(Photo by A24/courtesy Everett Collection)

Best A24 Horror Movies, Ranked by Tomatometer

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The latest: A24 ended the year with a one-two punch of Heretic and Y2K. They’ve got Opus and Death of a Unicorn coming up, both in March.

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Like Blumhouse, production house and distributor A24 rose to prominence in the 2010s, especially through getting their names attached to some of the best horror movies of the decade. While the Blum boys are known for their keen budgeting and thrust for the mainstream, A24 carved its identity through scares challenging, unexpected, and experimental. 2016 was A24’s breakthrough year for horror (they also released Best Picture Oscar-winner Moonlight the same year, by the way), with Robert Eggers’ folk period-authentic The Witch, and the backwoods punk pulverizer Green Room. 2018’s Hereditary was A24’s highest-grossing movie until Everything Everywhere All At Once, and launched writer/director’s Ari Aster’s feature career, who quickly followed up with 2019’s sunbaked Midsommar.

Elevated horror was a phrase bandied about to describe the movies of this decade that commingled shock and terror with less emphasis on jump scares and more on atmosphere, dread, and able to withstand critical and societal scrutiny. (It Follows and Blumhouse’s Get Out are two more grand examples.) While the elevated horror term isn’t used much more these days, it did get the job done, in that it raised audiences expectations out of what to expect out of horror and what the genre can achieve, and A24 has continued to rise to the occasion in the 2020s. Just take a look at Rose Glass’ Saint Maud, Ti West’s X/Pearl/MaXXXine, and Talk To Me.