Robin Wright Has An Idea for A Movie About Wonder Woman's Amazons, And She Would "Jump At" the Chance To Do It

As she makes her feature directing debut with the moving and visually striking Land, Wright talks film-making inspirations, connecting with Demián Bichir, and, yes, a nifty idea for the DC team.

by | February 10, 2021 | Comments


(Photo by Daniel Power / Focus Features)

Actress Robin Wright makes her feature directing debut this February with Land, the moving and extraordinarily scenic story of a woman who goes off grid to disconnect from society and reconnect with nature and herself after a tragedy almost breaks her. Testing herself against the elements, isolation, and at one point a very curious (and hungry) bear, she once again finds herself at a breaking point – until a stranger, played by Oscar-nominee Demián Bichir, stumbles into her life and the two begin to put the pieces back together.

Talking to Rotten Tomatoes shortly after the film debuted at the 2021 Sundance Film Festival, Wright – who directed 10 episodes of House of Cards during her time on the show – says she drew inspiration from a number of the directors she’s worked with across her career, an enviable roster of big names and auteurs that ranges from Zack Snyder to Anthony Minghella. In fact, over the years she would write down the things she liked about their directing style for safe keeping – “beautiful gifts that you’re given from other directors,” she says.

Critics have so far lauded Wright’s assuredness behind the camera and a typically commanding performance in front of it, and noted that the film – shot largely on 8,000-foot Moose Mountain in Calgary, where the crew was whipped around by rapidly changing, dramatic conditions – is a visual treat. As she prepares to share Land with the world, Wright talked with us about why this was the right project to kick start her feature directing career, discovering the talent and friendship of Bichir, and the possibility of an all-Amazon, all-Themyscira-set Wonder Woman movie. (Spoiler: She’s into it.)

Joel Meares for Rotten Tomatoes: I read that you’ve had a lot of projects come across your desk over the years as potential first features for you to direct. What was it about Land and this story that spoke to you and made you say, “This is the one I want to do”?

Robin Wright: It fell into my lap about two-and-a-half, three years ago, when we were all experiencing random shootings that were happening almost biweekly. And I was just thinking about the amount of loss and grief and tragedy that was going on in our world. Then to have this last year that we’ve all been suffering, enduring… This movie just resonated with me because, yes, it’s about a woman’s journey through her grief, this unfathomable event that happens to her life and changes her life forever, and she goes to live off the grid, but in the end, it’s just a beautiful stranger, human kindness, that allows human resilience in Edee and a renewed sense of hope and faith. So, you get to the end of this film and it was just so uplifting to me. I felt like that was a message we needed out there right now: That we can get through and we do need the help of others. We do need human connection.


(Photo by Daniel Power / Focus Features)

The film looked like it would have been challenging to shoot, just the physicality of it, the locations, the weather. What was it like shooting on Moose Mountain, up there in Calgary?

Wright: It was incredible and difficult because the unpredictable weather patterns there, they’re wicked. We were prepared by the Calgary film crew [who told us] you have no idea what it can become, and we experienced all of that. We had 29 days to shoot the movie, and we didn’t think we were ever going to get snow because we were shooting from part of September through part of October. And we got four seasons in 29 days. It was pure luck because they had never experienced having four feet of snow at the end of September.

That luck obviously worked for the film because you’ve got this beautiful and varying imagery – and plenty of snow. But I was watching the moment where Edee breaks down on the floor and says, “This isn’t working,” and I wondered, with the wild conditions and the short shoot, if you had any “this isn’t working” moments as a director?

Wright: No, but I think I was probably sometimes going to an emotion as an actor that’s going, “This isn’t working. This take isn’t working!” I think I was using that one instead.


(Photo by Daniel Power / Focus Features)

So you never wanted to hit the floor and scream, “Damn, this weather!”

Wright: No, gosh, no, no. Really we thanked the weather gods because while they were dangerous sometimes, the winds – we’d have to shut down for a portion of the day and everybody had to get off that part of the mountain because the winds were too strong – those kinds of things were definitely things you prepared for. And then you had to be prepared to potentially lose a scene that you wanted in the movie because you just didn’t have time to shoot it because the weather took you elsewhere.

In House of Cards and here you directed yourself, and oftentimes in this film you’re the only person in the scene. What are the challenges of directing yourself when the focus is so squarely on you?

Wright: It’s a job we do. What it entails, being in front of the camera and behind the camera, is that you don’t have to describe [what needs to happen], you don’t have to express verbally, “This is what I want to achieve in a scene,” or “If you could do this take in this way.” You already have it in your head. I already knew who this character was. We’d been developing the script for over a year and talking about the character and the dynamic between Edee and Miguel – what that should be. So, you’re already immersed in it. You don’t really have to talk about it so much. You just do it.

House of Cards

(Photo by David Giesbrecht / ©Netflix / courtesy Everett Collection)

You’ve worked with some incredible directors over the years – Patty Jenkins, Rob Reiner, Anthony Minghella, David Fincher… Were there any that have stood out when drawing inspiration for your own directing projects?

Wright: Multiple, I would say. You find that little nugget that you love that that director did – I love this style, the way that director shot that scene. And I would just take notes over the course of my years as an actor. And I saved those notes: I really loved this, that Anthony Minghella did; I loved what David Fincher did with Season 1 of House of Cards… You just kind of compile all those things and then you find your own style. But yes, for sure, they’re beautiful gifts that you’re given from other directors, just watching their originality.

Your primary co-star in this film is Demián Bichir, and it’s a beautiful performance and a lovely dynamic and great chemistry between the two of you. How did you land on Demián for the role of Miguel?

Wright: I had never heard of him. And when this role called for a Hispanic man, you’re given a couple of people on a list, and I watched him in A Better Life and I was blown away, and you could just see his soul on screen. I loved how much played in his eyes when he wasn’t speaking and I knew Miguel needed to be that: very frugal with his words, very straightforward, only spoke when it’s necessary. Then I saw Demián in The Hateful Eight and I thought he was hysterically funny. And I was like, “This is perfect.” Because we knew Miguel was going to be funny. This character needed to be funny. Demián walked into my house to have our first meeting and we instantly connected, just like we do in the movie.


(Photo by Daniel Power / Focus Features)

That is our relationship. It was like we’d known each other our whole lives. We didn’t really talk about the movie very much or the roles together. It’s this relationship between two people from two completely different cultures, completely different environments, and they have this incredible bond and connection, and they don’t have to talk about it or have the classic monologue in a movie about, “Well, what’s your life? What was your life like?” It’s just, they’re in the present. They’re in there together. And he is the saint that rescues this woman on her journey and gives her life again.

You mentioned the humor and I was wondering, was Tears for Fears’ “Everybody Wants to Rule the World” written into the script, or was that a choice you and Demián made? It was a lovely touch.

Wright: Erin [Dignam], the other writer, who’s one of my dearest and oldest friends, she put that in the stage directions. She was just like, “You just start singing a well-known ’80s song.” So, when we’re on the movie, you are given two choices: this is how much money we have, and these are the two songs you can choose from. And that one, just metaphorically, it was perfect. “Welcome to your life.” Yep, welcome.


(Photo by Focus Features)

There’s a moment in this film that I think will resonate with a lot of people. It’s a very small moment, near the beginning, when Edee throws a phone in the trash. Have you ever done that or had a moment where you just want to throw your phone in the trash?

Wright: Oh, I’ve done it before. I’ve thrown it out the window on a freeway.


Wright: Just angry at the phone not working. Can you hear me? Can you hear me now? Nope! Throw the phone out!

But you’ve never done it to disconnect in the way Edee does?

Wright: I’ve never disconnected like that. I don’t know if I could do it for that long, but we kind of got a sense of that kind of disconnection when we were shooting the movie. One of the producers and I, Allyn Stewart, decided to sleep in our trailers at base camp on the top of the mountain, behind the cabin. So we didn’t go back to the city every night. We were in nature. We barbecued outside our trailers every night, and we had a bear whisperer in his trailer down the way, protecting us from bears. Like, “Okay, it’s time to get in your trailers, girls, because I’m going to lock you in.” (Because they can open doors.) And so we kind of lived in the nature while we shot. And our DP slept in Edee’s trailer so he could capture all of those beautiful vista shots and all that weather – he just would grab his camera and shoot.

Is there a vista in the world or a particular natural place that inspires you? Somewhere that has had a real impact on you in your life?

Wright: There are so many beautiful places. But you say, Are you a mountain person? Are you a water person? I’m definitely more inclined to the ocean; I need it. I go through withdrawals if I can’t be near an ocean frequently, because it’s medicine. It’s got healing properties. And that is also a message in this movie, that nature is a character in this movie and how brutal it can be and how you do have to respect it. You have to understand and respect how to live with it before it accepts you.

A little bit slightly off topic, but a lot of people watched the opening sequence of Wonder Woman 1984 this winter and it has a lot of people thinking: We want a movie about you and the Amazons. We want Connie Nielsen and Robin Wright, and we want a full movie set in this place with these characters. (Obviously, it would have to be in the past.) But is that something that you would be interested in exploring – a movie set completely in Themyscira?

Wright: Oh, I would jump at that in a second if that was ever to come to fruition. That was so much fun, making those movies.


Wright: That’s a great idea – the whole youth of Diana. You should propose that. Let’s make an Amazon movie!

Land is in theaters February 12, 2021.

Thumbnail image: Clay Enos / © Warner Bros. / Courtesy Everett Collection, Daniel Power / Focus Features

Tag Cloud

game of thrones mission: impossible child's play Western vampires Rom-Com Disney+ Disney Plus comedies spinoff sag awards Crunchyroll art house Countdown live action Paramount zombies war know your critic Box Office latino period drama comic book movies worst movies Creative Arts Emmys Kids & Family Amazon Studios Shudder The Arrangement TCA 2017 quibi sequel Epix comiccon saw rt labs critics edition Bravo Image Comics TruTV Marvel Television Song of Ice and Fire cinemax renewed TV shows First Reviews basketball TIFF screen actors guild robots Freeform award winner stop motion dramedy theme song IFC fast and furious Valentine's Day rom-coms hispanic CBS TV movies Classic Film PaleyFest italian reboot Set visit Comedy medical drama Apple based on movie scene in color 2015 Esquire Showtime best television travel Drama Dark Horse Comics Pop free movies A24 VH1 archives Film crime drama History canceled TV shows Nickelodeon Disney Channel prank blockbuster Musical Chilling Adventures of Sabrina Podcast scary movies Marvel Winners Avengers Horror Tubi dragons Sundance Now boxing laika godzilla FX See It Skip It The Purge Crackle Spring TV Discovery Channel SDCC mockumentary australia Film Festival Family Star Wars cops Grammys Winter TV critics dexter psychological thriller Trailer USA Fall TV Chernobyl discovery TCA Winter 2020 San Diego Comic-Con 24 frames Christmas olympics Sundance slashers Opinion NBA elevated horror Lucasfilm james bond films cancelled Vudu Emmys Logo Awards Tour First Look jamie lee curtis Fox News critic resources OWN popular 71st Emmy Awards biography streaming movies Television Critics Association Food Network marvel cinematic universe Super Bowl football young adult Fox Searchlight Turner Classic Movies revenge IMDb TV Disney streaming service 99% Academy Awards space hispanic heritage month politics E! ITV justice league Adult Swim 20th Century Fox Neflix 90s TCM TCA movies dogs BBC asian-american teaser Heroines Universal Pictures talk show 2016 french diversity New York Comic Con 73rd Emmy Awards Anna Paquin TLC royal family The Walking Dead Amazon Prime singing competition Netflix YouTube Premium wonder woman Amazon Prime Video Schedule Hallmark Broadway all-time transformers Apple TV Plus Character Guide Awards TNT toy story CMT 45 sitcom japan Certified Fresh Wes Anderson Trophy Talk Mary Poppins Returns supernatural BBC America video on demand Pride Month The Academy Sony Pictures doctor who 2017 Best and Worst Exclusive Video sequels CNN Oscars international SundanceTV gangster cancelled TV series Tumblr scorecard political drama zombie nfl psycho technology Disney batman police drama blockbusters lord of the rings deadpool Emmy Nominations what to watch composers YouTube Comic Book book cats The CW RT21 Legendary documentary criterion VOD rt labs obituary cults X-Men Mindy Kaling comics finale venice miniseries children's TV Amazon TV 2020 golden globe awards The Walt Disney Company screenings remakes Tomatazos Infographic kids suspense binge WarnerMedia Toys toronto FX on Hulu RT History social media FOX El Rey parents Superheroe jurassic park name the review sports legend Comic-Con@Home 2021 BET festival BET Awards Holiday SXSW Turner Ghostbusters Captain marvel indie Watching Series Video Games directors Spectrum Originals mcc cartoon HBO concert A&E GLAAD feel good king kong Television Academy ESPN MTV live event richard e. Grant Endgame marvel comics Nat Geo blaxploitation christmas movies PBS DGA Black History Month Spike Elton John 78th Annual Golden Globe Awards independent slasher Cannes GIFs 2019 nbcuniversal IFC Films science fiction spider-man spider-verse dceu Brie Larson Pirates YA Star Trek Election Martial Arts mutant game show Lifetime Christmas movies Disney Plus WGN series twilight PlayStation vs. Arrowverse 4/20 new york heist movie Fantasy USA Network Marathons joker AMC spain Black Mirror AMC Plus Tokyo Olympics ratings Reality genre tv talk Teen rotten movies we love hidden camera nature Mary Tyler Moore Nominations Superheroes romantic comedy 21st Century Fox GoT adventure anime Sundance TV Acorn TV APB stoner Starz superhero Columbia Pictures Cartoon Network Mudbound Mystery high school classics docuseries NYCC streaming 2018 satire breaking bad Quiz docudrama reviews 2021 comic book movie Hulu LGBTQ Paramount Plus Interview thriller adenture Warner Bros. Comics on TV black comedy mob OneApp YouTube Red franchise Funimation rotten Reality Competition disaster E3 The Witch TV Land sopranos Rocketman MCU 1990s strong female leads spy thriller action-comedy anthology Universal razzies Peacock TV renewals Holidays Apple TV+ Pacific Islander book adaptation National Geographic Writers Guild of America cancelled TV shows foreign Mary poppins MSNBC fresh Masterpiece universal monsters BAFTA natural history TV One Tarantino golden globes documentaries Instagram Live Ovation trailers ABC Biopics CW Seed Unbreakable Kimmy Schmidt worst Lionsgate cars HBO Max CBS All Access comic books unscripted animated DC Universe TCA Awards werewolf Marvel Studios serial killer HBO Go Animation Travel Channel festivals Hear Us Out Alien dark Pet Sematary Summer adaptation stand-up comedy ABC Signature TBS indiana jones Syfy aapi new zealand versus rt archives DC streaming service Calendar kong VICE Red Carpet scary Netflix Christmas movies ViacomCBS hollywood Walt Disney Pictures Sci-Fi hist Pixar Pop TV news halloween Trivia video true crime pirates of the caribbean Stephen King emmy awards kaiju japanese LGBT Cosplay canceled DirecTV Country a nightmare on elm street Year in Review ID historical drama dreamworks Baby Yoda 007 spanish monster movies die hard crime thriller biopic Paramount Network telelvision witnail 93rd Oscars Britbox Ellie Kemper new star wars movies Comedy Central south america crossover black NBC ABC Family comic zero dark thirty Shondaland king arthur Binge Guide Women's History Month Sneak Peek aliens Polls and Games dc chucky President romance Extras boxoffice Hallmark Christmas movies Rock facebook target Musicals Music Lifetime spanish language posters debate cancelled television DC Comics harry potter green book Action cooking crime Photos casting movie superman FXX ghosts Rocky Premiere Dates Thanksgiving halloween tv 72 Emmy Awards BBC One American Society of Cinematographers women