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24 Frames

Best & Worst Marvel Movies (Not In The MCU)

by Alex Vo | February 28, 2017 | Comments

TAGGED AS: 24 frames, Marvel, Superheroes

Hugh Jackman delivers his slicey swan song as Wolverine in Logan, the R-rated for-realsies conclusion to the arc of Marvel’s famous X-Man. This week’s gallery pays tribute to the Marvel movies that existed before and now compete with the Marvel Cinematic Universe — read on for the best & worst Marvel movies (outside the MCU)!

Spider-Man 2 (2004, 93%)
Critics Consensus: Boasting an entertaining villain and deeper emotional focus, this is a nimble sequel that improves upon the original.

X-Men: Days of Future Past (2014, 91%)
X-Men: Days of Future Past combines the best elements of the series to produce a satisfyingly fast-paced outing that ranks among the franchise’s finest installments.

Spider-Man (2002, 89%)
Not only does Spider-Man provide a good dose of web-swinging fun, it also has a heart, thanks to the combined charms of director Sam Raimi and star Tobey Maguire.

X2 (2003, 86%)
Tightly scripted, solidly acted, and impressively ambitious, X2: X-Men United is bigger and better than its predecessor — and a benchmark for comic sequels in general.

X-Men: First Class (2011, 86%)
With a strong script, stylish direction, and powerful performances from its well-rounded cast, X-Men: First Class is a welcome return to form for the franchise.

Deadpool (2016, 84%)
Fast, funny, and gleefully profane, the fourth-wall-busting Deadpool subverts superhero film formula with wildly entertaining — and decidedly non-family-friendly — results.

X-Men (2000, 81%)
Faithful to the comics and filled with action, X-Men brings a crowded slate of classic Marvel characters to the screen with a talented ensemble cast and surprisingly sharp narrative focus.

The Amazing Spider-Man (2012, 72%)
A well-chosen cast and sure-handed direction allow The Amazing Spider-Man to thrill, despite revisiting many of the same plot points from 2002’s Spider-Man.

The Wolverine (2013, 69%)
Although its final act succumbs to the usual cartoonish antics, The Wolverine is one superhero movie that manages to stay true to the comics while keeping casual viewers entertained.

Spider-Man 3 (2007, 63%)
Though there are more characters and plotlines, and the action sequences still dazzle, Spider-Man 3 nonetheless isn’t quite as refined as the first two.

Hulk (2003, 61%)
While Ang Lee’s ambitious film earns marks for style and an attempt at dramatic depth, there’s ultimately too much talking and not enough smashing.

X-Men: The Last Stand (2006, 58%)
X-Men: The Last Stand provides plenty of mutant action for fans of the franchise, even if it does so at the expense of its predecessors’ deeper character moments.

Blade II (2002, 57%)
Though Blade II offers more of what worked in the original, its plot and character development appear to have been left on the cutting room floor.

Blade (1998, 54%)
Though some may find the plot a bit lacking, Blade‘s action is fierce, plentiful, and appropriately stylish for a comic book adaptation.

The Amazing Spider-Man 2 (2014, 52%)
While the cast is outstanding and the special effects are top-notch, the latest installment of the Spidey saga suffers from an unfocused narrative and an overabundance of characters.

X-Men: Apocalypse (2016, 48%)
Overloaded action and a cliched villain take the focus away from otherwise strong performers and resonant themes, making X-Men: Apocalypse a middling chapter of the venerable superhero franchise.

Daredevil (2003, 44%)
While Ben Affleck fits the role and the story is sporadically interesting, Daredevil is ultimately a dull, brooding origin story that fails to bring anything new to the genre.

X-Men Origins: Wolverine (2009, 38%)
Though Hugh Jackman gives his all, he can’t help X-Men Origins: Wolverine overcome a cliche-ridden script and familiar narrative.

Fantastic Four: Rise of the Silver Surfer (2007, 37%)
While an improvement on its predecessor, Fantastic Four: Rise of the Silver Surfer is nevertheless a juvenile, simplistic picture that has little benefit beyond its special effects.

The Punisher (2004, 29%)
A good cast fails to elevate this overly violent and by-the-numbers revenge flick.

The Fantastic Four (1994, 29%)
An ashcan movie produced on the cheap by Roger Corman whose sole purpose was to keep the movie rights alive and away from Marvel.

The Punisher (1989, 28%)
Despite the seemingly indestructible Dolph Lundgren with a crossbow, The Punisher is a boring one-man battle with never-ending action scenes.

Fantastic Four (2005, 27%)
Marred by goofy attempts at wit, subpar acting, and bland storytelling, Fantastic Four is a mediocre attempt to bring Marvel’s oldest hero team to the big screen.

Punisher: War Zone (2008, 27%)
Punisher: War Zone recalls the excessively violent, dialogue-challenged actioners of the 1980s, and coincidentally feels two decades out of date.

Ghost Rider (2007, 26%)
Ghost Rider is a sour mix of morose, glum histrionics amidst jokey puns and hammy dialogue.

Blade:Trinity (2004, 25%)
Louder, campier, and more incoherent than its predecessors, Blade: Trinity seems content to emphasize style over substance and rehash familiar themes.

Man-Thing (2005, 17%)
Marvel’s eco-friendly version of DC’s Swamp Thing, made into an underlit TV movie.

Ghost Rider: Spirit of Vengeance (2012, 17%)
With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it’s no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.

Howard the Duck (1986, 15%)
While it has its moments, Howard the Duck suffers from an uneven tone and mediocre performances.

Elektra (2005, 10%)
Jennifer Garner inhabits her role with earnest gusto, but Elektra‘s tone deaf script is too self-serious and bereft of intelligent dialogue to provide engaging thrills.

Fantastic Four (2015, 9%)
Dull and downbeat, this Fantastic Four proves a woefully misguided attempt to translate a classic comic series without the humor, joy, or colorful thrills that made it great.

Captain America (1990, 8%)
Lacking a script, budget, direction, or star capable of doing justice to its source material, this Captain America should have been left under the ice.

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