The Gifted’s Stephen Moyer on How to Raise Your Mutant Kids

New fall TV dad tells Rotten Tomatoes which scene was added to give his character more depth and how his own kids inform his performance.

by | September 12, 2017 | Comments

The X-Men universe drops another new series this October, The Gifted on Fox. About proper care and rearing of mutant kids, the series stars Stephen Moyer and is chock full of juicy storytelling elements that the former True Blood vampire can sink his teeth into. For one, X-Men comics have always used the persecution of mutants as a metaphor for real-world intolerance, and The Gifted falls in line.

Moyer stars as Reed Strucker, who works for an agency that hunts and arrests people who use mutant powers in a world that has seen the destructive force of X-Men battling in cities. On the drive home from work one day, Reed gets a call from his wife Kate (Amy Acker) that their kids, Lauren (Natalie Alyn Lind) and Andy (Percy Hynes White) have the mutant gene. Lauren has been hiding it for three years, but Andy just discovered it.

Moyer spoke with Rotten Tomatoes recently about the series and the complex issues that inform his performance.

Fred Topel for Rotten Tomatoes: There’s no one else in the scene where Reed finds out his kids have the mutant gene. You’re on the phone, but obviously the camera is on you and the audience is watching. How did you approach performing that private moment?

Stephen Moyer: We’d shot a lot of it by then. We used to find out that piece of information — in a previous iteration of the script — in a different place that we never ended up shooting. We never got him getting that information, so they decided to put it in. I was really pleased because it was sort of like the missing piece of a jigsaw in a funny way. So it’s really interesting that you should bring that up, because I’d already gotten to play some of the moments prior to that.

The kind of filmmaking that I love is when somebody gets a piece of information in the room when no one else can see them receive that information apart from the audience.

Sometimes, in what we used to call kitchen-sink drama in the U.K. — say you’re at the sink and you’re washing up, behind you is your family over there, you’re doing the washing up, then the camera comes over to this side when that piece of information comes across. It’s a really interesting moment for the audience.

When I read that scene I was really pleased because I suddenly thought: Here’s a moment of a man who we’ve gotten to see he’s a prosecutor. He’s been doing this for the last 25 years of his life, trained to do this. Everything he believes in, everything that he’s been doing for the good of society in his own eyes is now collapsing before him. It’s a really resonant little beat to mine.

RT: If the phone scene was a new addition, was anything from the original pilot lost from the show entirely?

Moyer: Yes. I think on paper, Reed was slightly more obviously out for himself and slightly less interested in his kids, slightly less interested in the marriage. I think on paper, what I was attracted to actually was here’s this interesting dark character who has to make this massive, monumental 180 shift. But when [creator] Matt [Nix] and I started talking about it, it was not a very likable character. We want the audience to empathize with his plight at the beginning. So we made his journey less idiomatic, less opinionated to leave it slightly more ambiguous this way.

RT: The X-Men movies had some moments with parents, including the coming out scene in X2. When you’re the main characters of a weekly show, do you get to do more of a deep dive into how parents react to having mutant children?

Moyer: Yeah. As a parent myself, there are times when your kids come to you with things that are really hard to hear, because in some way your kid’s unhappy. Something’s happening within a scenario at school that is awful and it’s your job not to collapse into tears in front of them because they’re being bullied or whatever, but to show a brave face and be on their side and be supportive, try and get them through it. So I was really interested in that aspect of it and how my character has this kind of fundamental shift to make. So how one ends up portraying it, you mine a little bit of your own stuff.

This must be true for parents who go through that in life, whether it’s LGBTQ or other element of difficulty the child is going through, there’s almost like an Oh my God, this is going to be so hard for you. Not I judge you or I feel anything other than love for you, but This is going to be so hard for you. You’re going to go through so much pain until you find yourself. I think that’s the fascinating idea, isn’t it?

Especially because he knows what the Mutant Detention Centers mean. He knows that anyone who goes into those Mutant Detention Centers does not come out. Even though he’s managed to morally get to a place where he feels that he’s doing the right thing, he has to turn his back on all that; therefore, when he ends up on the run, he’s having to trust these people who, up until this point, he would never have spoken to other than to try and get them put away. It’s a big moral shift for him.

RT: How does Reed answer for his job to Lauren and Andy?

Moyer: The mutants are protecting themselves. They’re defending themselves. They’re not doing anything physically dangerous to other people, until of course Polaris (Emma Dumont) starts physically hurting that policeman and smashing the cars up and doing all that stuff. They are defending themselves and just trying to live.

So the very first few people that we meet are heroic in that way, in that they’re standing up for what they believe. There will be people within this universe who aren’t like that. There will be people within the universe who are using their powers destructively, like Magneto in the X-Men world. But I think it’s interesting the audience don’t see that to begin with. We get to empathize with the mutant plight before we start seeing another aspect of it.

They know that there are people within the universe who do bad things. They are the people that Reed is putting away. So in Andy’s eyes, how is Andy able to believe that his dad does a good job? Because his dad puts away bad people.

RT: Is that a rationalization on his part, that he’s only going after the bad mutants?

Moyer: Yes. Exactly.

RT: Does he have a change of heart?

Moyer: I think that’s his journey, isn’t it? We don’t know what happens at the beginning of episode 2. I think what’s going to happen is, when he’s separated from his family, what is he concerned about? Getting back to his family. Spoiler alert: He may do what he needs to to get back to his family. What’s he going to do in terms of getting back to his family? There may be mistakes made along the way, and it’s going to be about his moral, ethical education, quite literally the opening up of his eyes to the world that he exists in.

RT: Is Reed a great resource to the Mutant Underground?

Moyer: I think his mutant power is ultimately he knows the machinations of the judicial system, of the governmental system. He has knowledge on the inside of how that works. So what’s he going to be able to do? He’s going to be able to hopefully help that side. That’s what his resource is for the Mutant Underground.

RT: Is helping the Underground redemption for Reed?

Moyer: Yeah, I think, if he feels that he’s been doing the wrong thing. If, and I don’t know that yet because we’re only on episode 3.

RT: Is there conflict between Kate and Reed because of his job?

Moyer: Again, this is conjecture because I don’t know. I think it would be really interesting to see her start questioning just how much Reed knew.

The Gifted premieres Monday, October 2 at 9 p.m. on Fox.

Tag Cloud

travel Sneak Peek docudrama Syfy Acorn TV First Look Creative Arts Emmys Brie Larson Turner Classic Movies canceled TV shows finale Chernobyl Disney Channel batman space Discovery Channel politics Disney ABC Family Crackle tv talk Holiday Captain marvel Action DC Comics Freeform Quiz Unbreakable Kimmy Schmidt RT History dc Fantasy strong female leads hist RT21 Epix Election sag awards rotten movies we love Nat Geo free movies Song of Ice and Fire dramedy diversity CNN Year in Review composers screenings VICE police drama Rom-Com SXSW stand-up comedy cats The Walking Dead Certified Fresh serial killer movie Winners GLAAD Comedy Apple TV+ kids MTV MSNBC TCA Film Festival biography Turner Film werewolf true crime psychological thriller Apple TV Plus Interview Fall TV TCA Winter 2020 Western Tarantino series Cannes disaster Family Marvel Television Sundance based on movie cars Bravo Mary Tyler Moore crime joker indie Chilling Adventures of Sabrina Nominations sequel toy story Amazon 45 Star Trek Tubi ESPN Endgame Black Mirror transformers Watching Series screen actors guild Academy Awards 24 frames Superheroes comiccon Pop 71st Emmy Awards Baby Yoda Infographic 21st Century Fox DC Universe ghosts Musical Sundance TV Sundance Now robots Women's History Month Rocky Spike dogs romance Amazon Studios WGN Horror Schedule 2016 Super Bowl GIFs Star Wars vampires AMC Nickelodeon sports TBS Christmas Comedy Central aliens Elton John Britbox Red Carpet independent latino Pet Sematary Opinion richard e. Grant Reality anime witnail Avengers Logo teaser Trivia crime drama IFC Films OWN VH1 book First Reviews Ghostbusters BBC America doctor who A&E Martial Arts Winter TV TIFF Holidays Podcast National Geographic discovery WarnerMedia psycho cancelled TV series period drama Binge Guide Pirates mutant El Rey directors Cosplay foreign Apple TCA 2017 BBC YouTube Premium DGA Anna Paquin The Purge Paramount Network cults Emmys name the review Lifetime Christmas movies facebook Adult Swim Kids & Family Mary poppins Emmy Nominations Tumblr Polls and Games Columbia Pictures Writers Guild of America Valentine's Day The Arrangement PBS Mindy Kaling Television Academy LGBT Walt Disney Pictures Spring TV crime thriller cinemax what to watch Best and Worst Set visit award winner History Thanksgiving elevated horror Ovation A24 social media Vudu hispanic festivals Photos comic San Diego Comic-Con USA Network zero dark thirty unscripted justice league Trailer Teen Reality Competition video ratings Hallmark Christmas movies Superheroe Drama PaleyFest Calendar Fox News Arrowverse BET TCM crossover reboot talk show ITV Video Games spain television supernatural Toys mockumentary USA Hallmark Spectrum Originals GoT 007 Animation theme song MCU Marathons FX Amazon Prime Video SDCC animated Shondaland Ellie Kemper E3 Lionsgate movies Tomatazos Sci-Fi Disney+ Disney Plus quibi natural history Hulu NBC Peacock FXX Warner Bros. E! medical drama adventure DC streaming service Mystery christmas movies Crunchyroll Awards Showtime Countdown CMT binge Universal LGBTQ Esquire Comics on TV 2020 Netflix boxoffice Marvel Studios The Witch SundanceTV dragons cancelled television revenge Pride Month Netflix Christmas movies singing competition sitcom YouTube FOX game of thrones Rocketman YA blockbuster Shudder miniseries romantic comedy Disney Plus south america slashers IFC versus Masterpiece halloween OneApp political drama Stephen King jamie lee curtis golden globes Trophy Talk technology X-Men TV spinoff Biopics Box Office Heroines spider-man cooking Summer Character Guide documentary President NYCC science fiction Disney streaming service TLC 2019 children's TV Dark Horse Comics green book cancelled 2015 Mudbound ABC Lucasfilm Amazon Prime DirecTV renewed TV shows Comic Book Marvel Lifetime canceled APB TruTV Starz spanish language zombie game show The CW comics nature Mary Poppins Returns HBO Max harry potter Musicals Extras spy thriller 20th Century Fox Music historical drama Premiere Dates TV renewals American Society of Cinematographers blaxploitation Sony Pictures Country TNT Classic Film See It Skip It Pixar CBS anthology cops breaking bad war Cartoon Network CBS All Access TV Land Food Network zombies adaptation YouTube Red New York Comic Con cartoon streaming CW Seed 2017 Awards Tour thriller Rock 2018 Grammys Oscars HBO cancelled TV shows casting dceu Paramount