Comics On TV

HBO’s Watchmen Episode 1 Explained: Squid Storms, Masked Police, and Rorschach's Hijacked Legacy

We break down what Damon Lindelof’s show changed, what stayed the same, and why some fans my take issue with this unsettling world.

by | October 21, 2019 | Comments

After all the puzzlement, wonder, and possible curses, HBO’s Watchmen is finally out in our world. Exquisitely produced and full of the sort of heady content the prestige cable channel favors, it is easy to see how people will be commenting on its cops-vs.-white supremacists A-plot for the next nine weeks.

But as these ideas are only just percolating in the first episode, fans of the original graphic novel have another viewpoint to grapple with: how Watchmen builds on the tangential world of the original 1986 comic book maxiseries by Alan Moore, Dave Gibbons, and John Higgins. As it is now clear this is a story set in that same world with the potential to become a direct sequel, it is fair to examine how executive producer Damon Lindelof (The Leftovers) and his team used the iconography devised by the comic book’s creative team to put their treatise on race relations in the Watchmen context.

Let’s take a look at what the season premiere revealed about the program’s world so far and how it draws from the comic book to establish its reality.


Points of Departure

Watchmen season 1, Regina King - photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

Any good piece of fiction set in an alternate reality must address the point in history where its world diverges from our own, as Amazon’s The Man in the High Castle, for example, communicates easily. The point at which Watchmen diverges is a little more subtle, as it is not based in a historical event but a movement in fictional storytelling. Considering Moore and his collaborators were working for DC Comics, we’ll use June of 1938 – the publication date of Superman’s first appearance in Action Comics #1 – as the rough moment at which Watchmen‘s world and our own diverge. If the Watchmen comic book is an examination of a world in which costumed heroes had a real effect on U.S. history, then it is reasonable to assume they first debuted during that pre-war summer.

While the point of departure is not addressed in the episode itself, it is worth making that assumption as the episode’s opening scene – a depiction of the Tulsa Race Riot – takes place in 1921, a good decade and change prior to the arrival of masked crusaders. Opening on that tragedy, and the racial motivations behind it, is very much a statement of intent from Lindelof. The Watchmen comic contains a wide number of themes, but race is only partially addressed. In the television series, it is the foundation of its major plotline. In using a real historical event, in which the most affluent black community in the U.S. at the time was leveled, and setting the series in the same city, Watchmen reminds the audience that both our reality and it share an abiding wound despite very different outcomes for Watchmen‘s World War II and Vietnam War — as well as other conflicts altered thanks to the mere existence of Dr. Manhattan and the other Minute Men.

Since the riot took place prior to our presumed point of departure, the legacy of those events simmer under the other, more fantastical events of the Watchmen world. The program’s opening moments – a silent film detailing the exploits of real life U.S. Marshal Bass Reeves – suggests the world of Watchmen may have other points of departure predating 1938.


Rorschach’s Mask As a Symbol of White Supremacy

Watchmen season 1 teaser trailer 1 screenshot (HBO)

(Photo by HBO)

Back in Watchmen, it is easy to see Rorschach’s journal as a manifesto more aligned with extremist ideologies. Of course, nothing is truly black and white in that story – which is, in many ways, the whole point – so it is doubly interesting to see his iconography so closely related with the Seventh Kavalry, the unambiguous bad guys of the Tulsa storyline. For readers of the original comic, the journey his mask makes following his death could be one of the most interesting elements of the series’ fictional history.


Spoiler alert: If you haven’t read Watchmen, the following contains spoilers.


Watchmen season 1, Regina King, Tim Blake Nelson. photo: Mark Hill/HBO

(Photo by Mark Hill/HBO)

In the comic book, Rorschach is the first of the still-active Minute Men to learn of the Comedian’s death, and his investigation brings the others together and eventually leads them to the culprit, Adrian Veidt. But, again, nothing is black and white, so his reasoning for the murder (and the subsequent annihilation of New York) is something most of the characters find they can live with: He intends to scare the world into an age of peace and prosperity. The only one among them who cannot accept murder on this scale as the price of peace is Rorschach himself. And it costs him his life.

That reversal is one of the great literary tricks of the original comic book series. Just about every major character has a moment where they are the protagonist and the antagonist, and, as it happens, a reader can find themselves agreeing with Veidt because this is just a story and it is all quite academic (see also: Thanos’ grim calculus in Avengers: Infinity War). For those readers, Rorschach becomes the bad guy in the story’s final pages and, on some readings, you can even see his acceptance of death as a heroic play to stop himself from spoiling Veidt’s golden age.

We glimpse that world of peace for a page or two before Rorschach’s journal, which he sent to a conservative-leaning magazine called New Frontiersman, seemingly undoes everything Veidt tried to achieve. At least, we hope subsequent episodes will offer concrete details as to why the paradise the heroes agreed to did not stick. But at the moment, we can infer that the magazine published Rorschach’s journal and made Veidt the enemy of the world (note the newspaper reporting Veidt’s death as “confirmed”). It also, presumably, made Rorschach himself something of a hero among New Frontiersman‘s readership and, across the decades, he became a central figure of white separatist movements as he was white himself and espoused a certain type of moral purity often popular among extremists — the very one the Seventh Kavalry quote from his journal in their video to the Tulsa police.

Rorschach would not necessarily have aligned with the Seventh K during his lifetime — though, we admit, he espoused a lot of their ideas — making it a curious legacy for the character. Again, nothing is black and white in the Watchmen comic, but passing decades have a habit of flattening notable people to a handful of key details and the nuance of Rorschach’s life disappears as he becomes part of the Seventh Kavalry’s mythology. The only thing black-and-white about the representation is the character’s mask, which here has transformed into that group’s most powerful symbol.


Squid Storms

Jeremy Irons in Watchmen. photo: Colin Hutton/HBO

(Photo by Colin Hutton/HBO)

The squid looms large in Watchmen history and is the key omission from the 2009 film adaptation. Veidt’s ultimate plan was to unleash an allegedly alien squid on Manhattan, killing all around it and scaring the nations of the world into peace. The creature was the product of the finest minds Veidt could corral – and at least one comic book creator. Until the publication of Rorscach’s journal, the plan worked – as evidenced in the comic’s second-to-last page – but the series introduces unintended consequences, which the book had no interesting in addressing.

Watchmen’s debut episode suggests squid storms occur regularly. Much smaller versions of the original creature rain from the sky and are hazardous enough for cities to invest in warning sirens (a newspaper tells us deaths do sometimes occur during these storms). The way Angela Abar (Regina King) deals with the mess the storm leaves on her car shows they are also an annoyance. It may be the program’s best usage of the time gap between the original comic book series and the modern television show, as time has turned Veidt’s attempted legacy into an occasional moment of inclement weather.

Of course, the Lord of a Country Estate’s (Jeremy Irons) squid-themed anniversary cake suggests Adrian Veidt may have another legacy in the works for the world.

One has to wonder if that new legacy will tempt Dr. Manhattan back from Mars. When we last saw him in the comic book, he was unwilling to tell Veidt if the terror he unleashed on New York was worth it in the end. Instead, Manhattan merely says “Nothing ever ends.” He also mentions leaving Earth’s corner of the universe for some place else, but as the first episode reveals, he may have spent the last few decades making sandcastles on the red planet. Will he finally have an answer to Veidt’s question?


Police-Issue Archies

Watchmen, season 1 Regina King. Andrew Howard. Photo: Mark Hill.

(Photo by Mark Hill)

With all that background world building in place, the first episode of Watchmen devotes most of its run-time to its real premise: in 2019 of the Watchmen world, cops dress like superheroes to protect their identities. Angela is known as Sister Night, a Tulsa PD detective who works with Looking Glass (Tim Blake Nelson), Red Scare (Andrew Howard), and the curiously-named Pirate Jenny (Jessica Camacho). They are all distinctive (though rank-and-file offers remain in customary police blues augmented with Watchmen yellow half-masks), suggesting detectives on the Tulsa police force have a major say in their costumes. It also suggests Red Scare did not put a lot of money or effort into his persona.

But will all the eye-catching looks, it may have been easy to miss the coffee cup Angela drank from while talking to police chief Judd Crawford (Don Johnson). It had an owl-design which will tip off any and all Watchmen readers that Dan Dreiberg, aka Night Owl II, may have had something to do with Tulsa’s implementation of masks in law enforcement. When we last see him in the comic book, he is one of the few to seemingly thrive in the paradise Veidt tried to create. Is it possible he survived the tumult after Rorschach’s journal went public to become this world’s version of a tech giant?


RELATED: What Critics Are Saying About Watchmen


The fact the police use a vehicle very similar to his flying Owlship suggests he or his decedents are profiting from the current climate. Although, it may just be evidence of Crawford’s abiding love for all things Nite Owl — he also had a copy of Nite Owl I’s autobiography on his desk.

But should it turn out that Dan supports or supported police departments after 1986, it also reflects one of the major differences between Watchmen’s world and our own: the lack of the internet. Though not a major idea in this first episode, we hope the lack of a near-instantaneous global communication tool factors in as the series progresses.

Or, maybe, the Internet is Veidt’s next attempt at a legacy. Will the Watchmen world be able to handle it?

Watchmen airs Sundays at 9 p.m. on HBO.



Watchmen: Season 1 (2019)
96%

#1
Adjusted Score: -1%
Critics Consensus: Bold and bristling, Watchmen isn't always easy viewing, but by adding new layers of cultural context and a host of complex characters it expertly builds on its source material to create an impressive identity of its own.

Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

Tag Cloud

YouTube Premium indie zombies supernatural critic resources adenture Sundance Now royal family new star wars movies Crunchyroll ID obituary sopranos razzies Showtime Animation vs. foreign docudrama harry potter Schedule TV movies breaking bad SXSW 2022 halloween tv 24 frames rt labs Toys Action Disney streaming service unscripted spider-man rotten movies we love PaleyFest teaser scary movies trophy WGN casting Fall TV Lifetime 2017 HBO asian-american Marathons WarnerMedia USA Logo Sneak Peek slashers YA Grammys natural history Funimation best worst movies 2021 Writers Guild of America nature Star Wars monster movies Holiday screen actors guild DGA Hulu golden globe awards streaming movies Disney Channel sitcom based on movie game of thrones mission: impossible Fox News binge Television Critics Association wonder woman Classic Film superman Emmy Nominations USA Network debate action-comedy scene in color NBA Elton John Oscars nfl news romance children's TV Epix spain mutant Horror American Society of Cinematographers Quiz Disney Plus Trailer reviews suspense Disney+ Disney Plus Pixar Paramount biography Creative Arts Emmys Peacock crime drama stop motion slasher italian boxoffice streaming ghosts dramedy cops Superheroes 90s facebook genre Thanksgiving TCA Winter 2020 basketball Pet Sematary police drama Star Trek cancelled Comedy Central Best and Worst Pride Month adaptation football NBC CMT cancelled TV shows Summer Musicals Endgame godzilla Fox Searchlight The Witch TruTV universal monsters Sony Pictures Walt Disney Pictures adventure telelvision 20th Century Fox Kids & Family james bond 2020 Starz Captain marvel TV One kong versus Martial Arts composers historical drama CNN LGBTQ 45 scorecard venice The Purge young adult MCU Pop feel good australia Hollywood Foreign Press Association anthology space Broadway Tokyo Olympics Watching Series DirecTV political drama Spike mob women See It Skip It Calendar social media ESPN Podcast BBC America TCA 2017 aapi comiccon 94th Oscars scary sports halloween independent Teen Country Comic Book Bravo know your critic jurassic park Trivia Exclusive Video psychological thriller E! kaiju dceu Netflix ViacomCBS superhero television medical drama Tumblr IFC comic book movie Comic-Con@Home 2021 docuseries directors technology golden globes finale Winners 99% Winter TV talk show latino Unbreakable Kimmy Schmidt cartoon GLAAD Turner YouTube Nominations Wes Anderson green book Family witnail Marvel 72 Emmy Awards Black Mirror blockbusters Music diversity Esquire A&E high school king arthur jamie lee curtis cancelled television crossover critics hist mockumentary Britbox Rocky TV renewals deadpool Best Director franchise psycho Apple Mary Tyler Moore spy thriller joker fresh PBS 1990s The Walking Dead TV black Anna Paquin vampires TCA Awards spinoff 79th Golden Globes Awards dreamworks 4/20 king kong streamig FOX Countdown Trophy Talk Polls and Games robots rom-coms obi wan Spectrum Originals Nat Geo Super Bowl RT21 Avengers Premiere Dates comic books parents ABC Signature cooking strong female leads E3 Musical Black History Month Emmys 93rd Oscars christmas movies Western Chilling Adventures of Sabrina ABC Family DC Comics 2018 Travel Channel fast and furious Paramount Network BAFTA Set visit YouTube Red Arrowverse Columbia Pictures El Rey 21st Century Fox classics RT History New York Comic Con miniseries Pacific Islander sequel emmy awards 007 hidden camera cancelled TV series GoT Baby Yoda President Amazon Prime Video 2019 comedies IFC Films science fiction tv talk richard e. Grant blockbuster popular MTV spider-verse The Academy rotten gangster 2016 award winner remakes stand-up comedy target hollywood films name the review Reality Competition saw Biopics SundanceTV quibi Universal Hallmark Christmas movies Cartoon Network laika Film Festival FXX TCA Mudbound DC streaming service Amazon Studios south america concert OneApp documentaries Binge Guide documentary TLC rt labs critics edition legend Infographic satire heist movie San Diego Comic-Con lord of the rings japan war National Geographic Red Carpet DC Universe Netflix Christmas movies kids series hispanic heritage month Lionsgate chucky werewolf cinemax nbcuniversal justice league First Look APB Chernobyl Amazon new york crime thriller art house MGM Hallmark ratings Acorn TV X-Men 78th Annual Golden Globe Awards VICE blaxploitation Mindy Kaling The Arrangement zero dark thirty Warner Bros. Women's History Month screenings posters AMC Plus ITV FX The Walt Disney Company Legendary Fantasy Ovation Universal Pictures Song of Ice and Fire olympics Lucasfilm BET Awards Pop TV anime Disney comic toy story Opinion game show video travel Stephen King period drama LGBT Christmas trailers Comedy TIFF french 73rd Emmy Awards Tarantino Pirates Tomatazos Reality twilight Masterpiece canceled 71st Emmy Awards movies OWN dogs transformers dragons VH1 Cosplay batman BBC One rt archives Shudder Shondaland Oscar spanish dark Spring TV theme song reboot criterion comics AMC SDCC TBS History discovery Food Network HBO Max hispanic Awards Best Picture Video Games Superheroe Apple TV+ revenge cults Mary poppins SXSW marvel comics South by Southwest Film Festival GIFs new zealand TV Land BBC elevated horror true crime Alien CW Seed book Discovery Channel live action all-time Heroines Certified Fresh Fargo worst Brie Larson Turner Classic Movies child's play FX on Hulu pirates of the caribbean international festivals Comics on TV Dark Horse Comics singing competition MSNBC black comedy Syfy indiana jones Character Guide HFPA Extras Tubi Mary Poppins Returns The CW doctor who Prime Video Image Comics stoner spanish language politics Nickelodeon free movies Interview zombie what to watch Marvel Studios japanese comic book movies Mystery IMDb TV Election prank die hard leaderboard Academy Awards Amazon Prime cars Cannes Apple TV Plus Marvel Television animated sequels CBS All Access Hear Us Out Holidays disaster NYCC Awards Tour boxing Best Actress Lifetime Christmas movies Instagram Live Sundance VOD Ghostbusters dexter Valentine's Day romantic comedy renewed TV shows Adult Swim Sci-Fi movie Paramount Plus Year in Review HBO Go TCM Sundance TV serial killer festival Ellie Kemper a nightmare on elm street Rom-Com dc Crackle crime Rocketman A24 Rock Neflix BET PlayStation archives mcc ABC book adaptation toronto cats canceled TV shows Photos Film Vudu First Reviews Box Office video on demand live event biopic sag awards Freeform Television Academy CBS aliens thriller Tags: Comedy marvel cinematic universe TNT Best Actor Drama 2015