Welcome to another RT watching party! So far,
we’ve
Bonded,
Trekked,
Terminated, and… Fridayed?
Jasoned? Anyway, with the
upcoming release of
Harry Potter and the Half-Blood Prince, we thought it would be a good
time to take a look at how the series has progressed so far.
Before I get started on this first installment with my review of
Harry Potter and the Sorcerer’s Stone, let me give you a little
background. I’ve seen each one of the movies when they were released, and for
the most part, I’d seen many of them before I’d read the corresponding book. I
typically don’t like to read a fantasy series until the final book has been
published, and so I hadn’t read any of the books until Deathly Hallows
was available. That means that I’m now looking at these movies again in a
slightly different light, which will definitely color my reviews. One last
note: I can’t guarantee that I won’t be spoiling some of the plot details of the
past movies, but if you’ve been living in a cave and haven’t seen the movies, I
don’t know why you’re reading this anyway (except for you, Mom).
As an adaptation of J.K. Rowling’s first novel, Harry Potter and the
Sorcerer’s Stone is a solid film. It may not equal the stunning triumph of
Peter Jackson’s first
Lord of the Rings adaptation, but it’s a pretty good movie just the
same. The filmmakers take great care to show loving respect to the source
material, and for the most part, that’s a good call. But the film follows the
book’s plot a bit too slavishly, and that makes for a very long (and sometimes
slow) movie.[rtimage]MapID=1109764&MapTypeID=2&photo=1&legacy=1[/rtimage]
The film opens with an old wizard turning out streetlights in a sleepy English
neighborhood, and he’s soon joined by a shapeshifting witch and a giant of a man
riding a flying motorcycle, who is carrying a newly orphaned baby boy. At this
point, I shouldn’t have to tell you that we’re talking about Dumbledore,
McGonagall, and Hagrid, but it’s a nice scene that introduces what will be a
recurring element in these films: high-profile actors from the British Isles (in
this case, Richard Harris, Maggie Smith, and Robbie Coltrane). The trio leaves
the baby, Harry Potter, with his non-magical relatives, hoping to keep him safe
from a danger that’s undefined at the moment.[rtimage]MapID=1109764&MapTypeID=2&photo=6&legacy=1[/rtimage]
We next see Harry (Daniel Radcliffe) about 11 years later, sleeping in a small
cabinet under the stairs at the home of what must be one of the worst families
in England, the Dursleys. In Rowling’s novel, the Dursleys lend a very
Dickensian feel to Harry’s early home life, but that doesn’t translate as well
to the movies. The book had me hating the Dursleys and empathizing with Harry.
But the movie presentation of the Dursleys made me wonder why no one had ever
called Child Protective Services (or the LADO, since they live in England).
After a disastrous trip to the zoo for his cousin’s birthday, Harry starts
getting letters, which his uncle promptly burns and throws out. More and more
letters show up, delivered by owls of all things, and the Dursleys take Harry
away to the coast to escape the onslaught of unwanted mail. To make a long
story short, Hagrid shows up, tells Harry that he’s actually a great wizard (or
at least has the potential to be) and whisks him away from the awful Dursley
family, off to Hogwarts School of Witchcraft and Wizardry.
But first, Hagrid takes Harry to a place called Diagon Alley, which seems to
have been mostly untouched since the early 19th century, to get
supplies for his first year of school. Here we’re treated to a look at the
world of wizardry that’s hidden behind the everyday façade of London. We get to
see a wizard’s bank run by goblins (it turns out Harry’s pretty rich), and most
intriguingly, the wand shop Ollivander’s. The shop’s proprietor is played by
John Hurt, who plays the part with such an impish glee that I found myself
thinking it would be great to see the stories behind some of the wands in the
musty old shop run by the mysterious old man (and then I remembered Jim Henson’s
Storyteller series, which I’ve just added to my Netflix queue). Harry
gets loaded up with supplies, Hagrid drops him at the train station, and poor
Harry has to figure out how to walk through a brick wall to get to the train
platform.
Alright, so I’ve realized that I’m going into entirely too much detail here,
which leads me to the biggest problem with the movie; it’s trying to do too
much. There are so many things to introduce that it’s almost 40 minutes before
Harry makes it to Hogwarts. Every major character (and there are plenty) gets
significant screen time for an introduction, and although it’s great to see
English stars like John Cleese and Warwick Davis, the film’s pace suffers from
the endless introductions to both characters and various aspects of the world of
magic.[rtimage]MapID=1109764&MapTypeID=2&photo=7&legacy=1[/rtimage]
That’s not to say it’s a bad film; it really is a good movie. It can be risky
casting unknowns, but Daniel Radcliffe, Rupert Grint, and Emma Watson all turn
in very natural performances, and the bigger names in the cast aren’t just
phoning it in, either. In fact, I could go on and on about how Alan Rickman
steals most of his scenes, but I’ll save that for a later installment. Suffice
to say that I’m not sure I could possibly imagine anyone else playing Snape.
Chris
Columbus reins in his Home Alone-style wackiness here, and delivers a
film that manages to capture a fair amount of the wonder and mystery from
Rowling’s novel. The film is beautifully shot, and the effects are top notch,
although I found the Quidditch scenes to be a bit awkward. (I’m well aware of
the irony in complaining that the characters flying on magic broomsticks didn’t
look natural.)
For those that read the novel, the film makes sure to cover all of the important
points from the book, but still takes the time to please fans with smaller details
(i.e. candied frogs) as well. Harry gets assigned to a house, makes new
friends (Ron and Hermione) and enemies (Draco Malfoy), learns about Quidditch,
takes classes on the various aspects of wizardry, and also manages to take down
(again) the man that killed his parents, Lord Voldemort. Like I said, a lot of
things get covered, and you start to feel every minute of the film’s 2 1/2 hour
run time.[rtimage]MapID=1109764&MapTypeID=2&photo=8&legacy=1[/rtimage]
Now, I know I’ve just been complaining about the film’s length, and that there
are too many details for fans, but I felt some details were sorely missed. For
instance, at the end of the movie, Hagrid gives Harry a photo album with a
picture of his parents, which is nice. In the novel, it turns out that Hagrid
had spent weeks collecting old photos from friends of the Potters, and that he
hoped the photo collection would help Harry feel like he knew his parents a
little bit better — a much more poignant scene than what we see in the movie.
The movie does show us that Harry wants his parents more than anything else in
the world, as shown in the Mirror of Erised, but I feel the filmmakers missed the
opportunity to really hammer that home. In fact, this won’t be the first time
that Harry’s love for his parents gets glossed over in a film.
Ultimately, the movie works best as an introduction to the series for someone
that hasn’t read the source material. The endless introductions, if not exactly
required, certainly lend reality to a very detailed imaginary world. But
there’s not much in the film to really recommend a second viewing, except for
maybe Alan Rickman’s scenes. The chemistry between most of the actors isn’t
quite there yet, and we won’t see that until later installments.
Deconstructing Harry Dates:
