This week on streaming video, we’ve got Tim Burton’s latest film, the third chapter of a Liam Neeson action franchise, and a couple of noteworthy television shows on Netflix. Read on for details.

Big Eyes

In Tim Burton’s latest, Amy Adams stars as Margaret Keane, a painter whose images of children with oversized eyes were big sellers in the 1960s. There was just one problem: While Margaret painted, her husband Walter (Christoph Waltz) took the credit and reaped the rewards, keeping his wife a virtual prisoner.

Available now on: Amazon, iTunes, Vudu, Google Play

Taken 3

This time out, Bryan Mills (Liam Neeson) is framed for the murder of his wife, and must outwit the various cops and intelligence agents on his trail in order to find the real killers.

Available now on: Amazon, iTunes, Vudu, Google Play

Garfunkel and Oates: Season One

Kate Micucci and Riki Lindhome star in this musical sketch comedy series full of irreverent songs and biting humor.

Available now on: Netflix

Trailer Park Boys: Season Nine

Canada’s favorite misfits are back for their ninth season, as Ricky, Julian, and Bubbles continue to get into all kinds of hilarious trouble.

Available now on: Netflix

In this clip from Thursday night’s new episode of Garfunkel and Oates, Kate Micucci and Riki Lindhome sing “Pregnant Women Are Smug.”

Also, see the baby shower scene from the same episode in which Kate and Riki’s gifts go unappreciated.

Garfunkel and Oates airs on IFC Thursdays at 10:00 pm ET/PT. Season one is currently Fresh at 100 percent with six reviews.


Ep. 039 – Teenage Mutant Ninja Turtles, Hundred-Foot Journey, & More
Alonso Duralde from TheWrap joins Team Tomato to discuss this week’s new movies, including Teenage Mutant Ninja Turtles, The Hundred-Foot Journey, Step Up: All In, and Into the Storm, and then Dame Helen Mirren shares her recipe for fun with Grae Drake. After that, Sarah Ricard shares the Tomatometers for new TV shows Outlander, The Knick, and Garfunkel & Oates. Finally, the team announces the winners of last week’s Sharknado 2 and Guardians of the Galaxy giveaways, and give details on this week’s Into the Storm giveaway.

This pair of indies currently has one thing in common: they’re both at 50% on the Tomatometer. The festival’s been buzzing about Philip Seymour Hoffman’s Oscar worthy performance in “Capote.” “Bubble” features director Steven Soderbergh’s return to his indie roots.

There’s already Oscar buzz for Philip Seymour Hoffman’s meticulous performance as "In Cold Blood" author Truman Capote. Covering the period of his life during the writing of his groundbreaking international best-seller, "Capote" also stars Oscar winner Chris Cooper and indie queen Catherine Keener. It starts off as a murder mystery as Capote and his research assistant, "To Kill a Mockingbird" author Nell Harper Lee (Keener), travel to the town of the murders to investigate the case. They are assisted by the reluctant Kansas Bureau of Investigations agent Alvin Dewey (Cooper). As the film progresses and Capote gets more infatuated with one of the imprisoned killers, Perry Smith (Clifton Collins Jr.), it becomes more of a film about their intimate relationship. The film is generally sympathetic towards the killer and author. Whether or not the two are just manipulating each other is ambiguous. The acting by the acclaimed leads, especially Hoffman’s, is top notch. Because the film follows Capote’s research of the murders, it is also engrossing throughout. This is not one of those dull biographies that chronicles the subject’s entire life, just a small defining period.

The film has divided the six critics who has reviewed it so far. It currently has a Tomatometer of 50%. While Philip Seymour Hoffman’s performance is universally praised, some critics think the biopic is long and uninteresting.


Steven Soderbergh’s film is a simple, yet effective drama. "Bubble" is about three coworkers in a doll factory. Martha (Debbie Doebereiner) is overweight, middle-aged, and lives with and takes care of her dad; Kyle (Dustin James Ashley) is a skinny young high school drop-out who lives with his mom; Rose (Misty Dawn Wilkins) is a young, attractive woman who also didn’t finish high school, has a daughter, and is separated from her husband. The three factory workers don’t make much and get pretty excited by a $50 bonus. A murder occurs and all three of their lives are thrown into a whirlwind. Shot in high-definition digital video, it takes a realistic approach by casting mostly unknowns, setting it in a small town with interiors that are not overly staged and utilizing natural lighting without the usual Hollywood gloss. There are also no fancy camera angles or distracting editing techniques. It looks more like a home video then a cinematic film. All of this makes the film feel very naturalistic, almost as if Soderbergh just took a chunk of these characters’ lives and presented it to us.

Again, the film currently has a mixed reaction from critics with only six reviews. Its Tomatometer is an even 50%, with critics either loving the low-key approach or hating it.

Other Toronto International Film Festival Articles:
Toronto Film Fest: Tsui Hark’s “Seven Swords” starring Donnie Yen
Toronto Film Fest: World Premiere of "The Myth" starring Jackie Chan
Toronto Film Fest: Tim Burton’s "Corpse Bride" starring Johnny Depp
Toronto Film Fest: "Flightplan" with Jodie Foster and "Shopgirl" with Steve Martin
Toronto Film Fest: "Wallace & Gromit: The Curse of the Were-Rabbit"

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