TAGGED AS: Comedy, festivals, Horror, zombie, zombies
The 2019 Cannes Film Festival is underway, with Jim Jarmusch’s zombie flick The Dead Don’t Die leading the way as the opener. With a cast including Bill Murray, Adam Driver, Tilda Swinton, Tom Waits, and Iggy Pop (!), the zombie comedy sounds right up Jarmusch fans’ alley. Initial reviews out of Cannes are leaning mixed-positive, but there are some hesitations – like brains and, well, Jim Jarmusch, it may not be to everyone’s tastes. The movie is currently on 55% on the Tomatometer with 38 reviews (as of March 15, 10pm ET).
Here’s what critics are saying about The Dead Don’t Die:
“The Dead Don’t Die is purebred Jarmusch, and much lighter on its feet than his last horror-themed project.” – Robbie Collin, Daily Telegraph
“Not as accomplished or thoughtful as his recent films, such as Only Lovers Left Alive and Paterson.” – Tim Grierson, Screen Daily
“As ever with Jarmusch, The Dead Don’t Die is marked most significantly by its attitude, a too-cool-for-school sense of disengagement shot through with comic inflections. – Todd McCarthy, The Hollywood Reporter
“Lethargic even by Jarmusch’s unhurried standards.” – David Ehrlich, IndieWire
“With The Dead Don’t Die, Jarmusch has pioneered his own sub-subgenre: the undeadpan comedy.” – Justin Chang, Los Angeles Times
“It’s an intimate picture, even for Jarmusch…if you’re a Jarmusch fan, or maybe even a newcomer, the movie will play beautifully as a weekend jaunt to your local theater.” – Stephanie Zacharek, Time Magazine
(Photo by Focus Features © 2019 Image Eleven Productions, Inc.)
“Tremendously assured performances by an A-list cast…there is much pleasure to be had looking at the impassive, knowing faces of Sevigny, Driver and especially Murray.” – Peter Bradshaw, Guardian
“Biggest scene-stealer goes to Tilda Swinton…less a character than a vehicle for a more-or-less unbroken chain of gif-me-quick memeable moments.” – Robbie Collin, Daily Telegraph
“[Swinton’s] delightful performance shoots the movie full of fresh embalming fluid every time it starts to rot. Which is often.” – David Ehrlich, IndieWire
“At times, the deadpan of Murray and Driver becomes, well, a bit deadening…the sheer diversity of the cast members, along with their individual senses of humor, sustains one’s attention even when inspiration sometimes lags.” – Todd McCarthy, The Hollywood Reporter
“We come to Jarmusch for his unmistakable dry wit and rejection of convention…Driver and Swinton alone are enough to keep the hunger at bay.” – Hannah Woodhead, Little White Lies
“Caleb Landry Jones serves up the goods as a horror film geek…and Chloë Sevigny excels as a dangerously empathetic cop.” – Katherine McLaughlin, The List
(Photo by Focus Features © 2019 Image Eleven Productions, Inc.)
“One zombie is obsessed with coffee and is played by Iggy Pop – not looking all that different from the way he habitually does. In casting terms, it’s a stroke of genius.” – Peter Bradshaw, Guardian
“When word got out that Iggy Pop would be playing a zombie in the new Jim Jarmusch film, some of us found ourselves wondering how we would be able to tell.” – Robbie Collin, Daily Telegraph
“Iggy already looks like the undead.” – Owen Gleiberman, Variety
“What does a Jim Jarmusch zombie movie look like? It looks like just what you’d expect: a cheeky hipster walking-dead comedy that surveys the apocalypse with a shrug of blasé self-consciousness.” – Owen Gleiberman, Variety
“Best appreciated as an antidote to the aimless melodrama of The Walking Dead.” – David Ehrlich, IndieWire
“Slim but fun hipster take on the format’s familiar tropes…although the primacy of attitude over scares will likely prevent it from drawing the fright-seeking mobs.” – Todd McCarthy, The Hollywood Reporter
“Violent and gory enough to warrant an R rating, but aside from guts being spilled and some feasting on innards, most of the action consists of dozens of zombies being dustily decapitated.” – Todd McCarthy, The Hollywood Reporter
“None of this is remotely scary, or is meant to be; it’s all served up as a straight-faced semi-absurdist joke.” – Owen Gleiberman, Variety
“You are likely to walk out thinking it’s the only zombie movie Jarmusch could have made. I wish that were more of a compliment.” – Justin Chang, Los Angeles Times
(Photo by Focus Features © 2019 Image Eleven Productions, Inc.)
“It’s hard to watch small-town America turn on itself and not see political parallels…but the film cheerfully self-identifies as fiction.” – Robbie Collin, Daily Telegraph
“[The zombies] emerge from their slumber thanks to — what else? — climate change.”- Todd McCarthy, The Hollywood Reporter
“Launching a broadside against materialism, Trump’s America and our collective apathy. It gets its point across, no matter how inelegantly.” – Tim Grierson, Screen Daily
“When the jokes fade and earnest metaphors seep in, preaching the vices of Technology and Capitalism, there’s little left to chew on.” – Ella Kemp, Culture Whisper
“True wit is in short supply even though the film remains amusing most of the way.” – Todd McCarthy, The Hollywood Reporter
“Very few of the gags inspire more than a light chuckle, which isn’t great in a movie where the same could be said of the major characters.” – David Ehrlich, IndieWire
“The film’s scattershot humor doesn’t always land, but even when it does it’s merely masking what is ultimately a gloomy portrait of our walking-dead existence.” – Tim Grierson, Screen Daily
“Jarmusch adds shockingly little to the humor or the perception.” – Owen Gleiberman, Variety
“It’s the visual gags that keep the blood pumping…the charmingly silly humor carries it along.” – Katherine McLaughlin, The List
(Photo by Focus Features © 2019 Image Eleven Productions, Inc.)
“The characters acknowledge that they’re inside a Jim Jarmusch film — and this quality is equally endearing and off-putting, depending on the effectiveness of the next joke.” Tim Grierson, Screen Daily
“He’s saying, ‘Look! It’s Jim Jarmusch making a zombie movie! And yes, the film is that rib-nudging in its self-awareness.’” – Owen Gleiberman, Variety
“The cocktail of winking self-awareness and studied nonchalance is not strong enough to last the length of an entire film…It’s the self-awareness that really hurts it.” – Ben Croll, The Wrap
“Feeble meta-comedy…this Pirandellian flourish isn’t rigorously maintained and feels a bit studenty.” – Peter Bradshaw, Guardian
“[It’s] always viewable in its elegant deliberation and controlled tempo of weird normality – and beautifully photographed in an eerie dusk by Frederick Elmes.” – Peter Bradshaw, Guardian
“This is a winningly eccentric film, as attuned in its own way to the rhythms of ordinary life as Jarmusch and Driver’s (even better) 2016 feature Paterson.” – Robbie Collin, Daily Telegraph
“The trouble with The Dead Don’t Die is that the notion of treating a zombie uprising as a pitch-black comedy drenched in attitude has already been done to death.” – Owen Gleiberman, Variety
“Offers a fascinating new ripple to the ongoing conversation about fan service – the film knows that its regal cast and sellable genre will be more than enough to grab our attention, so why bother trying to challenge, or even delight it?” – Ben Croll, The Wrap
“It looks like it was a hoot to make.” – Alexa Dalby, Dog and Wolf
The Dead Don’t Die opens in theaters June 14, 2019
54%
