28 Days Later (2002, 86%)
To get the shots of Cillian Murphy’s haunting solitude in typically very crowded London, director Danny Boyle was given mere minutes by police each morning to set up and record. This could only done be done by ditching film and using fast-rising digital cameras, which had the bonus of making 28 Days Later look apocalyptically blown-out, like it was found underneath somebody’s boot. Nowadays, entertainment lives fully in a crispy digital era. It just took some very fast zombies to chase us here.
