Tom Holland Movies Ranked by Tomatometer
Young Tom Holland has only been in the public sphere for less than a decade, but it’s been a momentous one. He was recognized an immediate potential star with his debut The Impossible, the dramatization of a family swept away by the 2004 Indian Ocean tsunami. In 2015, he was announced as the new Peter Parker, with Spider-Man swinging over into the Marvel Cinematic Universe. He made his debut in Captain America: Civil War, with Peter’s wide-eyed sincerity a standout character trait against the superhero mayhem. Holland carried through with two of his own Spider-Man movies and emotional appearances in Infinity War and Endgame.
Playing Spidey must take up significant on-camera time, as a lot of Holland’s recent non-Marvel work has been voices in films like Spies in Disguise, Dolittle, and Onward. Beyond that, he also kept busy right on through the pandemic, releasing three films — The Devil All the Time, Chaos Walking, and Cherry, the latter of which re-teamed him with Avengers directors Joe and Anthony Russo. Spider-Man: No Way Home brought renewed financial hope to theaters, and Holland followed up by launching the Uncharted franchise. Now, we look at all Tom Holland movies by Tomatometer! —Alex Vo
#1
Critics Consensus: Exciting, entertaining, and emotionally impactful, Avengers: Endgame does whatever it takes to deliver a satisfying finale to Marvel's epic Infinity Saga.
Synopsis: Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply
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#2
Critics Consensus: A bigger, bolder Spider-Man sequel, No Way Home expands the franchise's scope and stakes without losing sight of its humor and heart.
Synopsis: For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super
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#3
Critics Consensus: Spider-Man: Homecoming does whatever a second reboot can, delivering a colorful, fun adventure that fits snugly in the sprawling MCU without getting bogged down in franchise-building.
Synopsis: Thrilled by his experience with the Avengers, young Peter Parker returns home to live with his Aunt May. Under the
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#4
Critics Consensus: A one-man show set in a single confined location, Locke demands a powerful performance -- and gets it from a never-more-compelling Tom Hardy.
Synopsis: A man's (Tom Hardy) life unravels after he leaves a construction site at a critical time and drives to London
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#5
Critics Consensus: A breezily unpredictable blend of teen romance and superhero action, Spider-Man: Far from Home stylishly sets the stage for the next era of the MCU.
Synopsis: Peter Parker's relaxing European vacation takes an unexpected turn when Nick Fury shows up in his hotel room to recruit
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#6
Critics Consensus: Captain America: Civil War begins the next wave of Marvel movies with an action-packed superhero blockbuster boasting a decidedly non-cartoonish plot and the courage to explore thought-provoking themes.
Synopsis: Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The
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#7
Critics Consensus: It may suffer in comparison to Pixar's classics, but Onward makes effective use of the studio's formula -- and stands on its own merits as a funny, heartwarming, dazzlingly animated adventure.
Synopsis: Teenage elf brothers Ian and Barley embark on a magical quest to spend one more day with their late father.
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#8
Critics Consensus: The Lost City of Z's stately pace and visual grandeur hearken back to classic exploration epics, and Charlie Hunnam turns in a masterful performance as its complex protagonist.
Synopsis: At the dawn of the 20th century, British explorer Percy Fawcett journeys into the Amazon, where he discovers evidence of
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#9
Critics Consensus: Avengers: Infinity War ably juggles a dizzying array of MCU heroes in the fight against their gravest threat yet, and the result is a thrilling, emotionally resonant blockbuster that (mostly) realizes its gargantuan ambitions.
Synopsis: Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet --
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#10
Critics Consensus: The screenplay isn't quite as powerful as the direction or the acting, but with such an astonishing real-life story at its center, The Impossible is never less than compelling.
Synopsis: A couple and their three sons encounter terror, courage and compassion following the December 2004 tsunami that devastated Thailand.
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#11
Critics Consensus: A cheerfully undemanding animated adventure that's elevated by its voice cast, Spies in Disguise is funny, fast-paced, and family-friendly enough to satisfy.
Synopsis: Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is
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#12
Critics Consensus: No consensus yet.
Synopsis: In the 13th century, Irish monks embark on a reluctant pilgrimage to escort their monastery's holiest relic to Rome. Their
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#13
Critics Consensus: Led by another strong performance from Saoirse Ronan and a screenplay that subverts YA clichés, How I Live Now blends young love with post-apocalyptic drama.
Synopsis: As conflict in Europe escalates, an American teen (Saoirse Ronan) fights to survive in the English countryside.
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#14
Critics Consensus: The Devil All the Time's descent into darkness can be harrowing to the point of punishment, but it's offset by strong work from a stellar cast.
Synopsis: A young man is devoted to protecting his loved ones in a town full of corruption and sinister characters.
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#15
Critics Consensus: If it lacks the powerful voltage that its impressive cast suggests, The Current War: Director's Cut represents a significant improvement over previous versions.
Synopsis: Thomas Edison and George Westinghouse -- the greatest inventors of the industrial age -- engage in a battle of technology
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#16
Critics Consensus: No consensus yet.
Synopsis: Stranded at a remote cabin in the wintertime, two siblings (Tom Holland, Percy Hynes White) must fight for survival as
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#17
Critics Consensus: Promisingly cast but misleadingly titled, Uncharted mines its bestselling source material to produce a disappointing echo of superior adventure films.
Synopsis: Street-smart thief Nathan Drake (Tom Holland) is recruited by seasoned treasure hunter Victor "Sully" Sullivan (Mark Wahlberg) to recover a
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#18
Critics Consensus: It's certainly stylish and it offers Tom Holland a welcome opportunity to branch out, but Cherry's woes stem from a story that's too formulaic to bowl anyone over.
Synopsis: "Cherry" follows the wild journey of a disenfranchised young man from Ohio who meets the love of his life, only
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#19
Critics Consensus: Chaos Walking sets out on a potentially interesting path, but this dystopian adventure badly bungles its premise and limps toward the finish.
Synopsis: In the not-too-distant future, Todd Hewitt (Tom Holland) discovers Viola (Daisy Ridley), a mysterious girl who crash lands on his
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#20
Critics Consensus: Dolittle may be enough to entertain very young viewers, but they deserve better than this rote adaptation's jumbled story and stale humor.
Synopsis: Dr. John Dolittle lives in solitude behind the high walls of his lush manor in 19th-century England. His only companionship
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This week on DVD, we’ve got a handful of really solid movies and TV — including Edgar Wright’s musical heist movie and Sofia Coppola’s period drama — and a couple of big releases that didn’t do so well with critics (even if Chance the Rapper really liked one of them). Read on for the full list.
Justin Theroux and Carrie Coon star in this HBO series following several characters trying to make sense of their lives in the wake of a global, rapture-like incident. The third season was its last, but no information on special features for the set is available.
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Ansel Elgort and Kevin Spacey star in Edgar Wright’s musically enhanced action film about an eccentric getaway driver who finds himself on the run after a heist gone wrong. Extras include extended and deleted scenes, a six-part making-of featurette collection, scene animatics, audition and rehearsal footage, and more.
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This unusual horror musical from Poland centers on a pair of predatory mermaids who venture on land and become the main attractions for a nightclub. The Criterion Collection snatched it up for a contemporary release, and it includes a making-of doc, deleted scenes, a pair of short films by director Agnieszka Smoczyńska, and more.
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Nicole Kidman, Kirsten Dunst, and Colin Farrell star in Sofia Coppola’s drama about an injured Union soldier during the US Civil War who stumbles into a Southern girls’ boarding school and stirs up simmering tensions with his presence. It comes with a pair of making-of featurettes.
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Tom Holland and Jon Bernthal star in this period adventure drama about a group of 13th century Irish monks who embark on a journey to transport a holy relic to Rome. Special features include interviews with the cast and crew, photo galleries, and five behind-the-scenes featurettes.
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Joey King and Ryan Phillippe star in this horror film about a sad teen who’s gifted a special music box that gives her the ability to turn her deepest desires into reality. It comes with an interview with the cast, an attic tour, a making-of featurette and a look at the motion comics.
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Will Ferrell and Amy Poehler star in this comedy about two irresponsible parents who set up an illegal casino in their home to recoup the loss of their daughter’s college savings. It comes with a pair of making-of featurettes; deleted, extended, and alternate scenes; a gag reel; and “line-o-ramas.”
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(Photo by Dia Dipasupil/Getty Images)
Even if his name doesn’t immediately ring a bell, you’ll almost certainly recognize Jon Bernthal‘s face. After a string of appearances in various TV series and smaller films, Bernthal found mainstream success with a pivotal role in the first two seasons of AMC’s The Walking Dead, which led to parts in Martin Scorsese’s The Wolf of Wall Street, David Ayer’s Fury, and Denis Villeneuve’s Sicario. Most recently, Bernthal appeared in Edgar Wright’s acclaimed Baby Driver and Taylor Sheridan’s thriller Wind River, and his turn as Marvel vigilante the Punisher in season 2 of Netflix’s Daredevil has led to a previously unplanned solo series for the character, set to drop later this year.
This week, Bernthal stars opposite Richard Armitage and Tom Holland in the period drama Pilgrimage, about a group of 13th century Irish monks on a journey to escort a holy relic to Rome. He took some time to speak to RT about his Five Favorite Films, and explained why he couldn’t tell us when Punisher would arrive.
Alright, I’d say the first would have to be Goodfellas. I know that’s probably one you get a lot, but I remember it came out, and I was probably in about the 8th grade. Me and my buddy Dougie Thornel probably saw that at the theaters 30 times. I mean we would just go, and we would watch it, and then sit in the theater and watch it again. I can’t say enough good about it. It’s horrifying, it’s hilarious, it’s so unbelievably honest.
Look, I mean, Scorsese is my favorite filmmaker. You know, the fact that I got the chance to work with him [on The Wolf of Wall Street] was sort of the mountaintop, the kind of crowning achievement of my career, and I don’t mean that in sort of how I’m perceived by the world. I just mean in terms of experience. My brief time on that movie really changed the way that I work as an actor. He’s one of these guys that makes you feel that anything is possible.
I’ve studied in the Russian theater, and one of the main ways that we study was you get a scene and then you do a big improvisation about the scene and what the scene could be. That’s precisely how he worked. Each one of these scenes, you create this unbelievably vivid reality, you really take yourself to the place, and everybody feels like they are one hundred feet tall. It doesn’t matter whether you are background or whether you are craft services or anything, but everybody is so full of ideas. You make it on the day, and then he just sort of takes what he wants from that. I feel like that method of filmmaking that’s so Scorsese, so uniquely his, shines brightest in that movie. That sense of anything can happen at anytime, it’s happening right there in the moment. I think it really, really just shines brightest in that film, and that’s why it’s my favorite film.
Second I would say came out roughly around the same time but probably, The Silence of the Lambs. I just loved that movie. That too, me and my buddy Dougie Thornel… We actually were too young to get into that movie, but I remember one time we weren’t allowed in and then we snuck in anyway, and again, it was one where we went back and back and back.
I think Ted Levine’s performance as Buffalo Bill is one of the most haunting performances that has ever happened on film. He’s an actor that I admire so deeply and I really love… Especially in the last few years, I’ve gotten to take these parts that are only in a few scenes and really create as rich a back story and history for the character as possible, and I thought he did that so cogently and so beautifully in that movie.
Its not just that there are so many quotable lines, but you really see the depths of the torture that’s going through him. It’s such a meditation on serial killing and psychotic murderers, and I love the fact that Hannibal Lecter — obviously one of the great characters of all time — but I just love the fact that you don’t know whether to root for him or against him. I think it’s the ultimate anti-hero character, and the fact that they were able to achieve him being able to… you know, at the end of the movie, you’re actually rooting for him, that he got out and that he’s going to go eat people. I think that’s just so f—ing awesome. And obviously the scene with Levine and Jodie Foster with the night vision. It’s a book that I loved and I think its one of those rare times where I think the movie totally even outshines the book. Wow, what a film. It will always be one of my favorites.
Then, next I would say, would have to be True Romance. Again, I just cannot say enough good about that movie. It’s a movie I can just watch over and over and over and over again. It really, to me, defined what love is and it defined what… It was just the coolest movie ever made, but so heartfelt and so honest, and every performance is so rich. God, I just love that f—ing film, man. I just absolutely love it, and I believe every second of it too, and I cannot say enough good about that one.
Then A Prophet. I love that movie. I think one of the greatest things about films is when they can take you to a very certain time and a very certain place. It’s time travel, its magic. I know nothing about what French prison would be like, I know nothing about it, but I believe every single second of that film. I feel like, after you watch that film, you know a little bit about what that’s like. I know how difficult that is to do. I just think it’s a beautiful honest moment, and I think that he deals with the immediacy of panic and how being panicked can change you and what people will do to survive. Its a brilliant film.
Lastly, I gotta throw it in there, I gotta say D.C. Cab. [laughs] I know that probably no one else says that, but I’m born and raised DC. I’m DC through and through. It will always be in my heart. Again, me and little Dougie Thornel grew up watching that movie on VHS over and over and over again. It shows a little bit of the real DC that I think never gets shown in films and television. I just love the movie. I think it’s the only honest DC movie ever made, and its funny as hell.
RT: We’re talking about the Joel Schumacher movie with Mr. T, right?
That’s right. Yeah, Mr. T and the Barbarian Brothers. [laughs] It was a great movie, man. He also made Saint Elmo’s Fire and all those movies, which are kind of like Georgetown and kind of made about the DC everybody thinks is DC, but that’s not the real DC. D.C. Cab is real DC. There’s this scene at the end, through the credits, where they do this parade — it’s just the most honest thing ever. I love the film.
RT: You mention your old friend Dougie Thornel quite a bit.
Jon Bernthal: I gotta say, with Dougie, to this day, every film I do, every moment I do, when I’m working on a moment in a film, I still ask myself, would this make little Dougie Thornel laugh? Would this make him want to watch? Would the two of us, sitting there on the milk crates in a s—ty ass room watching TV, would this be something that we would buy and we would think is funny or hilarious? Its called the Dougie Test, and I do it on everything I do.
RT: Any chance I can get the Punisher release date out of you?
Bernthal: [laughs] No, of course not man, no! First of all, I don’t know it, and even if I did there are like… You know, they take that s— so seriously. They know better. They don’t even tell me, so you couldn’t even trick me.
Pilgrimage opens in limited release today, August 11.
This weekend at the movies, we’ve got an origin story for an evil toy (Annabelle: Creation, starring Anthony LaPaglia and Miranda Otto), an adaptation of an incredible memoir (The Glass Castle, starring Brie Larson and Woody Harrelson), and a squirrel fighting City Hall (The Nut Job 2: Nutty by Nature, featuring the voices of Will Arnett and Katherine Heigl). What are the critics saying?
For filmgoers old enough to remember the days of regularly issued
Friday the 13th and
Nightmare on Elm Street sequels, the idea of a horror franchise that retains its spine-tingling effectiveness as it goes along — to say nothing of actually improving — might sound more than a little absurd. There’s an exception to every rule, however, and the spookily consistent
Conjuring series seems ready to keep making bumps in the night (and at the box office) for the foreseeable future: while 2014’s
Annabelle spinoff failed to resonate with critics, it scared up enough ticket receipts to warrant a sequel — and as reviews for this weekend’s
Annabelle: Creation attest, this is one creepy-looking doll who’s far from finished making filmgoers scream. Critics say this prequel story doesn’t do much audiences haven’t seen before, but for once, the old genre tropes are trotted out in service of a well-told story whose effective scares are bolstered by strong atmosphere and acting. Grab a few friends and get ready for a solidly undemanding horror outing — and maybe plan on sleeping with the lights on for a few nights too.
For those in search of a sadly more realistic brand of horror this weekend, there’s
The Glass Castle, which reunites director
Destin Daniel Cretton with his
Short Term 12 star Brie Larson in a dramatization of author Jeannette Walls’ bestselling autobiography. Starring Larson as Walls opposite Woody Harrelson and
Naomi Watts as the mother and father of the family,
Castle details the peripatetic lifestyle and abject poverty in which the four Walls children grew up, as well as their painful path to adult independence from their dysfunctional parents. It’s undeniably compelling material for a memoir, let alone a screen adaptation; unfortunately, critics say
The Glass Castle doesn’t quite do it justice, setting out to split the difference between harrowing and heartwarming and failing to fully hit either mark. Still, there’s a tremendous cast here, united in service of one heck of a real-life story, and
Castle‘s stronger elements aren’t always overpowered by its flaws. If you’re in the mood for adult drama or in need of a good cry, this just might hit the spot.
Much of the time, being a movie critic seems like a pretty sweet gig: You get to see the big films before everyone else, you’re being paid to do something most people do for fun, and if you’re lucky and/or talented enough to reach an audience, you enjoy a certain measure of cultural gatekeeper status. There’s a downside to everything, however, and for many film critics, it takes the shape of releases like
The Nut Job 2: Nutty by Nature. A follow-up to
the 2014 original — which amassed a grim 10 percent on the Tomatometer but raked in more than $120 million worldwide — this installment reunites members of the voice cast (including Will Arnett and Katherine Heigl) for another colorfully animated adventure about talking critters facing a crisis. Will Surly and the gang be able to foil the mayor’s plan to turn their home into an amusement park? We’re pretty sure you can guess how it’ll all turn out, just as you could have predicted critics wouldn’t exactly be enthused about having to turn out for a
Nut Job sequel. Like a lot of poorly reviewed cartoons,
Nutty by Nature should prove reasonably diverting for the youngest audience members, but there’s no shortage of clearly superior alternative options.
What’s New on TV
Mr. Mercedes propels its tense, creepy narrative with quick-witted dialogue, strong characters, and terrifying surprises.
Also Opening This Week In Limited Release
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The Farthest (2017)
100%
, a documentary about the incredible journey of the spacecraft Voyager, is at 100 percent.
-
After Love (2016)
90%
, a French dramedy about the fallout endured by a family after a husband and wife decide to split up but both refuse to leave their home, is at 97 percent.
-
In This Corner of the World (2016)
97%
, an animated drama about a young Japanese girl’s experiences during World War II, is at 97 percent.
-
Whose Streets? (2017)
98%
, a documentary look at the civil unrest that erupted in Ferguson, Missouri after the killing of Michael Brown, is at 97 percent.
-
Good Time (2017)
91%
, starring Robert Pattinson as a failed bank robber trying to work his younger brother and himself out of a desperate situation, is Certified Fresh at 90 percent.
-
Ingrid Goes West (2017)
84%
, starring Aubrey Plaza as a woman who befriends her celebrity stalking obsession, is Certified Fresh at 85 percent.
-
The Trip to Spain (2017)
83%
, Steve Coogan and Rob Brydon‘s latest chatty travelogue, is at 82 percent.
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Nocturama (2016)
82%
, in which Parisian teens plot to carry off a violent act, is at 80 percent.
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The Ghoul (2016)
76%
, about a police detective whose latest case draws him to the brink of a total breakdown, is at 76 percent.
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Pilgrimage (2017)
68%
, about the perilous journey undertaken by 13th-century monks transporting a holy relic, is at 74 percent.
-
The Nile Hilton Incident (2017)
91%
, about a Cairo cop pursuing a case that could expose widespread political corruption, is at 60 percent.
-
The Only Living Boy in New York (2017)
33%
, about a young man whose first uncertain steps into adulthood are thrown off by the discovery of his father’s affair, is at 25 percent.
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Planetarium (2016)
15%
, starring Natalie Portman and Lily-Rose Depp as a pair of fortune tellers lured into a businessman’s world of intrigue, is at 13 percent.