Comics On TV

HBO’s Watchmen Episode 1 Explained: Squid Storms, Masked Police, and Rorschach's Hijacked Legacy

We break down what Damon Lindelof’s show changed, what stayed the same, and why some fans my take issue with this unsettling world.

by | October 21, 2019 | Comments

After all the puzzlement, wonder, and possible curses, HBO’s Watchmen is finally out in our world. Exquisitely produced and full of the sort of heady content the prestige cable channel favors, it is easy to see how people will be commenting on its cops-vs.-white supremacists A-plot for the next nine weeks.

But as these ideas are only just percolating in the first episode, fans of the original graphic novel have another viewpoint to grapple with: how Watchmen builds on the tangential world of the original 1986 comic book maxiseries by Alan Moore, Dave Gibbons, and John Higgins. As it is now clear this is a story set in that same world with the potential to become a direct sequel, it is fair to examine how executive producer Damon Lindelof (The Leftovers) and his team used the iconography devised by the comic book’s creative team to put their treatise on race relations in the Watchmen context.

Let’s take a look at what the season premiere revealed about the program’s world so far and how it draws from the comic book to establish its reality.

Points of Departure

Watchmen season 1, Regina King - photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

Any good piece of fiction set in an alternate reality must address the point in history where its world diverges from our own, as Amazon’s The Man in the High Castle, for example, communicates easily. The point at which Watchmen diverges is a little more subtle, as it is not based in a historical event but a movement in fictional storytelling. Considering Moore and his collaborators were working for DC Comics, we’ll use June of 1938 – the publication date of Superman’s first appearance in Action Comics #1 – as the rough moment at which Watchmen‘s world and our own diverge. If the Watchmen comic book is an examination of a world in which costumed heroes had a real effect on U.S. history, then it is reasonable to assume they first debuted during that pre-war summer.

While the point of departure is not addressed in the episode itself, it is worth making that assumption as the episode’s opening scene – a depiction of the Tulsa Race Riot – takes place in 1921, a good decade and change prior to the arrival of masked crusaders. Opening on that tragedy, and the racial motivations behind it, is very much a statement of intent from Lindelof. The Watchmen comic contains a wide number of themes, but race is only partially addressed. In the television series, it is the foundation of its major plotline. In using a real historical event, in which the most affluent black community in the U.S. at the time was leveled, and setting the series in the same city, Watchmen reminds the audience that both our reality and it share an abiding wound despite very different outcomes for Watchmen‘s World War II and Vietnam War — as well as other conflicts altered thanks to the mere existence of Dr. Manhattan and the other Minute Men.

Since the riot took place prior to our presumed point of departure, the legacy of those events simmer under the other, more fantastical events of the Watchmen world. The program’s opening moments – a silent film detailing the exploits of real life U.S. Marshal Bass Reeves – suggests the world of Watchmen may have other points of departure predating 1938.

Rorschach’s Mask As a Symbol of White Supremacy

Watchmen season 1 teaser trailer 1 screenshot (HBO)

(Photo by HBO)

Back in Watchmen, it is easy to see Rorschach’s journal as a manifesto more aligned with extremist ideologies. Of course, nothing is truly black and white in that story – which is, in many ways, the whole point – so it is doubly interesting to see his iconography so closely related with the Seventh Kavalry, the unambiguous bad guys of the Tulsa storyline. For readers of the original comic, the journey his mask makes following his death could be one of the most interesting elements of the series’ fictional history.

Spoiler alert: If you haven’t read Watchmen, the following contains spoilers.

Watchmen season 1, Regina King, Tim Blake Nelson. photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

In the comic book, Rorschach is the first of the still-active Minute Men to learn of the Comedian’s death, and his investigation brings the others together and eventually leads them to the culprit, Adrian Veidt. But, again, nothing is black and white, so his reasoning for the murder (and the subsequent annihilation of New York) is something most of the characters find they can live with: He intends to scare the world into an age of peace and prosperity. The only one among them who cannot accept murder on this scale as the price of peace is Rorschach himself. And it costs him his life.

That reversal is one of the great literary tricks of the original comic book series. Just about every major character has a moment where they are the protagonist and the antagonist, and, as it happens, a reader can find themselves agreeing with Veidt because this is just a story and it is all quite academic (see also: Thanos’ grim calculus in Avengers: Infinity War). For those readers, Rorschach becomes the bad guy in the story’s final pages and, on some readings, you can even see his acceptance of death as a heroic play to stop himself from spoiling Veidt’s golden age.

We glimpse that world of peace for a page or two before Rorschach’s journal, which he sent to a conservative-leaning magazine called New Frontiersman, seemingly undoes everything Veidt tried to achieve. At least, we hope subsequent episodes will offer concrete details as to why the paradise the heroes agreed to did not stick. But at the moment, we can infer that the magazine published Rorschach’s journal and made Veidt the enemy of the world (note the newspaper reporting Veidt’s death as “confirmed”). It also, presumably, made Rorschach himself something of a hero among New Frontiersman‘s readership and, across the decades, he became a central figure of white separatist movements as he was white himself and espoused a certain type of moral purity often popular among extremists — the very one the Seventh Kavalry quote from his journal in their video to the Tulsa police.

Rorschach would not necessarily have aligned with the Seventh K during his lifetime — though, we admit, he espoused a lot of their ideas — making it a curious legacy for the character. Again, nothing is black and white in the Watchmen comic, but passing decades have a habit of flattening notable people to a handful of key details and the nuance of Rorschach’s life disappears as he becomes part of the Seventh Kavalry’s mythology. The only thing black-and-white about the representation is the character’s mask, which here has transformed into that group’s most powerful symbol.

Squid Storms

Jeremy Irons in Watchmen. photo: Colin Hutton/HBO

(Photo by Colin Hutton/HBO)

The squid looms large in Watchmen history and is the key omission from the 2009 film adaptation. Veidt’s ultimate plan was to unleash an allegedly alien squid on Manhattan, killing all around it and scaring the nations of the world into peace. The creature was the product of the finest minds Veidt could corral – and at least one comic book creator. Until the publication of Rorscach’s journal, the plan worked – as evidenced in the comic’s second-to-last page – but the series introduces unintended consequences, which the book had no interesting in addressing.

Watchmen’s debut episode suggests squid storms occur regularly. Much smaller versions of the original creature rain from the sky and are hazardous enough for cities to invest in warning sirens (a newspaper tells us deaths do sometimes occur during these storms). The way Angela Abar (Regina King) deals with the mess the storm leaves on her car shows they are also an annoyance. It may be the program’s best usage of the time gap between the original comic book series and the modern television show, as time has turned Veidt’s attempted legacy into an occasional moment of inclement weather.

Of course, the Lord of a Country Estate’s (Jeremy Irons) squid-themed anniversary cake suggests Adrian Veidt may have another legacy in the works for the world.

One has to wonder if that new legacy will tempt Dr. Manhattan back from Mars. When we last saw him in the comic book, he was unwilling to tell Veidt if the terror he unleashed on New York was worth it in the end. Instead, Manhattan merely says “Nothing ever ends.” He also mentions leaving Earth’s corner of the universe for some place else, but as the first episode reveals, he may have spent the last few decades making sandcastles on the red planet. Will he finally have an answer to Veidt’s question?

Police-Issue Archies

Watchmen, season 1 Regina King. Andrew Howard. Photo: Mark Hill.

(Photo by Mark Hill)

With all that background world building in place, the first episode of Watchmen devotes most of its run-time to its real premise: in 2019 of the Watchmen world, cops dress like superheroes to protect their identities. Angela is known as Sister Night, a Tulsa PD detective who works with Looking Glass (Tim Blake Nelson), Red Scare (Andrew Howard), and the curiously-named Pirate Jenny (Jessica Camacho). They are all distinctive (though rank-and-file offers remain in customary police blues augmented with Watchmen yellow half-masks), suggesting detectives on the Tulsa police force have a major say in their costumes. It also suggests Red Scare did not put a lot of money or effort into his persona.

But will all the eye-catching looks, it may have been easy to miss the coffee cup Angela drank from while talking to police chief Judd Crawford (Don Johnson). It had an owl-design which will tip off any and all Watchmen readers that Dan Dreiberg, aka Night Owl II, may have had something to do with Tulsa’s implementation of masks in law enforcement. When we last see him in the comic book, he is one of the few to seemingly thrive in the paradise Veidt tried to create. Is it possible he survived the tumult after Rorschach’s journal went public to become this world’s version of a tech giant?

RELATED: What Critics Are Saying About Watchmen

The fact the police use a vehicle very similar to his flying Owlship suggests he or his decedents are profiting from the current climate. Although, it may just be evidence of Crawford’s abiding love for all things Nite Owl — he also had a copy of Nite Owl I’s autobiography on his desk.

But should it turn out that Dan supports or supported police departments after 1986, it also reflects one of the major differences between Watchmen’s world and our own: the lack of the internet. Though not a major idea in this first episode, we hope the lack of a near-instantaneous global communication tool factors in as the series progresses.

Or, maybe, the Internet is Veidt’s next attempt at a legacy. Will the Watchmen world be able to handle it?

Watchmen airs Sundays at 9 p.m. on HBO.

Watchmen: Season 1 (2019)

Adjusted Score: 105.415%
Critics Consensus: Bold and bristling, Watchmen isn't always easy viewing, but by adding new layers of cultural context and a host of complex characters it expertly builds on its source material to create an impressive identity of its own.
Synopsis: Damon Lindelof (The Leftovers, Lost) creates a modern-day re-imagining of Alan Moore's groundbreaking graphic novel about masked vigilantes.... [More]

Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Tag Cloud

Song of Ice and Fire Thanksgiving Creative Arts Emmys TruTV christmas movies series chucky Set visit NBC zero dark thirty cars anime NYCC parents Tarantino italian what to watch hollywood rotten cooking San Diego Comic-Con Interview Awards Tour TIFF psycho game show stop motion Watching Series all-time dark television The Academy docuseries hidden camera Grammys crime cartoon police drama blaxploitation movie Avengers anthology dogs comiccon TCA based on movie monster movies adventure Film Festival doctor who nfl true crime sequel james bond Year in Review video on demand YA trailers CW Seed twilight Election australia dc Superheroes BAFTA Stephen King 20th Century Fox Tumblr VH1 Reality TBS sequels space indie 4/20 Chernobyl period drama Turner Classic Movies sag awards Comics on TV TV Rocketman thriller ABC Signature Animation popular Lionsgate HBO Max Ellie Kemper Calendar Nickelodeon Alien VICE Amazon Studios FX on Hulu Acorn TV CBS All Access toy story canceled TV shows Universal asian-american tv talk franchise remakes toronto The Witch Vudu Freeform spain Ovation universal monsters foreign GoT Countdown documentaries 45 Broadway blockbusters politics Epix Pop TV dragons Chilling Adventures of Sabrina Country The CW Sony Pictures 93rd Oscars Marvel theme song children's TV Trophy Talk CBS The Walt Disney Company Amazon Brie Larson romantic comedy Nominations Pop travel Apple TV+ stand-up comedy YouTube Red Action hispanic football telelvision teaser FXX ID BBC One Britbox Captain marvel films PaleyFest japanese Food Network Mystery Horror razzies crime drama AMC X-Men versus BET elevated horror hist DGA new star wars movies DirecTV sports Travel Channel Rom-Com spanish language Hear Us Out Academy Awards The Walking Dead Winners Schedule independent documentary HBO Go mockumentary 78th Annual Golden Globe Awards Red Carpet cults festival kong Trailer National Geographic Unbreakable Kimmy Schmidt Holidays Adult Swim crossover rotten movies we love 2019 Fantasy rt archives casting halloween golden globe awards History Showtime Spike 2018 latino cancelled television Legendary Awards cats Sundance Now Classic Film 2016 Turner ABC Family Quiz TCM Premiere Dates Marvel Television psychological thriller Tomatazos Paramount Network Teen 2017 fast and furious animated cops Rocky kaiju The Purge worst movies American Society of Cinematographers cinemax name the review Elton John Emmys YouTube Premium book adaptation Television Academy political drama comics GIFs jurassic park joker Binge Guide Best and Worst venice MCU USA Valentine's Day BET Awards DC Universe Amazon Prime ghosts Mary poppins BBC America zombies video slashers renewed TV shows Lifetime Christmas movies Disney Plus Disney streaming service MSNBC Fox Searchlight historical drama Pirates Sundance TLC spider-man TV renewals scorecard talk show singing competition Kids & Family Comedy Central laika Shondaland TNT streaming The Arrangement TCA Awards cancelled TV series New York Comic Con Super Bowl Hallmark Christmas movies WarnerMedia WGN french DC streaming service Toys Trivia Music free movies cancelled TV shows Photos diversity DC Comics a nightmare on elm street Martial Arts ratings Crunchyroll mission: impossible archives Paramount binge boxing medical drama PBS quibi robots justice league directors emmy awards Infographic comic books Masterpiece war Bravo TV One canceled Biopics Disney Channel mutant Arrowverse Cartoon Network jamie lee curtis critics harry potter technology reboot 2015 scary movies 21st Century Fox biography Fox News Logo south america Disney+ Disney Plus Character Guide CMT Baby Yoda adaptation comic Hulu Netflix Endgame GLAAD dceu Drama PlayStation Marvel Studios social media Tubi revenge ITV richard e. Grant Columbia Pictures spanish game of thrones crime thriller godzilla Apple heist movie 71st Emmy Awards romance Anna Paquin Peacock reviews Reality Competition Disney spinoff satire Lucasfilm MTV award winner Rock stoner witnail dramedy Box Office OWN Hallmark book miniseries king kong CNN President Opinion Cannes green book Cosplay VOD BBC Christmas spy thriller boxoffice Mindy Kaling Musicals Sundance TV screenings E! First Reviews Apple TV Plus 2020 vampires worst breaking bad SXSW TCA 2017 USA Network Fall TV best Starz festivals Ghostbusters Comic Book finale First Look fresh Esquire nbcuniversal news Nat Geo werewolf FOX Funimation facebook obituary pirates of the caribbean LGBTQ Video Games Family Sci-Fi Pet Sematary Winter TV See It Skip It Mary Poppins Returns Spectrum Originals Paramount Plus Syfy Podcast cancelled women disaster SundanceTV Warner Bros. ABC Polls and Games Dark Horse Comics serial killer Crackle concert superhero Spring TV black El Rey Heroines A24 blockbuster nature discovery comedies 24 frames docudrama superman ESPN Comedy RT21 Extras halloween tv batman Walt Disney Pictures 72 Emmy Awards kids Exclusive Video rom-coms RT History deadpool die hard 99% transformers child's play Marathons ViacomCBS Oscars LGBT indiana jones aliens OneApp HBO Shudder APB Sneak Peek criterion Women's History Month Mudbound Pixar Lifetime classics Summer SDCC natural history Black Mirror Discovery Channel Mary Tyler Moore screen actors guild 007 Writers Guild of America 2021 Superheroe Western Emmy Nominations prank E3 YouTube Black History Month zombie IFC Films Film TCA Winter 2020 supernatural strong female leads Holiday Television Critics Association Star Trek A&E TV Land FX composers unscripted Star Wars Certified Fresh science fiction Netflix Christmas movies Musical movies Pride Month golden globes IFC sitcom Amazon Prime Video