“With Flash’s design we wanted to hint at various nano-technologies and aerodynamic shapes that Barry would have explored to create a suit that moves through space and time in the most comfortable, efficient way. Whenever I interpret a 2D legacy drawing of a character and make it into a 3D costume that a film camera has to adore, I aim to enrich the textures and silhouettes, and I think about every square centimeter of the costume, from the soles of the feet to under the arms!”
