(Photo by FX)
Fall 2019 TV Survey: 40 Most Anticipated Returning Shows
For Rotten Tomatoes’ annual Fall TV Survey, we asked thousands of our users what they’re most looking forward to in the coming TV season and to reflect on the best shows from seasons past.
We first asked TV fans which returning fall TV shows they were most looking forward to, allowing them more than one vote to spread the love around.
American Horror Story took the top spot with 25% of the vote. No. 2, the second season of Mindhunter, which has already launched on Netflix, got 24.31% of the vote, besting The Good Place (23.7%) by a hair.
Read on to find out all of Rotten Tomatoes users’ most anticipated returning series.
Disagree with the survey results? Tell us in the comments who you think should have made the list or have been ranked higher.
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Critics Consensus: Penn Badgley's perversely endearing serial stalker keeps looking for love in all the wrong places during a second season that maintains the subversive tension while adding some welcome variations on the series' formula.
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Critics Consensus: By focusing on its strong ensemble and the character moments fans have come to love, Runaways ends its three season run on an exciting -- and surprisingly introspective -- high note.
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Critics Consensus: Smart and thrilling as ever, The Expanse's fourth season doesn't miss a beat, successfully navigating network changes without losing any of its rich character work or narrative complexities.
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Critics Consensus: The Man in the High Castle finds something close to closure, wrapping up major threads to bring everything full circle in sufficiently dramatic fashion.
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Critics Consensus: As visually spectacular as ever, The Marvelous Mrs. Maisel's witty banter flies with comedic fury -- but shallow social commentary and wandering storylines highlight the show's increasingly superficial tendencies.
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Critics Consensus: Though the strangeness of reality threatens to one-up it, Silicon Valley's final season is funny, fearless, and still playing by its own rules to the very end.
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Critics Consensus: Always Sunny's provocative humor has lost some bite, but the patrons of Paddy's Pub ought to be pleased by the Gang's inability to cope with modernity -- and each other.
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Critics Consensus: Oliver Queen's final adventure hits emotional peaks while spearheading the game-changing "Crisis on Infinite Earths," giving the Emerald Archer a rousing sendoff.
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Critics Consensus: Dan Harmon and Justin Roiland hit pause on serialized storytelling to focus primarily on self-contained exploits, which hit far more often than they miss in this uproariously funny season.
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Critics Consensus: Jack Ryan's second season is both more refined and more predictable, doubling down on its espionage set-pieces while toning down its titular character's moral complexities to create a more straight-forward spy show.
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Critics Consensus: Olivia Colman shines, but as The Crown marches on in reliably luxurious fashion through time it finds space for the characters around her, providing ample opportunity for the appealing ensemble to gleam, too.
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Critics Consensus: A few changes in front of and behind the camera allow TWD create space for compelling new stories and some seriously scary new adversaries.
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Critics Consensus: A heartfelt goodbye that leaves the door open, Modern Family's final season is a touching tribute to the show and a fitting enough farewell to one of TVs favorite families.
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Critics Consensus: This Is Us reaffirms that it is more than just a mystery box in its fourth season, pressing on with some of its most central questions answered -- but its emotional power intact.
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Critics Consensus: A wild philosophical ride to the very end, The Good Place brings it home with a forking good final season.
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Critics Consensus: Mindhunter expands its narrative horizons without losing sight of the details that made its first season so rich, crafting a chilling second season that is as unsettling as it is utterly absorbing.
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Critics Consensus: A near-perfect blend of slasher tropes and American Horror Story's trademark twists, 1984 is a bloody good time.
*No. 22 reflects write-in votes; a few of the top titles included The Marvelous Mrs. Maisel, Mr. Robot, Chicago P.D., A Million Little Things, and Blue Bloods. (Some titles confirmed return dates after our survey was conducted; others, like popular write-in Star Trek: Discovery, have yet to announce.)
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