020 Warner Bros. Entertainment Inc.)
Wiig masters the role – at first, it’s the dorky comedy star we all recognize; by the end, there’s a fire we’ve never seen before.
– Clarisse Loughrey, Independent
Wiig does a great job in the Cheetah role and is truly hilarious as Barbara in the earlier scenes.
– Linda Marric, The Jewish Chronicle
Wiig genuinely surprised me with her performance, particularly in the action sequences… however she does become somewhat underused toward the final act, which is a shame.
– Nicola Austin, We Have a Hulk
Wiig is terrific, but there’s just not enough of her.
– Fionnuala Halligan, Screen International
Wiig attempts to stretch her range but just seems miscast.
– David Rooney, Hollywood Reporter
I do wonder if I’d have gotten antsy in a theater, as opposed to sitting on my couch at home where I could have watched another hour of Wonder Woman and Maxwell Lord having a blast.
– Mike Ryan, Uproxx
This reviewer can only assume [the visuals] must’ve looked much cooler on a big screen; on my TV at home, they ranged from fine to excellent.
– Angie Han, Mashable
As trite as it sounds to repeat this far-too repeated phrase, [it’s] a much-needed balm for 2020.
– Hoai-Tran Bui, Slashfilm
At this point in 2020 it feels trite to label anything as “what we need right now,” but spending just shy of three hours in the company of such buoyant, heartening storytellers gave me some of the most uncompromising feelings of joy I’ve felt all year.
– Ella Kemp, WeLoveCinema
Every brazen beat of Wonder Woman 1984 feels like it’s arrived to pulverize this miserable year into dust.
– Clarisse Loughrey, Independent
What we need right now this movie can’t solve, but just maybe, it will inspire someone who can.
– Peter Debruge, Variety
Wonder Woman 1984 premieres in theaters and on HBO Max on December 25, 2020.
Thumbnail image by Warner Bros. Pictures