The Gifted’s Stephen Moyer on How to Raise Your Mutant Kids

New fall TV dad tells Rotten Tomatoes which scene was added to give his character more depth and how his own kids inform his performance.

by | September 12, 2017 | Comments

The X-Men universe drops another new series this October, The Gifted on Fox. About proper care and rearing of mutant kids, the series stars Stephen Moyer and is chock full of juicy storytelling elements that the former True Blood vampire can sink his teeth into. For one, X-Men comics have always used the persecution of mutants as a metaphor for real-world intolerance, and The Gifted falls in line.

Moyer stars as Reed Strucker, who works for an agency that hunts and arrests people who use mutant powers in a world that has seen the destructive force of X-Men battling in cities. On the drive home from work one day, Reed gets a call from his wife Kate (Amy Acker) that their kids, Lauren (Natalie Alyn Lind) and Andy (Percy Hynes White) have the mutant gene. Lauren has been hiding it for three years, but Andy just discovered it.

Moyer spoke with Rotten Tomatoes recently about the series and the complex issues that inform his performance.

Fred Topel for Rotten Tomatoes: There’s no one else in the scene where Reed finds out his kids have the mutant gene. You’re on the phone, but obviously the camera is on you and the audience is watching. How did you approach performing that private moment?

Stephen Moyer: We’d shot a lot of it by then. We used to find out that piece of information — in a previous iteration of the script — in a different place that we never ended up shooting. We never got him getting that information, so they decided to put it in. I was really pleased because it was sort of like the missing piece of a jigsaw in a funny way. So it’s really interesting that you should bring that up, because I’d already gotten to play some of the moments prior to that.

The kind of filmmaking that I love is when somebody gets a piece of information in the room when no one else can see them receive that information apart from the audience.

Sometimes, in what we used to call kitchen-sink drama in the U.K. — say you’re at the sink and you’re washing up, behind you is your family over there, you’re doing the washing up, then the camera comes over to this side when that piece of information comes across. It’s a really interesting moment for the audience.

When I read that scene I was really pleased because I suddenly thought: Here’s a moment of a man who we’ve gotten to see he’s a prosecutor. He’s been doing this for the last 25 years of his life, trained to do this. Everything he believes in, everything that he’s been doing for the good of society in his own eyes is now collapsing before him. It’s a really resonant little beat to mine.

RT: If the phone scene was a new addition, was anything from the original pilot lost from the show entirely?

Moyer: Yes. I think on paper, Reed was slightly more obviously out for himself and slightly less interested in his kids, slightly less interested in the marriage. I think on paper, what I was attracted to actually was here’s this interesting dark character who has to make this massive, monumental 180 shift. But when [creator] Matt [Nix] and I started talking about it, it was not a very likable character. We want the audience to empathize with his plight at the beginning. So we made his journey less idiomatic, less opinionated to leave it slightly more ambiguous this way.

RT: The X-Men movies had some moments with parents, including the coming out scene in X2. When you’re the main characters of a weekly show, do you get to do more of a deep dive into how parents react to having mutant children?

Moyer: Yeah. As a parent myself, there are times when your kids come to you with things that are really hard to hear, because in some way your kid’s unhappy. Something’s happening within a scenario at school that is awful and it’s your job not to collapse into tears in front of them because they’re being bullied or whatever, but to show a brave face and be on their side and be supportive, try and get them through it. So I was really interested in that aspect of it and how my character has this kind of fundamental shift to make. So how one ends up portraying it, you mine a little bit of your own stuff.

This must be true for parents who go through that in life, whether it’s LGBTQ or other element of difficulty the child is going through, there’s almost like an Oh my God, this is going to be so hard for you. Not I judge you or I feel anything other than love for you, but This is going to be so hard for you. You’re going to go through so much pain until you find yourself. I think that’s the fascinating idea, isn’t it?

Especially because he knows what the Mutant Detention Centers mean. He knows that anyone who goes into those Mutant Detention Centers does not come out. Even though he’s managed to morally get to a place where he feels that he’s doing the right thing, he has to turn his back on all that; therefore, when he ends up on the run, he’s having to trust these people who, up until this point, he would never have spoken to other than to try and get them put away. It’s a big moral shift for him.

RT: How does Reed answer for his job to Lauren and Andy?

Moyer: The mutants are protecting themselves. They’re defending themselves. They’re not doing anything physically dangerous to other people, until of course Polaris (Emma Dumont) starts physically hurting that policeman and smashing the cars up and doing all that stuff. They are defending themselves and just trying to live.

So the very first few people that we meet are heroic in that way, in that they’re standing up for what they believe. There will be people within this universe who aren’t like that. There will be people within the universe who are using their powers destructively, like Magneto in the X-Men world. But I think it’s interesting the audience don’t see that to begin with. We get to empathize with the mutant plight before we start seeing another aspect of it.

They know that there are people within the universe who do bad things. They are the people that Reed is putting away. So in Andy’s eyes, how is Andy able to believe that his dad does a good job? Because his dad puts away bad people.

RT: Is that a rationalization on his part, that he’s only going after the bad mutants?

Moyer: Yes. Exactly.

RT: Does he have a change of heart?

Moyer: I think that’s his journey, isn’t it? We don’t know what happens at the beginning of episode 2. I think what’s going to happen is, when he’s separated from his family, what is he concerned about? Getting back to his family. Spoiler alert: He may do what he needs to to get back to his family. What’s he going to do in terms of getting back to his family? There may be mistakes made along the way, and it’s going to be about his moral, ethical education, quite literally the opening up of his eyes to the world that he exists in.

RT: Is Reed a great resource to the Mutant Underground?

Moyer: I think his mutant power is ultimately he knows the machinations of the judicial system, of the governmental system. He has knowledge on the inside of how that works. So what’s he going to be able to do? He’s going to be able to hopefully help that side. That’s what his resource is for the Mutant Underground.

RT: Is helping the Underground redemption for Reed?

Moyer: Yeah, I think, if he feels that he’s been doing the wrong thing. If, and I don’t know that yet because we’re only on episode 3.

RT: Is there conflict between Kate and Reed because of his job?

Moyer: Again, this is conjecture because I don’t know. I think it would be really interesting to see her start questioning just how much Reed knew.

The Gifted premieres Monday, October 2 at 9 p.m. on Fox.

Tag Cloud

Video Games Star Wars Marvel Television zombies ID Emmys Trivia Super Bowl Country Lionsgate Creative Arts Emmys harry potter Warner Bros. ABC Family Rocketman toronto OWN obituary RT21 Black History Month know your critic HBO Freeform trailers Showtime Infographic Best and Worst hist ESPN saw latino Premiere Dates Sundance Now dc Interview 1990s Anna Paquin The CW stop motion Extras worst cults heist movie El Rey worst movies 90s TV crossover Grammys medical drama MSNBC Polls and Games spy thriller 73rd Emmy Awards wonder woman television Comics on TV Adult Swim breaking bad sequel emmy awards free movies tv talk new zealand Avengers slashers Watching Series festivals Box Office Image Comics TBS President rotten movies we love unscripted target Family video on demand disaster universal monsters criterion zombie Song of Ice and Fire CW Seed Awards Tour TCA Awards elevated horror Martial Arts Vudu Travel Channel doctor who Marvel Studios 72 Emmy Awards reviews video Bravo TCA Winter 2020 stand-up comedy 78th Annual Golden Globe Awards robots joker concert Character Guide YA History Wes Anderson Elton John Mystery 2017 Fall TV cancelled TV series game show MCU Netflix biopic Tumblr Shondaland book justice league Music VOD singing competition Writers Guild of America Apple Thanksgiving miniseries NBC dceu spain hispanic Disney Plus Unbreakable Kimmy Schmidt RT History Hear Us Out international Hallmark anime discovery mockumentary MTV venice DC streaming service YouTube Red Paramount Plus Podcast Comic Book psychological thriller marvel cinematic universe black E3 Reality Competition FOX fast and furious Pop dogs CMT romantic comedy teaser HBO Go jurassic park halloween diversity anthology versus cops documentary Awards child's play E! Ghostbusters gangster blaxploitation Apple TV+ BET WarnerMedia Nat Geo TCA 2017 Funimation space The Academy YouTube Premium Film Broadway Mary Tyler Moore spanish language WGN deadpool vampires action-comedy spinoff Crunchyroll Pet Sematary Kids & Family cars social media ABC archives Holiday Disney streaming service Comedy Starz mission: impossible suspense VICE cartoon GLAAD Logo NBA The Walt Disney Company football king arthur theme song BBC America Comedy Central period drama Women's History Month cancelled Mary Poppins Returns PaleyFest Biopics romance game of thrones Red Carpet christmas movies Chilling Adventures of Sabrina rt labs critics edition scary movies HBO Max 007 debate Television Critics Association Star Trek rt archives 24 frames 2018 biography Opinion Food Network ABC Signature GIFs serial killer Fantasy canceled TV shows The Arrangement rom-coms Cannes nbcuniversal Election japan Trophy Talk Rocky GoT die hard OneApp Quiz royal family Black Mirror SundanceTV razzies 71st Emmy Awards legend comiccon Sony Pictures revenge twilight slasher 93rd Oscars aapi Amazon Prime festival Sundance Chernobyl Photos asian-american facebook See It Skip It name the review Winners ITV Cartoon Network cooking DC Universe indiana jones telelvision IFC Films war Lifetime pirates of the caribbean Certified Fresh king kong psycho directors blockbuster young adult news australia critics Spike hollywood Epix basketball independent Fox Searchlight 99% streaming crime thriller best Spring TV Apple TV Plus 4/20 all-time 2019 Acorn TV based on movie parents richard e. Grant south america Mudbound Tarantino Disney+ Disney Plus rotten PBS Paramount Network halloween tv Ovation reboot mcc Binge Guide hispanic heritage month Syfy Ellie Kemper franchise Pop TV Universal Turner Teen composers ghosts Sundance TV Tubi Walt Disney Pictures series dramedy scene in color green book FX on Hulu YouTube Rom-Com American Society of Cinematographers Television Academy politics TV movies book adaptation The Walking Dead indie 2016 Schedule Trailer new star wars movies TruTV true crime toy story finale Mary poppins Reality LGBTQ Oscars First Look Holidays Hallmark Christmas movies documentaries boxing canceled live action Christmas Classic Film golden globes dexter New York Comic Con blockbusters San Diego Comic-Con classics comics Pixar monster movies Peacock japanese sag awards quibi marvel comics technology award winner Animation spanish dark Netflix Christmas movies USA Winter TV BBC One golden globe awards Musicals Amazon Prime Video animated IFC A&E AMC Arrowverse Marathons Alien movie Nominations comic Brie Larson DC Comics 2015 CBS NYCC Sneak Peek 2020 cancelled television Legendary Columbia Pictures CNN what to watch X-Men Lucasfilm travel First Reviews Superheroes The Purge spider-man DGA satire FXX 2021 Amazon Studios rt labs comedies zero dark thirty Lifetime Christmas movies Spectrum Originals docudrama BET Awards adenture USA Network Paramount dragons cats TCA thriller Summer kids Musical Mindy Kaling kaiju popular talk show sequels Horror Hulu Marvel comic books Turner Classic Movies Nickelodeon fresh BAFTA werewolf Pirates foreign italian superhero Action screen actors guild films Shudder Emmy Nominations Calendar historical drama adaptation Tokyo Olympics feel good TV One Pride Month Toys APB Pacific Islander TV renewals new york jamie lee curtis Dark Horse Comics hidden camera nature Superheroe VH1 The Witch prank 21st Century Fox Captain marvel sitcom crime remakes science fiction A24 Stephen King stoner supernatural posters comic book movie BBC Valentine's Day Drama Exclusive Video nfl docuseries police drama Britbox streaming movies Sci-Fi james bond Year in Review godzilla PlayStation Heroines superman women scorecard adventure kong strong female leads casting 45 SXSW SDCC Crackle transformers FX Esquire 20th Century Fox Fox News french laika mutant Endgame DirecTV Countdown olympics Western TV Land TLC TCM Discovery Channel Tomatazos children's TV CBS All Access aliens Rock ratings a nightmare on elm street batman critic resources natural history political drama binge Disney Channel Masterpiece screenings Cosplay Baby Yoda sports high school Disney witnail Comic-Con@Home 2021 LGBT renewed TV shows lord of the rings movies TNT Academy Awards ViacomCBS chucky TIFF cinemax crime drama Film Festival cancelled TV shows National Geographic boxoffice Amazon comic book movies Set visit