Azhy Robertson’s Five Favorite Films
The young star of new horror film Come Play shares his love of an anime classic, a recent Oscar winner, and an action great, and talks preparing to face a terrifying movie monster.
(Photo by © Focus Features)
To look at Azhy Robertson’s list of co-stars, you would think he was an actor in the twilight of an impressive career and not a 10-year-old on the verge of taking off. He’s worked with Adam Driver and Scarlett Johansson (Marriage Story); Julianne Moore and Billy Crudup (After the Wedding); Winona Ryder, Zoe Kazan, and John Turturro (The Plot Against America); Ethan Hawke and Rose Byrne (Juliet, Naked); and more. But his latest co-star might be the most impressive yet – or, at the very least, the most intimidating. In the new horror film, Come Play, Robertson plays Oliver, an autistic boy who becomes the target of a mysterious (and very lanky) being known as Larry who begins to appear on – and ultimately emerge from – TVs, laptops, phones, and tablets. The film is an expansion of writer-director Jacob Chase’s short, Larry, and co-stars Gillian Jacobs and John Gallagher Jr. as Oliver’s bereft parents, struggling with their own marital problems and the terrifying new presence in their house. Ahead of the movie’s release, self-confessed “scaredy cat” Robertson shared his five favorite films and told us what it’s like sharing a set with mega stars and monsters.
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Joel Meares for Rotten Tomatoes: I was reading that you didn’t actually see Larry, the monster in Come Play, until the first time you interacted with it on set. What was your reaction to first seeing the creature?
Azhy Robertson: It was pretty terrifying. The puppet looks a lot like it does in the movie. There was a scene where Gillian [Jacobs] and I were hiding under the bed and Larry just jump scared us! The first few takes, it really scared me. It was so surprising.
For viewers who haven’t seen the film yet, what is so terrifying about the look of Larry?
Robertson: He’s basic, he’s not super detailed or anything, but I think that makes him a little scarier. He’s just this huge tall lanky dude. He’s actually humanoid, and I feel like that reflects into the message of the movie about loneliness, and how he just wants some friends. That was very interesting to me.
(Photo by © Focus Features)
You watched Poltergeist in the lead up to this at the director’s suggestion. Were there other movies that you watched to get the vibe of what the filmmakers were going for? What did you think of Poltergeist and those films?
Robertson: I didn’t really watch any other films, because I’m literally a huge scaredy cat, so I didn’t want to watch any more horror films. But Poltergeist is pretty similar to Come Play, because they both involve an invisible and mysterious entity-slash-ghost, and they’re doing strange and horrible things to a family.
Right. And both involve entities coming through screens – in Poltergeist through the TV, and in Come Play Larry’s coming from iPads, phones, TVs… anything around.
Robertson: Yeah.
Speaking of… do your parents have strict rules for your laptop and iPad usage? They might get stricter after seeing this movie!
Robertson: Now, in quarantine, I really don’t have anything to do other than that, so I don’t really get very many limits, but they stop me if I’m on it for way too long. Before quarantine, it was only four hours a week. Playing with my friends doesn’t really count, though, only playing by myself.
Preparing for this role, you also spent some time in New York being with kids with special needs and autism to get a sense of your character. How did that experience help prepare you to play Oliver?
Robertson: I sat in on some classes and observed some of the common characteristics between some of the kids, because, if you’ve met one kid with autism, then you’ve only met one kid with autism. They’re not all the same. I just wanted to see some common things that they do. For example, “stimming” was one, where you just do something with your body, your hands, your joints, because if there’s too much sensory detail, then you focus on what you’re doing with your hands or your joints or your body. [Editor’s note: Oliver does a version of this in the film.]
(Photo by © Focus Features)
You’ve worked with some really incredible actors in your very short career. Obviously, Adam Driver and Scarlet Johansson in Marriage Story, and then Winona Ryder and Zoe Kazan in The Plot Against America, and here with Gillian Jacobs and John Gallagher Jr. What did you learn from your co-stars in this movie?
Robertson: I’ve learned a lot. Gillian, she taught me that if you need to be emotional… She gave me a lot of space to be emotional, and she told me how you can help get teary and sad: You isolate yourself. That’s something that I use to this day. When I need to be very sad or emotional, I isolate myself from everyone else to concentrate.
One last question before I let you go. There’s one sequence that really stands out in the movie, a terrifying scene set in a parking booth that is also in director Jason Chase’s short. The invisible monster attacks. It looked incredibly intense and wild. What was that like to shoot?
It was both scary and fun. Playing with that laser thing, that was pretty cool. Getting picked up by an invisible ghost – that was really intense and terrifying. Using the sticky-hand thing, without going into too much detail, that was pretty insane as well. That whole sequence of scenes was really cool.
Have you seen the finished film?
Robertson: Yeah I have.
Scary?
Robertson: Very.
Come Play is in theaters October 30, 2020.
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Thumbnail image: Priscilla Grant/Everett Collection, Jasin Boland/© Warner Bros. Pictures, © Columbia Pictures, © Neon, © Columbia Pictures
