Diego Luna is bristling at RT’s suggestion he pick just five favourite films. “It’s really unfair to have to say only five films,” he complains as he picks his final choice. “This barely covers my life; I’m up to about the age of 16 by the end of the list!”
The 29-year-old has been acting since before 16 in his home country of Mexico, but burst onto the international stage aged 22 as part of the trio of leads in Alfonso Cuaron‘s Y Tu Mama Tambien. That film marked his first collaboration with Gael Garcia Bernal (see his five favourites here), a partnership that continues – this time with Cuaron’s brother Carlos at the helm – with Rudo and Cursi, out now in UK cinemas.
Indeed, the Cuaron connection is another sticking point for Luna. “I’d also want to say that when I saw Children of Men, for me it wasn’t only a fantastic film, but it was an important film for me because not only do I know the guy but I’ve worked with him, collaborated with him. Every time I have something I show it to Alfonso and hear what he has to say. I’d actually say that film is, for me, the most important film today because it’s a relationship I’m still working on and learning from.”
But what of his final list? Read on to find out more.
“It’s so corny, but it was the first film I saw and the thing about the mother hit me really badly. I remember it was a good connection with my sister, who was fifteen years older. I was about 5 or 6.”
“I’m still kind of psychoanalysing myself but my first shock was with the relationship between the mother and then the father. To find out that your parents are not perfect and in fact they do behave sometimes like thieves to protect you, it was powerful.”
“Three Italians! I remember crying really badly with that when all the films in the projection room are on fire. I remember that also it was a film that when I was really young I could see myself reflected in the younger part of the film. And you can grow with the film, you know. When you become more mature you find a lot of sadness in the story of the old guy while he’s watching at the beginning and the end.”
“Still with the Italians, I’m sorry! With many things in life you’re there because there’s a cute girl around that you want to go out with and you end up finding magic. You end up not caring about the girl but wanting to stay there because of what you found. That happened with Amarcord to me. I really thought a lot about creating images and the connection that cinema had with theatre in a way. That film feels a little bit like theatre. I lived all my life watching theatre and it’s when I found the connection with what I was watching and could do in my life.”
“This was a really important movie for me as a teenager. It was a movie I could have fun with, that I thought was a piece of art and that I thought was doing something modern that had to do with my life. Cinema until then, the ones I really appreciated were done by guys that lived in a different reality from mine and were talking about something in the past that had connections with what I was living but I would have to make an effort to be part of the story and make it work for my reality. With the Coen brothers I thought I was looking at something which was an idea from the day before, you know, and also the commitment they had to their point of view was amazing. I felt excited and it was the perfect film to fall in love with when I was young.”
Rudo and Cursi is out now in UK cinemas.