Weekly Ketchup

Weekly Ketchup: Smurfs First Look Online, Wolverine Gets More Mutants

Plus, Leo DiCaprio to produce live-action Akira

by | February 22, 2008 | Comments


News of a all-CGI Smurfs movie made the news cycle a few years back, but I think it was quickly dismissed as one of those curious announcements that we would never actually see made into a movie (like say, a live-action Transformers movie. Oh wait…). Well, the thing is actually happening, and footage of it from some big Smurfs shindig in Europe has appeared online, in French. The CGI imagery mostly appears at the end of the clip, and the guys at Coming Soon have done some screen captures for your browsing ease. Obviously, this is very early work, but right now, the Smurfs sort of look like VeggieTales characters, but that could just be a symptom of the work not being done yet. Maybe they’ll look like Smurfin’ Beowulf by the time they’re done, heh.


Walt Disney Pictures announced a revamping of their release dates for the next few years, and the list included a date (March 19th, 2010) for Alice in Wonderland, Tim Burton‘s take on the Lewis Carroll classic, which will combine performance capture (think Beowulf), live action and the wonders of digital 3-D. Linda Woolverton, who wrote Disney’s Beauty and the Beast and cowrote The Lion King is adapting this second Disney adaptation of Alice. In a sense, Tim Burton already made his own sort of Wonderland movie in Nightmare Before Christmas, with its wide variety of holiday-based fantasy characters. The funny thing is that if you try to imagine a “gothic” take on Alice, like what you might think Tim Burton would do, there already exists something like that, which is American McGee’s Alice, a video game from several years ago, which is perhaps slightly dated (graphics wise), but is still visually stunning and sort of awesome. There is not just the game, however, but also Universal Pictures’ plans to adapt McGee’s game into its own gothic-hued Alice movie, starring Sarah Michelle Gellar as an all-grown-up Alice who returns to Wonderland to find it even more twisted and disturbing 20 years later. That Alice project has been bubbling through development for nearly a decade now, but I suspect the allure of beating Burton’s movie to the punch might just get it started again soon, with Burton’s movie 23 months from release.


Universal Pictures and Hasbro announced a deal this week to adapt at least 4 movies based on Hasbro properties in the next six years, with the goal of the first one coming out in 2010, and there being at least one a year every year after that. Hasbro’s properties are quite vast, and apparently at the top of their target list are Monopoly (already announced as a project for director Ridley Scott!), Battleship, Ouija, Clue (a new movie, not a sequel), Stretch Armstrong (at one time in development as a Jackie Chan movie) and Magic: The Gathering. The possibilities are quite extensive, as you’ll see if you follow the subidiary links on Hasbro’s Wikipedia page. For example, in addition to Magic: The Gathering, Hasbro also owns Dungeons and Dragons, and all of those great campaign settings, like Dragonlance, Planescape and Ravenloft. The Milton Bradley board games also have several concepts that are as good for big budget movies, I suppose, as say a Disney theme park ride or Jumanji (Candyland and Hungry Hungry Hippos, in particular). Of course, we’ll probably just end up getting a Mr. Potato Head movie starring Tim Allen that opens in late August and is forgotten by Labor Day.


These days, whenever I hear about movie remake projects that were (A) pretty good the first time around and (B) claim to be truer adaptations of the original material than (A), the first thing that pops in my head is Stephen King‘s The Shining TV mini-series from about 10 years ago (it was that long? wow.). Now, admittedly, it was Stephen King’s novel, and I guess he felt like his original vision warranted getting made, but this new thing of his was supposed to compete in some way with Stanley “Freakin” Kubrick’s masterpiece of horror? And so, Leonardo DiCaprio is producing a two-movie live action adaptation of the original six Akira manga books, the first half of which was adapted in the late 1980s as arguably the greatest sci-fi anime movie ever, ever, ever. We know Akira is the greatest because of what they say about imitation and flattery, and 20 years of anime movies and TV shows have flattered it A LOT. It’s unconfirmed whether DiCaprio will actually act in the movies (although there is a well-reported rumor that he would play Kaneda, the sort-of main character, the leader of a motorcycle gang). What is confirmed is that the setting will be “Neo Manhattan” (Americanizing the “Neo Tokyo” of the books and anime movie), and that Joseph Gordon-Levitt will be playing Tetsuo, the young man with the ca-razy, big-exploding-bubble-at-the-end-of-the-movie, psychic powers who is the other sort-of main character (the titular Akira is important but not a protagonist/antagonist in the traditional sense). The director (Ruairi Robinson) and writer (Gary Whitta) are both new to Hollywood feature films, and Warner Bros hopes to release the first half of the adapation in the summer of 2009, possibly right around the same time Joseph Gordon Levitt will also be seen in theaters as Cobra Commander in G.I. Joe.


As 1999 gave way to 2000, and then 2001, etc., it seemed like all the paranormal “experts” out there started adjusting their doomsday scenarios a bit. Now the world wasn’t supposed to end last week, it was just a few more years yet. A favorite target is 2012, which is reportedly the end of the Mayan calendar, and therefore, the target date for all sorts of big bad mojo, hocus pocus, allakhazam, etc. And so, Roland Emmerich, who has built his big budget blockbuster career around various doomsday scenarios (aliens in Independence Day, big lizards in Godzilla, global warming in The Day After Tomorrow, etc), announced this week that his next project would be called 2012 (which Internet people pretty quickly figured out was connected to the Mayan calendar… thing), and it was up for sale to the highest bidder. That studio turned out to be, not soon after, Columbia/Sony, which will release it sometime in the summer of 2009, giving us about two and a half years to prepare for whatever terrible fate Emmerich predicts for us.


Roland Emmerich isn’t the only high profile type director in the apocalypse game, though. M. Night Shyamalan‘s new movie, The Happening, comes out this June 13th, 2008, and the first trailer recently appeared in theaters and online. The slightly hilarious thing, though, is that about a week before *that* trailer, a completely different trailer appeared online, which basically gave away the “twist” of the nature of the big bad apocalyptic thing that’s “happening.” You have to imagine that Shyamalan probably had a mild heart attack when he saw the big reveal given away in the trailer, and hence, the yanking. Anyway, if you want to watch that trailer with a knowledge of what the movie is about, here in spoiler space (click and scroll) it is: Some sort of a new biological life form is spreading, causing people to be obsessively compelled to commit suicide, sort of a “Lemming Effect”. Mark Wahlberg and Zooey Deschanel‘s huge, gorgeous eyes star.


X-Men Origins: Wolverine lit up the movie news sites nearly every day this week, as a large ensemble cast was trickled out in dribbles and spurts. What we’re left with a week later is a cast that looks more and more like the movie should be called Weapon X or even X-Men 4, as it includes nearly every character ever connected in the X-Comics in any way to Weapon Plus or the Weapon X program, and a few that weren’t. Where to start? Well, first off, there is Danny Huston, who will be playing the younger version of Stryker (Brian Cox) from the second movie (keep in mind that in the comics, Stryker wasn’t even involved with Weapon X). And then, there are the many, many Weapon X characters: Deadpool (Ryan Reynolds), Sabretooth (Liev Schreiber, replacing Tyler Mane with someone who is more “actor” than “wrestler/stuntman”), Silver Sable (Lynn Collins), John “Kestrel” Wraith (Will I. Am of the Black Eyed Peas) and Agent Zero (AKA Maverick) (Daniel Henney). Not part of Weapon X (traditionally) but also included in the cast are Gambit (Taylor Kitsch from TV’s Friday Night Lights) and “Barnell” (Dominic Monaghan, who played Charlie on Lost, and also played a recurring midget in a few movies back in the early 2000s. I KEED.).

The confusing thing about Monaghan’s character of “Barnell” is that the trades are saying that he has electricity powers, but the only Barnell in the Marvel universe is a mutant named Beak, who is a sad sack with the physical features of a bird (beak, chicken feet, feathers all over, the whole thing), without the expected ability to actually, you know, FLY. Beak is miserable and very sympathetic in a “zero to hero” way that Monaghan would be perfect for (let me admit right up front that Beak is one of my favorite new X-characters introduced in the last 10 years). So, why they’re saying he’s got a completely different M.O. is mildly bizarre. If they’re going to fake us out, you have to wonder why they would bother using the “Barnell” name. And, oh, yeah, there are also rumors that an extra has been seen sporting a huge fat suit as The Blob.

With all these potential enemies (or team mates of a sort) being announced, Wolverine’s biggest threat was also announced this week, in the form of the daughter of that “Achey Breaky Heart” guy, and the unstoppable juggernaut that is The Hannah Montana Movie. If her B.O. beats Wolverine’s B.O. on the 5/1/09 weekend, it will be a sort of generational milestone, I suspect. I would give Hannah Montana her own story, but ummm… I don’t really have much to say. I’ve seen commercials for the TV show, and it appears to be about a teenage girl who is secretly a Britney Spears type pop star. And it’s very popular with girls who were born after I received my Masters Degree. Oh hey, look, I actually did write a paragraph about Hannah Montana. So… NEXT!


Comedy director David Zucker (whose filmography started with Airplane! and most recently includes Scary Movie 3 & Scary Movie 4) has set his particular style of movie satire on tackling the Christmas genre, apparently, with plans of doing a modernized, Americanized adaptation of Charles Dickens’ A Christmas Carol, called An American Carol. Kelsey Grammer starred in a TV version a few years back as Ebenezer Scrooge, and so he’s been picked by Zucker to star in this version as well. I’m sort of reminded of how many times Patrick Stewart has played Scrooge (in a 1999 TV movie, and in several stage versions), and to this movie’s detriment (before it’s even made), of how great Stewart was as Scrooge. I’m pretty sure Patrick Stewart probably would not have signed on for Zucker’s movie, so… yay for Frasier.


With the “chapter closing” movies for both Rocky and Rambo actually performing fairly well at movie theaters (as opposed to being double-packed as direct-to-video DVDs, heh), Sylvester Stallone appears to be setting his sights on repeating the magic with other movies he starred in 20 years ago. Next up? I don’t remember the character’s name, and I’m not inspired enough to look it up, but whoever he played in Cliffhanger? That guy. The sequel will be called The Dam, and I’m guessing it involves a dam.


With lots of other fighting games (Tekken, Mortal Kombat, etc) getting live action movies going, a new Street Fighter movie is also on the way, with Kristin Kreuk (Lana Lang on Smallville) being cast as the main character as Chun Li, and Michael Clarke Duncan (The Green Mile), Chris Klein (American Pie) and Rick Yune (Die Another Day), also costarring. After a game gets already adapted as a movie that includes those four sacred words (Jean. Claude. Van. Damme.), can a second movie, even with a completely different cast and look for a new generation, ever hope to be as… well, whatever that movie was? Andrzej Bartkowiak (Exit Wounds, Romeo Must Die) is directing.


  • Gore Verbinski, director of the Pirates of the Caribbean trilogy (and not, the future movies in the series, by the way) announced this week plans for a huge all-CGI production, but with no title or any hint of a story or even a genre, there’s not really much for me to say about it, except that it probably will not feature pirates.
  • Universal’s remake of The Wolf Man is getting closer to production, and confirmation of that came this week in the form of Hugo Weaving (V for Vendetta, The Matrix) being cast as a new detective character not in the original movie.
  • The next British romantic comedy from the Working Title company (Notting Hill, Love Actually, Bridget Jones’ Diary, etc) is The Boat That Rocked, about a pirate radio station housed on a boat, and it will star Rhys Ifans, Kenneth Branagh, January Jones (the girl… obviously), Phillip Seymour Hoffman and Bill Nighy.
  • Jim Jarmusch (Broken Flowers, Mystery Train) is preparing his next movie, called The Limits of Control, which will costar Bill Murray, Tilda Swinton and Gael Garcia Bernal, and star Ivorian actor Isaach de Bankole as a would-be criminal who travels to Spain to commit his crimes…. ILLEGALLY! My vocabulary word for today is learning that “Ivorian” means someone is from the Ivory Coast.
  • In “adaptations of comic books you probably have never heard of” news, Columbia bought the rights to Garth Ennis’ “The Boys” this week (about CIA agents who kill superheroes the Agency deems irritating), and David Fincher has signed on to direct Black Hole, about teenagers in the 1970s who catch and spread a STD that turns them into super powered freaks.

And that, as they say, was the week that was.

Greg Dean Schmitz

Do you have a scoop for Greg? You can contact him at http://www.myspace.com/gregdean88

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