Comics On TV

The Falcon and The Winter Soldier Director Kari Skogland on How Sam's Story Resonates

Plus, "Bucky will never not have to do work," she says.

by | April 30, 2021 | Comments

Sebastian Stan and Anthony Mackie in THE FALCON AND THE WINTER SOLDIER

(Photo by Marvel Studios)

The Falcon and the Winter Soldier ran its last episode last week, but some questions about its finale and themes still linger: from production realities of a series made during the pandemic to whether or not John Walker (Wyatt Russell) is a hero.

Series director Kari Skogland took a few minutes this week to talk with Rotten Tomatoes about the show and some of its facets, including the thinking behind Sam’s gesture for Isaiah Bradley (Carl Lumbly) and the visual tricks used to make Walker’s disposition more ambiguous. She also addressed a rumor about a deleted storyline and outlined some of the ways the COVID-19 pandemic had an impact on completing the show.

How the Pandemic Complicated Filming of The Falcon and The Winter Soldier

Erin Kellyman in Marvel Studios' THE FALCON AND THE WINTER SOLDIER

(Photo by Marvel Studios)

In the run up to the finale, word began to spread that the COVID-19 pandemic had done more than just delay production of the series. According to the reports, a plot involving Karli (Erin Kellyman) and the Flag Smashers was dropped during the months of delays. Skogland denied such a storyline ever existed.

“There was no virus storyline,” she said. “The pandemic did not change our storyline, because we knew what we were shooting before[hand]. We were always telling the story we were telling.”

Production began in October 2019 in Atlanta, Georgia, continuing apace through the year. Filming moved to the Czech Republic during spring 2020, where it was shut down a few weeks short of completion: “We had shot 75 percent of it when we got shut down,” Skogland said.

The production shutdown did impact the series in other ways, though; for one, post-production began earlier than expected, leading to some of the program’s extra polish, according to Skogland.

“For the remaining 25 percent [we needed to shoot], we were able to sharpen our pencils a little bit,” she said. “We were able to focus the characters a little bit here and there. [And] through the editing process, we moved a scene, or we shifted something.”

But one real-world event that definitely changed the program was a major earthquake in Puerto Rico on January 7, 2020. The plan was to shoot in Arecibo, near the famous radio observatory (which, sadly, collapsed in late 2020).

“We had fully built our sets. We were ready to go. It was two days before we left that the earthquake happened,” Skogland recalled.

The locations were “beautiful,” and she looked forward to working in the U.S. territory still recovering from the devastating 2017 Hurricane Maria, the subsequent Hurricane Dorian, and 2019’s Tropical Storm Karen.

“We couldn’t go for safety reasons,” Skogland said. “We felt sad that we weren’t able to go there, but we pivoted.”

The material planned for Puerto Rico shifted largely to the Czech production block.

The Show’s Story Became Especially Relevant

During the shutdown, Skogland and the rest of the crew noted how real life mirrored some of the themes of The Falcon and the Winter Soldier during 2020’s summer of protests and social media punditry.

“The political arena was doing exactly what we expected it to do,” she said. “And so what was the protests and what was happening was [also] our story. We couldn’t believe that life was imitating art and that the conversation was becoming, once again, more relevant.”

As we noted across the series’ run, its ruminations on the response to a Black Captain America, the burying of Isaiah Bradley’s story, and even the way John Walker was positioned as the new Captain America reflected some of the deep scars still unexamined in American history.

Anthony Mackie, Director Kari Skogland and Adepero Oduye on the set of Marvel Studios' THE FALCON AND THE WINTER SOLDIER

(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)

And while not all of the ideas fit satisfyingly in a Marvel superhero television show – as some of its critics have pointed out – that they are addressed at all in Marvel’s relatively happy-go-luckily cinematic universe is surprising.

Also, as Skogland added, “This was not a new conversation, this storyline – the idea of what the world was facing – is ongoing.”

From her standpoint, folding the themes into Sam’s (Anthony Mackie) journey were an attempt to say, “Hey, we need to talk about it. We need to continue to talk about it. We need to continue to evolve our perspective.”

Getting Justice for Isaiah

Elijah Richardson and Carl Lumbly in THE FALCON AND THE WINTER SOLDIER

(Photo by Marvel Studios)

One of those places where the perspective can continue to evolve is the program’s seeming resolution for Isaiah. As glimpsed in the final moments of episode 8, Sam was able to get Isaiah and his company honored within the wing at the Smithsonian where most of the Captain America and Howling Commando artifacts are on display. The exhibit, first established in Captain America: The Winter Soldier, was important to Steve Rogers (Chris Evans) and a place imbued with much meaning through its repeated appearances. See also: Bucky (Sebastian Stan) learning about himself within the wing during The Winter Soldier’s stinger scene.

It is also, arguably, a good place for Isaiah to be recognized while still respecting his privacy and valid grievance with a country which experimented on him and threw him in prison for 30 years. The way Skogland pictured it, it was important for the exhibit not just to recognize Isaiah, but Black men who died in service to the country.

“That’s why I put all the different pictures on the wall, the evolving imagery of the Black soldiers,” she said.

Carl Lumbly in Falcon and the Winter Soldier

(Photo by Marvel Studios)

Although the statue of Isaiah is the focal point, Skogland said the overall layout reflects Sam’s appreciation of what Isaiah, his company, and the experiences of the Black men who went before them.

“Isaiah wasn’t just about Isaiah. Isaiah was about his community. And he says that when he’s talking with Sam,” Skogland said. “So, I think it was a really wonderful … Sam to be able to say to him, not only are you not going to be forgotten, but the community who fought for their country is not going to be forgotten.”

Nonetheless, because Isaiah comes from a place of legitimate bitterness, the shock of that recognition can only be the beginning of healing. It remains to be seen if his story will continue in some way – Marvel fans are already pointing at his grandson, Eli (Elijah Richardson), as an eventual Young Avenger – but the scene offers some catharsis. Skogland credits a lot of that emotional content to Lumbly himself.

“He’s fantastic,” she said. “I just have to point the camera [at him]. So, my job’s done.”

Skogland Reveals Her Methods Behind Framing John Walker

Wyatt Russell in Marvel Studios' THE FALCON AND THE WINTER SOLDIER

(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)

Creating a visual sense of Walker’s ambiguity and ever-changing priorities was a constant set of visual choices for Skogland.

“It depended where he was at in his internal [thoughts], in his storyline or his conversation,” she explained. “In some cases, I wanted it to be very intimate with him. In other cases, I wanted it to be quite a low angle and stoic.”

She pointed out his first appearance, what she called a moment of discovery, as a key example of the way the camera regarded him. At first, “[you] could barely see him … until right until the very end, when he winks at the camera,” she said. She credited Russell with the wink and its accompanying change in camera angles to accommodate his performance.

“Then other times when [Walker’s] shamed and he’s making his way in, I wanted the world to be unsettled, but not in a handheld kind of way, just [the camera] constantly moving in on him — it felt like the world was closing in,” she continued.

Wyatt Russell and Julia Louis-Dreyfuss in Marvel Studios' THE FALCON AND THE WINTER SOLDIER

(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)

Other examples include the more intense closeups when he first meets Contessa Valentina Allegra de la Fontaine (Julia Louis-Dreyfus) and those shots framing him in contrast to Lemar’s (Clé Bennett) family as he tells them what happened and begins to mythologize himself.

“It was important that we chose the perspective,” she said. “I used tighter focal pulls and we were right in his face and used some harsh lighting outside when he’s walking [away.]”

That “fluid language” augmented the ambiguity of the character, which may be why some viewers were surprised by his heroic moment during the finale; the visual language seemed to indicate an antagonist path. It remains to be seen, of course, if the photography will change in a subsequent appearance to highlight him as hero or villain.

How the Work Heals Bucky

Sebastian Stan and Ken Takemoto in THE FALCON AND THE WINTER SOLDIER

(Photo by Marvel Studios)

As we suggested in our look at the finale last week, we’re unsure if Bucky really did the work as Sam suggested, but Skogland reveals that last shot of Steve’s book denotes a certain endpoint for Bucky’s therapy.

“We crossed everything out,” she said. But she also added Sam’s suggestion of service was also meant to reframe Bucky’s understanding of making amends.

“I think what was the inspired thing that Sam tells him to do – which opened the doors – was say, ‘Oh, by the way, this is less about you, and this is about that,’” she explained.

“Until then, he had been looking at it from an almost selfish place – ‘if [Steve] could fix me, and I will therefore fix them,’” she continued.

Director Kari Skogland and Sebastian Stan on the set of Marvel Studios' THE FALCON AND THE WINTER SOLDIER

(Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.)

Doing the work, as Sam suggested, offers the Winter Soldier’s victims some closing, even if it never offers Bucky a path to making good on what he did. At the same time, it also offers Bucky a certain freedom through acknowledging his guilt: a notion touched upon when he finally admits to Yori (Ken Takemoto) that he killed his son.

“I would say that Bucky will never not have to do work,” Skogland added. “I think he’s always going to be on a precipice of it, [and] I don’t think he’ll ever be lighthearted about it.”

Nevertheless, that work will be healing for the character and, presumably, an aspect of any future appearances he might make.

Learn more from Skogland and her team in Marvel Studios Assembled episode “The Making of The Falcon and The Winter Soldier,” now streaming on Disney+

Tag Cloud

SXSW best Extras Sony Pictures cults Hear Us Out Fantasy biography Starz kong quibi The Walking Dead 2015 cats CW Seed mockumentary stand-up comedy Marathons japanese award winner Schedule USA Network halloween tv Mudbound singing competition golden globe awards Columbia Pictures Masterpiece Trophy Talk medical drama archives Martial Arts Creative Arts Emmys toy story 78th Annual Golden Globe Awards Legendary based on movie Holiday sitcom OWN OneApp MSNBC docudrama finale 24 frames YouTube Premium james bond anthology animated Broadway period drama Crackle Discovery Channel HBO 93rd Oscars Hallmark Christmas movies venice Character Guide police drama NBC Turner criterion YA GIFs BBC One Country Turner Classic Movies Toys TCM ITV christmas movies fresh sports a nightmare on elm street Exclusive Video AMC video kaiju book telelvision The Purge Rocketman cancelled witnail American Society of Cinematographers laika name the review Paramount Network 71st Emmy Awards parents asian-american latino DC Universe HBO Go LGBT rotten movies we love RT21 what to watch south america emmy awards Kids & Family breaking bad Adult Swim Nominations romantic comedy MCU APB Premiere Dates Awards Tour Fox News Video Games Writers Guild of America Polls and Games theme song doctor who politics Acorn TV worst movies italian BET Awards Marvel TV Horror Food Network critics king kong satire spain supernatural Walt Disney Pictures transformers Pet Sematary Cartoon Network aliens Apple TV Plus series children's TV indie child's play Film Festival independent serial killer Shondaland golden globes rt archives Disney TCA Awards space Amazon screen actors guild dc Rock Film 2019 PaleyFest football Epix Thanksgiving DGA indiana jones Reality Competition richard e. Grant El Rey festival Brie Larson BBC America canceled Hulu travel See It Skip It Netflix Christmas movies History 2017 TCA Winter 2020 mission: impossible Western superman The Arrangement 99% zero dark thirty ESPN Super Bowl FX on Hulu First Reviews Academy Awards Chernobyl binge miniseries Apple TV+ TV Land reboot Drama Comedy Central WGN Mindy Kaling razzies Star Trek tv talk Arrowverse Superheroe Unbreakable Kimmy Schmidt SDCC canceled TV shows cooking Pirates kids spanish language zombie Tumblr Disney Plus comedies Netflix Sci-Fi Esquire spanish documentaries Podcast screenings 007 Red Carpet book adaptation Family Nickelodeon Infographic Universal 2018 Calendar dceu adaptation Action hispanic Syfy boxing blockbuster Hallmark dark Trailer spinoff Spring TV spider-man television Stephen King strong female leads Tubi crime thriller casting rom-coms ID Marvel Television sequel remakes Lucasfilm documentary BBC Christmas psycho obituary comic books Anna Paquin IFC PBS worst Logo TLC Valentine's Day DirecTV Comedy Musicals Tarantino pirates of the caribbean Dark Horse Comics trailers 21st Century Fox dragons fast and furious Baby Yoda ratings classics National Geographic Alien ABC Family Television Academy Amazon Prime TBS natural history nature 2020 2016 LGBTQ Election free movies A24 comiccon Cannes social media Amazon Prime Video godzilla justice league Tomatazos game of thrones New York Comic Con cancelled television Sundance news discovery war talk show toronto Year in Review CNN HBO Max 4/20 Rocky Binge Guide sag awards french Black Mirror boxoffice batman 72 Emmy Awards scorecard Vudu TIFF YouTube ViacomCBS Interview DC Comics The Academy prank twilight Avengers vampires 20th Century Fox YouTube Red halloween hollywood Lionsgate cars mutant MTV thriller PlayStation rotten teaser deadpool joker technology San Diego Comic-Con Teen anime cinemax Star Wars monster movies Set visit Mary poppins Travel Channel cancelled TV shows Winter TV CBS Shudder streaming dramedy Mary Poppins Returns Sundance Now renewed TV shows adventure diversity Warner Bros. Spike Countdown Reality true crime directors Comics on TV TNT reviews Music dogs festivals Classic Film all-time blockbusters Sundance TV historical drama zombies Superheroes crossover Musical movie Fall TV Opinion Rom-Com hidden camera Mary Tyler Moore Biopics slashers comics Chilling Adventures of Sabrina Showtime SundanceTV stoner Freeform black ABC Signature President romance Peacock E3 jamie lee curtis elevated horror DC streaming service Bravo scary movies nfl docuseries Elton John stop motion Holidays Crunchyroll cancelled TV series video on demand ghosts Quiz Mystery Heroines TV renewals crime FOX new star wars movies blaxploitation Captain marvel chucky Marvel Studios USA australia 2021 GLAAD sequels films Disney Channel unscripted revenge Cosplay CMT Box Office IFC Films superhero Endgame comic Pride Month The CW TCA 2017 Women's History Month game show concert GoT VICE Black History Month Animation FXX Britbox Television Critics Association Winners Pixar The Witch composers WarnerMedia hist Lifetime cops Funimation ABC Grammys Ovation First Look Spectrum Originals VOD E! disaster foreign cartoon Oscars werewolf FX science fiction BET Pop Sneak Peek Song of Ice and Fire Disney streaming service CBS All Access robots Comic Book Summer The Walt Disney Company popular women TV One jurassic park TCA crime drama VH1 green book Paramount BAFTA Disney+ Disney Plus Watching Series Pop TV Trivia 45 franchise Emmy Nominations movies A&E Fox Searchlight spy thriller universal monsters Awards political drama TruTV X-Men die hard Photos Best and Worst Apple heist movie Certified Fresh Lifetime Christmas movies Ellie Kemper Ghostbusters RT History psychological thriller harry potter Nat Geo Amazon Studios nbcuniversal Paramount Plus versus NYCC Emmys facebook