Anthony Minghella: A Tomatometer Retrospective

We look at the films of the late Oscar-winning writer-director.

by | March 18, 2008 | Comments

English filmmaker Anthony Minghella had a sparse but critically acclaimed filmography by the time of his passing today at the age of 54. Rooted in the stage and in television (where, among other projects, he’d written for the Emmy-winning Jim Henson’s Storyteller series), Minghella had crossed fully into making movies by the 1990s; although he won praise for his debut, the ethereal Truly Madly Deeply, it was his 1996 epic romance The English Patient that brought him wider notice.

That film was awarded nine Oscars, including Best Director for Minghella, and laid the foundation for his subsequent career — films he adapted from novels or wrote himself that often explored themes of yearning and human interaction. In recent years, Minghella also produced films like The Interpreter, Catch a Fire, and Michael Clayton, and appeared in an off-camera cameo as Vanessa Redgrave’s interviewer in Atonement. He had returned once again to television with his last completed project, The No. 1 Ladies’ Detective Agency, which he wrote and directed himself to be broadcast on BBC One this week.

With an impressive 71 percent overall Tomatometer, Minghella enjoyed a career freshness that few working filmmakers today achieve. We now turn to the six films Minghella directed, revisiting each title’s place in his memorable 18 years of making pictures.

Truly Madly Deeply (1990) 72 percent

The earliest of Minghella’s distributed films, Truly, Madly, Deeply features a perfectly cast Alan Rickman at the height of his Britishness. After the death of her husband Jamie (Rickman), Nina (Juliet Stevenson) is visited by his spirit. The couple’s chemistry and rapport is bitingly affectionate, and a bittersweet tang echoes throughout the film’s larger complications. After all, why should Jamie visit Nina but to help her let him go? In favor of a more low key stature, Minghella’s now trademark roving camera is not as evident in Truly. Chicago Reader‘s Jonathan Rosenbaum called it “beguiling” and who can blame him? At 72 percent on the Tomatometer, Truly, Madly, Deeply lingers in the mind like any great relationship should.

Mr. Wonderful (1993) 59 percent

Seemingly out of place among the epic literary adaptations and character studies in Minghella’s filmography, Mr. Wonderful follows a divorced electric worker (Matt Dillon) scheming to get out of paying alimony by marrying off his ex-wife (Annabella Sciorra). It’s romantic comedy as lightweight and sentimental as the genre tends to be, and critics were none too awed by the result; “This is a film for the moviegoing-impaired,” wrote Roger Ebert in his 1993 review. Unsurprisingly, it was also the only film Minghella directed that he did not write himself. Only a few years later, he would take the lesson to heart…

The English Patient (1996) 84 percent

Dreamy, sweeping, and poetic, The English Patient was Anthony Minghella’s most decorated (he won an Oscar for Best Director) and commercially successful film. Ralph Fiennes plays a severely burned man with a shadowy past. As he is cared for in an Italian villa in the waning days of World War II by a nurse named Hana (Juliette Binoche, who won an Oscar for her performance), he gradually reels off his tale. He’s not English at all; he’s a Hungarian Count and cartographer who, while making a map of the Sahara Desert, fell desperately in love with a married woman (Kristen Scott Thomas) and ended up betraying others in an attempt to secure her love. The English Patient was richly rewarded by the Academy, but this grand, achingly romantic, beautifully photographed film has an intensity of feeling worlds deeper and more mysterious than your typical Oscar bait. “This is a movie to lose yourself in,” wrote Desson Thomson of The Washington Post.

The Talented Mr. Ripley (1999) 81 percent

As the titular character, Matt Damon plays one of the most sympathetic faces of evil in the movies, and The Talented Mr. Ripley is Mirimax sheen and Hitchcockian plotting at their finest. Ripley is a poor kid who eagerly accepts a moneyed man’s offer to travel to Italy and convince his jet-setting, jazz-crazed son Dickie (Jude Law) to return home. Upon meeting Dickie and his fiancée Marge (Gwyneth Paltrow), he becomes enraptured with their lifestyle, and cons his way into their lives. But as Dickie becomes less enamored of Ripley’s fawning, Ripley begins an elaborate con to assume his identity. Ripley is loaded with great performers (Damon, Law, Paltrow, Phillip Seymour Hoffman, and Cate Blanchett are all pitch-perfect), and its breathtaking cinematography, smoky bebop ambience, and compelling amorality make it a suspense yarn for the ages. “Anthony Minghella’s terrific The Talented Mr. Ripley offers us the guilty seasonal pleasure of wallowing in evil in its most luxuriant form,” wrote Joe Baltake of The Sacramento Bee.

Cold Mountain (2003) 72 percent

Charles Frazier’s epic Civil War novel was perfectly ripe for adaption by Minghella because of his flair for sweeping drama and tragic romance. The tale of a Confederate soldier (Jude Law) trudging across country to return to the love of his life (Nicole Kidman) is Homerian to the core, juxtaposing the terrors of battle with the desperation of civilian life as an entire society — as well as a burgeoning romance — is thrown into flux by the onset of war. Minghella the director had a knack for nurturing great performances from his actors (helping star Law to both of his Oscar nominations, for this and The Talented Mr. Ripley) and here guided Renee Zellweger to her first Academy Award for her supporting role as a firebrand farmwoman Ruby Thewes. Though a tad overlong at 2 ½ hours, Mike Clark of USA Today proclaimed, “It burns in the memory weeks after you see it.”

Breaking and Entering (2006) 33 percent

As complicated as the emotional terrain in Minghella’s past films has been, none reached the quicksand proportions of Breaking and Entering (33 percent). Ever-enigmatic Jude Law plays Will, a sustainable resources architect who cheats on his common law wife (Robin Wright Penn) with the mother (Juliette Binoche) of a teenage thief. The class issues are dense and prickly — what class issues aren’t? — and the relationship issues are even thornier. Perhaps this is why critics met this film with such icy remarks. Denver Post‘s Michael Booth said “leaves us too chilly to care.” But perhaps that’s the film’s purpose. In a universe of alienation, these characters may seem cool but they’re far from disaffected.

— Written by Sara Schieron, Tim Ryan, Alex Vo and Jen Yamato.

Tag Cloud

Shondaland CBS GIFs MSNBC Calendar discovery PaleyFest LGBTQ mockumentary disaster FX Rom-Com 20th Century Fox Mystery Walt Disney Pictures crossover docudrama Teen boxoffice Trailer what to watch Amazon justice league adaptation TCA Nat Geo Pop award winner Christmas Star Trek Reality NYCC Apple CMT binge Acorn TV E3 Cannes Character Guide ITV WGN crime thriller NBC Comedy composers thriller dc period drama Logo Black Mirror Esquire Vudu medical drama ratings toy story Set visit Martial Arts natural history A&E BET comiccon TruTV jamie lee curtis Stephen King theme song Nickelodeon Polls and Games Trophy Talk Captain marvel TIFF zombie cops IFC Films Amazon Prime Lifetime Women's History Month spider-man Star Wars 2015 TLC Epix based on movie E! VH1 singing competition APB Year in Review Animation Photos spinoff sports See It Skip It Video Games Superheroes The Arrangement 24 frames USA Network sequel Disney Channel DirecTV 21st Century Fox American Society of Cinematographers Extras animated Universal aliens Oscars Comic Book psycho GoT game show FXX Holidays 2018 Quiz TV Land Writers Guild of America FOX ABC richard e. Grant ABC Family green book Action true crime Ghostbusters Ovation Best and Worst politics witnail Heroines Box Office YouTube Premium Spring TV unscripted Hulu Spike Dark Horse Comics cinemax Reality Competition 2019 CBS All Access strong female leads TV TNT diversity Rocketman Red Carpet Warner Bros. Spectrum Originals zombies Musicals MCU romance Grammys Showtime Valentine's Day Awards BBC Disney Sundance Now space comic golden globes anime Mindy Kaling Paramount Network Premiere Dates cats Winners finale social media harry potter zero dark thirty facebook Country The Witch Anna Paquin Trivia Winter TV Biopics Elton John Superheroe crime First Look Chernobyl RT21 MTV science fiction streaming dragons dramedy TCA 2017 DGA RT History CNN Pixar YA HBO San Diego Comic-Con Watching Series DC streaming service SundanceTV OWN Pet Sematary Thanksgiving Pride Month Mary poppins Marathons BBC America TBS robots Song of Ice and Fire Crackle cooking New York Comic Con Countdown Western Music political drama dceu mutant Ellie Kemper Super Bowl Film Festival USA ESPN Food Network Musical DC Comics Sundance supernatural Rocky war Interview Kids & Family Tarantino Summer doctor who Drama Cosplay Mary Poppins Returns Creative Arts Emmys 007 Britbox Columbia Pictures Marvel Awards Tour X-Men travel miniseries Toys SXSW Brie Larson Fantasy GLAAD biography Tomatazos Horror anthology 2017 El Rey Podcast Starz National Geographic Sneak Peek hist transformers TCM Mary Tyler Moore adventure Chilling Adventures of Sabrina The CW Tumblr Emmys nature CW Seed crime drama YouTube Red Unbreakable Kimmy Schmidt Lionsgate blaxploitation historical drama police drama Cartoon Network Adult Swim 2016 television Lucasfilm Infographic serial killer Sci-Fi elevated horror Opinion Comics on TV President AMC cults History casting 45 Certified Fresh Comedy Central sitcom Rock technology Netflix teaser Masterpiece talk show Pirates Fall TV Sony Pictures Freeform Fox News festivals spy thriller Bravo Syfy Shudder Mudbound IFC Paramount VICE vampires Schedule psychological thriller Election Nominations DC Universe PBS SDCC