Rotten Tomatoes’ premiere dates calendar keeps track of the most anticipated new series of fall TV and your favorite returning shows. Bookmark this page to get updates on when the latest Netflix series launch, when Disney+ shows will premiere, what the holiday films and specials are coming your way, and more.
Netflix has set February 7 for the premiere of Locke and Key, the Carlton Cuse–produced adaptation of Joe Hill and Gabriel Rodriguez’s IDW comic book series that has been in development for more than a decade. The mystery series revolves around the Locke family, three siblings and their mother who move into their ancestral home – Keyhouse – after the murder of their father. Keyhouse, as the Lockes quickly discover, is filled with magical keys that hold special powers. That draws out a demon who wants to steal the keys, which may have played a role in the murder of the Locke paterfamilias. The series stars Darby Stanchfield (Scandal), Jackson Robert Scott (IT), and Connor Jessup (American Crime).
Find out when the rest of your favorite shows return and new shows premiere below.
Update (12/12): Pavarotti (Dec. 30), Chilling Adventures of Sabrina (Jan. 24), Next in Fashion (Jan. 29), Briarpatch (Feb. 6), The Sinner (Feb. 6), Interrogation (Feb. 6), Wrong Man (Feb. 9), Hillary (Mar. 6), Ride with Norman Reedus (Mar. 8); Messiah (Jan. 1)
Also: Renewed & Cancelled
Monday, Dec. 2
Making It: Season 2 (2019) NBC
Tuesday, Dec. 3
Tiffany Haddish: Black Mitzvah (2019) Netflix
The First Temptation of Christ (2019) Netflix
Team Kaylie: Part 2 () Netflix
One Day at Disney (2019) Disney+
Wednesday, Dec. 4
Let's Dance (2019) Netflix
() % Netflix
Magic for Humans: Season 2 (2019) Netflix
The Moodys: Season 1 (2019) 64% 9 p.m., Fox
Vikings: Season 6 (2019) 100% 9 p.m., History
Five Day Biz Fix: Season 1 (2019) CNBC
The Gulf: Season 1 (2019) Sundance Now
Thursday, Dec. 5
The Marvelous Mrs. Maisel: Season 3 (2019) 79% Amazon Prime Video
A Christmas Prince: The Royal Baby (2019) 36% Netflix
Same Time, Next Christmas (2019) Netflix
Apache: The Life of Carlos Tevez: Season 1 (2019) Netflix
Home for Christmas: Season 1 (2019) Netflix
V Wars: Season 1 (2019) 56% Netflix
Growing Up Hip Hop: Season 5 (2019) WE tv
Tell Me a Story: Season 2 (2019) CBS All Access
Friday, Dec. 6
Reprisal: Season 1 (2019) 53% Hulu
Into the Dark, Episode : "" % Hulu
Astronomy Club: The Sketch Show: Season 1 (2019) 100% Netflix
The Chosen One: Season 2 (2019) Netflix
The Confession Killer: Season 1 (2019) 100% Netflix
Fuller House: Season 5 (2019) Netflix
Glow Up: Season 1 (2019) Netflix
Marriage Story (2019) 94% Netflix
Spirit Riding Free: The Spirit of Christmas (2019) Netflix
Three Days of Christmas: Season 1 () Netflix
Teasing Master Takagi-san: Season 2 (2019) Netflix
Triad Princess: Season 1 (2019) Netflix
Virgin River: Season 1 (2019) Netflix
Truth Be Told: Season 1 (2019) 31% Apple TV+
One Day at Disney: Shorts: Season 1 (2019) Disney+
Clifford the Big Red Dog: Season 1 () Amazon Prime Video
Monday, Dec. 9
A Family Reunion Christmas, Netflix
The Heart Guy: Season 4 (2019) Acorn TV
Thursday, Dec. 12
Jack Whitehall: Christmas with my Father (2019) Netflix
Sunday, Dec. 15
A Very Merry Cavallari, 10 p.m., E!
Monday, Dec. 16
Slings & Arrows: Season 3, Acorn TV
Laurel Canyon, 9 p.m., Epix
Tuesday, Dec. 17
Ronny Chieng: Asian Comedian Destroys America! (2019) Netflix
Wednesday, Dec. 18
Don't F**K with Cats: Hunting An Internet Killer: Limited Series (2019) 67% Netflix
Soundtrack: Season 1 (2019) 38% Netflix
Mad About You: Season 1 (2019) 42% Part 2, Spectrum On Demand
Wisting, Sundance Now
Live in Front of a Studio Audience: 'All in the Family' and 'Good Times' (2019) 80% ABC
Good Times: Live in Front of a Studio Audience, ABC
Friday, Dec. 20
The Two Popes (2019) 89% Netflix
The Witcher: Season 1 (2019) 68% Netflix
The Aeronauts (2019) 71% Amazon Prime Video
Pick of the Litter: Season 1 (2019) Disney+
Togo (2019) 92% Disney+
Saturday, Dec. 21
Crash Landing on You: Season 1 (2019) Netflix
Monday, Dec. 23
From Father to Daughter, Acorn TV
Tuesday, Dec. 24
Lost in Space: Season 2 (2019) 85% Netflix
John Mulaney & The Sack Lunch Bunch (2019) 96% Netflix
Terrace House: Tokyo 2019-2020: Part 2, Netflix
Carole & Tuesday: Part 2, Netflix
Como caído del cielo (2019) Netflix
Wednesday, Dec. 25
Murdoch Mysteries: Season 13, Acorn TV
Call the Midwife: Holiday Special, PBS
Lucy Worsley’s 12 Days of Tudor Christmas, PBS
Friday, Dec. 27
Into the Dark, Episode : "" % Hulu
The Gift: Season 1 (2019) Netflix
Kevin Hart: Don't F... This Up: Season 1 (2019) Netflix
Duran Duran: There's Something You Should Know (2018) 83% Showtime
Saturday, Dec. 28
Hot Gimmick: Girl Meets Boy, Netflix
Sunday, Dec. 29
Flirty Dancing: Season 1 (2019) 8 p.m. ET/5 p.m. PT, Fox
Monday, Dec. 30
Alexa & Katie: Season 3 (2019) : Holiday Episode, Netflix
The Disastrous Life of Saiki K.: Reawakened, Netflix
Pavarotti, 8 p.m., Showtime
Also: Renewed & Cancelled
(Photo by HBO)
Wondering when your favorite show is wrapping, or whether this season is its last? Check out the calendar below to find out TV’s fall finale dates.
Upcoming finales: See: season 1 (Dec. 6), Silicon Valley: season 6 (Dec. 8), Madam Secretary: season 6 (Dec. 8), Mrs. Fletcher: season 1 (Dec. 8).
Monday, Dec. 2
Love & Hip Hop: Hollywood: Season 6, 8 p.m., WH1
Friday, Dec. 6
See: Season 1 (2019) 44% Apple TV+
Tuesday, Dec. 10
The Moodys: Season 1 (2019) 64% 9 p.m. Fox
Total Divas: Season 9, 10 p.m., E!
Saturday, Dec. 14
Ready to Love: Season 1, 10 p.m., OWN
Sunday, Dec. 15
Watchmen: Season 1, 9 p.m., HBO
Monday, Dec. 16
The Great Christmas Light Fight: Season 7, 8 p.m., ABC
Tuesday, Dec. 17
The Voice: Season 17, 9 p.m., NBC
The Purge: Season 2, 9 p.m., USA
The Real Housewives of Orange County: Season 14, 9 p.m., Bravo
Counting On: Season 10, 9 p.m., TLC
Ambitions: Season 2, 10 p.m., OWN
Treadstone: Season 1, 10 p.m., USA
The Misery Index: Season 1, 10:30 p.m., TBS
Wednesday, Dec. 18
Survivor: Season 39, 8 p.m., CBS
The Masked Singer: Season 2, 8 p.m., Fox
Born This Way: Season 4, 9 p.m., A&E
The Real Housewives of Dallas: Season 4, 9 p.m., Bravo
Thursday, Dec. 19
Temptation Island: Season 2, 9 p.m., USA
(Photo by AMC/courtesy Everett Collection; Netflix; Frank Ockenfels/AMC)
Great new shows leave critics and fans clamoring for their second seasons, but new series don’t always deliver when they return for round two – many suffer the dreaded sophomore slump.
That’s not the case with these titles — in fact, just the opposite. We’ve pulled together a list of TV series that enjoyed the biggest sophomore bumps between season 1 and season 2, according to our Tomatometer. To ensure a fair accounting of opinion, we only included series with at least 20 reviews determining their scores in both their first and second seasons (you could find, if you dug deep, shows with bigger season-on-season improvements, but the pool of reviews would be pretty shallow).
A few of the shows here weren’t very good to begin with, so any improvement is noticeable, but others started strong and managed to get even stronger by their second seasons.
Some of the most prestigious titles in television turned up — hello, Breaking Bad and Mad Men — but the series with the biggest bump of all is Marvel’s Iron Fist on Netflix, which on Friday releases season 2. The second season has a 58% Tomatometer score (updated) from 45 reviews, giving the title a 40% bump between its first and second seasons. The next biggest bump was for Fox’s Human Target, which experienced a 26% jump between season 1 and 2.
Read on to see which other titles were competing with Marvel’s Iron Fist bump.
Updated on February 24, 2019 to reflect season score changes.
What improved: Season 2 was building up to the death of Escobar. Screenrant’s Kevin Yeoman wrote, “By streamlining the narrative into a compelling manhunt that makes far better use of actors like Pascal and Holbrook, while still giving Moura room to shine, Narcos has definitely improved in season 2.” AV Club’s Joshua Alston wrote, “Even with less ground to cover, Narcos is pleasantly dense and steadily introduces intriguing new characters to fill its impending power vacuum and firm up the show’s historicity.”
The ratings: It was a juggernaut from the beginning by modern broadcast standards. The first two seasons each averaged 13 million viewers and only dipped slightly below 11 million by the end. Spin-off The Good Fight is still going on CBS All Access.
What Improved: The supporting cast became every bit as important as Margulies. Many critics lauded Archie Panjabi for her role as in-house law firm investigator Kalinda Sharma, while USA Today’s Roberto Bianco singled out another: “Wife has expanded its reach to envelop all of its well-acted main characters, a growing stable that now includes Alan Cumming‘s Eli Gold (a great addition).” The show also rewarded viewers who watched every episode making it a worthwhile investment. EW’s Ken Tucker wrote, “The Good Wife is so layered with previous-episode details that are never forgotten that it already has its own sort of mythology.”
The show: Hard-drinking, womanizing ad man Don Draper (Jon Hamm) tries to survive the ’60s while times change around him; meanwhile, female employees Peggy Olson (Elisabeth Moss) and Joan Holloway (Christina Hendricks) rise through the ranks.
The ratings: After a strong premiere to 1.65 million viewers, season 1 averaged 900,000. It nearly doubled for season 2 as the show’s acclaim made AMC a major player in cable originals.
What Improved: Critics caught on that Mad Men was a slow burn. TV Guide’s Matt Roush said, “Mad Men sizzles, simmering with erotic tension and crackling with cynical wit.” Alan Sepinwall, then with the Newark Star-Ledger, wrote, “as with a great baseball game, the leisurely pace gives you more time to marinate in the details.”
The show: Gretchen (Aya Cash) and Jimmy (Chris Geere) are both dysfunctional, but they may be perfect for each other. Their friends Lindsay (Kether Donohue) and Edgar (Desmin Borges) may be on their own.
The ratings: Season 1 only averaged 300,000 viewers on FX, so they moved it over to FXX where season 2’s 200,000 was just fine. The show will wrap up in its fifth season next year.
What Improved: Season 2 went deeper into the characters’ psychological issues like Gretchen’s depression. Critics appreciated the frank portrayal of delicate subjects. GQ’s Joshua Rivera praised “the way it handles a sobering character arc while remaining one of the sharpest comedies around.” And like life, You’re the Worst’s problems can’t be solved in 22 minutes. “It resists learning the lesson that each installment would seem to set out to teach its characters,” wrote TV Fanatic’s Caralynn Lippo. The show hits 100% in seasons 3 and 4.
The show: Amy Jellicoe (Laura Dern) visits a mental-health retreat after she suffers an epic breakdown at the office. When she returns, she is reassigned to the company’s basement operations with other corporate misfits.
The ratings: Enlightened was never a ratings juggernaut for HBO. The first season barely averaged 170,000 viewers. Season 2 jumped up to 250,000.
What Improved: The show connected with the viewers who saw it, but its season 2 critical surge ultimately couldn’t save it. Alternet’s Eileen Jones said, “Unleash Amy and watch the endless repercussions in unsparing detail and laugh sardonically at your own stumbling way through the poisoned world.” Francine Prose of the New York Review of Books marveled at the strength of the show’s characters, especially “how much of ourselves we may see in them, if we only have the temerity to allow it.”
The show: The early days of the computer business were full of drama for Joe (Lee Pace) and Gordon (Scoot McNairy). But by season 2, the show became more about Cameron (Mackenzie Davis) and Donna (Kerry Bishe) developing online games.
The ratings: Season 1 averaged 750,000 viewers. Season 2 was down a tad to half a million, but the show held on for four seasons on AMC.
What improved: Turns out software is more dramatic than hardware, and focusing on the women helped. “The fact that two young women are bossing the enterprise gives it an added piquancy,” Globe and Mail’s John Doyle wrote, while Andy Greenwald wrote in Grantland, “Its inversion of decades of prestige-drama gender convention seems painfully obvious, and yet I’m not sure if any other show has actually attempted it.”
The show: Harry Potter for twentysomethings, the series takes place in a secret magic academy, where young adults learn how to practice the magic they only read about in storybooks.
What Improved: The second season gave fans more of what they wanted: more sex, bad behavior, witty banter, and whimsical magic, but with higher emotional stakes, too. Black Girl Nerds’ Kyndal Wilson wrote, “There is no truer statement than ‘more magic, more problems.’ If you’re already a fan of the show, you won’t want to miss this.” Screenrant’s Molly Freeman called it “another season focused on the darker, more cynical side to magic grounded in the whimsy of the show’s characters.”
(Photo by )
The show: After a cancer diagnosis, high school teacher Walter White (Bryan Cranston) becomes the crystal meth cook Heisenberg with his partner Jesse Pinkman (Aaron Paul), to the chagrin of his wife Skyler (Anna Gunn).
The ratings: As AMC’s follow-up original series to Mad Men, Breaking Bad started out modestly. Its first two seasons averaged 1.5 million viewers. It wasn’t until after season 3 that people started binging and catching up to follow the saga as it aired.
What Improved: Season 1 was only seven episodes, so it was just getting started. Season 2 may have been when critic Alan Sepinwall decided it was a modern classic, writing, “This brilliant second season of Breaking Bad is starting to earn a place in any discussion of the classics of the genre.” Sepinwall would go on to write a book on the series, Breaking Bad 101. Newsday’s Verne Gay also accurately predicted the show’s Emmy dominance saying, “if the rest of the season matches Sunday’s premiere, an Emmy nomination for best drama seems certain.”
The ratings: NBC gave series creator Fuller three seasons to tell the story, at least up through the end of the Red Dragon story line. Season 1 dropped from just over 4 million viewers to just below 3 million. The ratings didn’t improve in season 2, but those who kept watching agree that the show did.
What Improved: Fuller rewarded loyal viewers, never compromising the series’ artistic sensibility or explicit gore to try to win new fans. Critics, at least, noticed the level at which Fuller was working; TV Guide’s Matt Roush said, “[It] is a feast of macabre freakishness, going beyond the realm of guilty pleasure in a sustained nightmare of horrific yet elegantly hypnotic design.” Slate’s Willa Paskin marveled, “Somehow it has become an engrossing, psychologically dense show that is also visually stunning.”
The show: Based on the James S. A. Corey novels, the trio of U.N. executive Chrisjen Avasaraia (Shohreh Aghdashloo), detective Joseph Miller (Thomas Jane), and captain Jim Holden (Steven Strait) combat espionage and hostile alien technology in the colonized solar system.
The ratings: Ratings for the expensive sci-fi series went from 700,000 viewers in season 1 to half a million in season 2 on Syfy. The network ordered a third season, but then cancelled the show. Fans rejoiced when Amazon founder, president, and CEO Jeff Bezos announced that the company’s premium streaming service will distribute the fourth.
What Improved: With a whole solar system, you can imagine there’s a lot of ground for the first season to cover. Those who stuck with it were rewarded with more focused storytelling.“Unburdened with introductory world building and backed by surefooted writing, The Expanse returns as thrilling and intriguing as ever,” We Got This Covered’s Mitchel Broussard wrote. Indiewire’s Liz Shannon Miller said, “There’s more focus to the first four episodes of the season than expected, thanks to more of the characters uniting in proximity to similar goals.”
The show: Famous characters from horror literature team up to save Victorian London from monsters, including Victor Frankenstein (Harry Treadaway), Dorian Gray (Reeve Carney), and Van Helsing (David Warner) with American gunslinger Ethan Chandler (Josh Hartnett) and the haunted Vanessa Ives (Eva Green) added to the mix.
The ratings: Season 1 averaged 750,000 viewers for Showtime. Season 2 dropped to about half a million, but surged back by the season finale. The series got a third season, but the season finale ended with “The End,” though Showtime never announced that the show was cancelled.
What Improved: Season 2 didn’t offer a jumping-in point, according to New York Daily News’s David Hinckley, but “it should nicely satisfy those who hopped onto the ride last year.” Salon’s Sonia Saraiya wrote, “If anything, the return from hiatus has shifted Penny Dreadful into even higher gear.”
The show: Eight people around the world discover they are linked by extraordinary mental abilities and must team up to survive being hunted by Whispers.
The ratings: Even though Netflix does not release ratings, the streaming service clearly wasn’t happy with the performance of the second season, because the series was cancelled. There were enough passionate fans demanding more Sense8, however, that Netflix agreed to a finale movie, but the Wachowski siblings and J. Michael Straczynski had a five-season plan for this story.
What Improved: The Wachoskis’ bold new mythology takes a while to explain, but patient viewers are rewarded, according to Indiewire’s Liz Shannon Miller, who wrote, “Sense8 may have had a slow start in season 1, but season 2 is a hell of a ride.” The Washington Post’s Sonia Roo wrote that she was just getting into the characters: “Sense8 avoids tokenizing its characters, which involves giving each sensate a full backstory that helps viewers understand what motivates them.”
The show: After a breakdown, newsman Will McAvoy (Jeff Daniels) tries to redeem himself while working under ex-girlfriend MacKenzie McHale (Emily Mortimer), while young producers Jim Harper (John Gallagher Jr.) and Maggie Jordan (Alison Pill) try to prove themselves.
The ratings: Creator Aaron Sorkin’s opinionated dramatization of real news stories from recent history polarized audiences and critics, and seasons 1 and 2 hovered around 2 million viewers. Sorkin, who also created acclaimed NBC White House drama The West Wing, decided to end his HBO series after its third season.
What Improved: Sorkin won over some Rotten reviews to Fresh in the second season, like LA Times’ Mary McNamara and People’s Tom Giliatto. A few critics posting negative reviews for season 1 simply didn’t come back to review the second season, like Wall Street Journal’s Dorothy Rabinowitz and Time’s James Poniewozik, which also gave Fresh reviews more weight in season 2’s score.
(Photo by Fox)
The show: Based on the DC Comic, Christopher Chance (Mark Valley) keeps his clients safe by making himself the target.
The ratings: A lead-in from American Idol, the action series brought a lot of eyeballs to season 1, though its initial audience of 10 million viewers dropped. By season 2 it was only getting six million, not enough for Fox to give it a third season.
What Improved: If viewers had listened to the critics, they might have known that Human Target really brought it in season 2, adding Indira Varma and Janet Montgomery as two strong female characters. That sold What Culture’s Dan Owen on season 2, writing, “The inclusion of two strong women is an obvious but welcome change to Human Target‘s dynamic.” For HollywoodChicago’s Brian Tallerico, season 2’s changes should have made it must-see TV: “Human Target seems to be taking itself more seriously in season 2, trying to add the emotional weight that might have kept it from becoming a water-cooler hit last season.”
The ratings: Netflix does not release ratings, but it’s no secret that season 1 of Iron Fist was a bust. Fans and critics complained about the choppy editing (kind of a problem when showcasing his super power requires badass fight scenes), its slow pace, and derivative echoes of other origin stories.
What Improved: Praise of season 2 credits the show with hearing those complaints and addressing them. TVLine’s Matt Mitovich said in his Rotten review, “Iron Fist season 2 marks an improvement over its well-derided freshman run, but still lacks punch,” while Den of Geek’s Mike Cecchini said in his Fresh review, “A new showrunner, a new fight coordinator… all help tremendously, along with better villains, a more focused story, and a willingness to put the show’s supporting cast to better use.”
Here are titles 16-30 of series measured by Tomatometer whose scores increased most between seasons 1 and 2 and the size of their bumps:
16. The Leftovers – 12%
17. American Horror Story – 11%
18. The Knick – 10%
19. The Good Place – 9%
20. Love – 9%
21. The Americans – 9%
22. How to Get Away With Murder – 8%
23. Masters of Sex – 8%
24. Pushing Daisies – 8%
25. Bates Motel – 7%
26. Justified – 7%
27. The Sinner – 7%
28. Game of Thrones – 6%
29. The Missing – 6%
30. Rectify – 5%
With 409 original scripted television shows in 2015, it’s not easy to pick a favorite, but here at Rotten Tomatoes, we’ve done just that! See our staff picks for the programming highlights of 2015 — from under-the-radar gems to downright cultural phenomenons. The best part? All of these shows are available for you to watch right now from the beginning — and, of course, they’re all Fresh!
What it is: This spinoff of Breaking Bad gives us an early look at Jimmy McGill, the man who will later become Saul Goodman. In season one, we see Jimmy try to leave his grifter, “Slippin’ Jimmy” past behind and be an honest (if not entirely successful) representative of the law. And if Jimmy is trying to turn over a new leaf, those around him — even his own brother — may not be ready to let go of Jimmy’s past.
Why you should watch it: Saul Goodman was a reliable source of comic relief in Breaking Bad, but who would have suspected that Jimmy’s first-season character arc would be so emotionally moving? The series deftly moves from a comedy about a mostly competent small-time lawyer to a moving drama about two men whose pasts still overshadow their futures. Bob Odenkirk and Jonathan Banks make the most of the opportunity to delve deeper into Saul and Mike, and the writing from Vince Gilligan is simply terrific. And “Five-O,” the sixth episode of this first season, may well be the finest hour of television in all of 2015.
Commitment: Nine hours.
Picked By: Matt Atchity, Editor-in-Chief
What it is: Matt Murdock (Charlie Cox) fights organized crime in New York City as a lawyer during the day, and as a super-powered, martial arts-fighting vigilante at night. Daredevil is Netflix’s first foray into the Marvel Cinematic Universe.
Why you should watch it: Daredevil is one of the best-executed comic book adaptations on television to date — if not the best. With incredible fight scenes and a fascinating performance by Vincent D’Onofrio as Wilson Fisk (aka Kingpin), this origin story centers on both the hero and villain’s journeys, giving them much more depth than your average superhero story. The series raised the bar very high for serialized MCU shows, having unexpectedly earned a second season after the immensely positive reaction from fans and critics alike.
Where to watch: Netflix.
Commitment: Eight hours.
Picked By: Julio de Oliveira, Project Manager
What it is: The murder of a war veteran in Modesto, California and the brutal attack on his wife sparks an emotionally-charged chain of events enveloping the victims’ and suspect’s families during the subsequent legal battle.
Why you should watch it: American Crime exhibits no fear or hesitation in tackling topics ripped directly from today’s headlines in nearly any American city. You won’t find any simple answers here, though. The sensitivity showed to characters on every side of the equation paints a vivid picture of just how complicated these stories always are — and how important it is that we discuss them with rationality and compassion. Be sure to watch it with a friend so you can ruminate on everything it’s saying.
Commitment: 10 hours.
Picked By: Grae Drake, Senior Editor
What it is: HBO’s somber drama, created by Damon Lindelof and Tom Perrotta, is set in the emotional aftermath of a global event known as “The Departure” in which 140 million people (two percent of the world’s population) inexplicably vanished.
Why you should watch it: Love it or hate it, The Leftovers is a show that taps into human feeling. The remarkable ensemble cast delivers one stirring performance after the other — particularly in the critically acclaimed second season. HBO has announced that there will be a third, and final, season of The Leftovers in 2016 so enjoy this unique piece of storytelling before it departs.
Commitment: 20 hours.
Picked By: Zayre Ferrer, Review Aggregator
What it is: An alcoholic mad scientist moves in with his daughter’s semi-dysfunctional family and begins involving his apprehensive grandson in wild cosmic and interdimensional adventures.
Why you should watch it: If you like your jokes quick, clever, and pregnant with pop culture references, you’ll feel right at home with Rick and Morty, an Adult Swim series co-created by Justin Roiland and Community showrunner Dan Harmon. But while most animated comedies are content to showcase a collection of single-serving vignettes, Rick and Morty dares to offer some pathos alongside its absurdist humor. Sure, you’ll laugh at a hilarious gag referencing David Cronenberg, but you’ll also balk at the horrifying meaning behind it, and that’s what makes this such a deliciously funny, sometimes surprisingly multi-layered treat. Season two upped the ante, and in addition to some standout episodes (including my favorite, “The Ricks Must Be Crazy”), the season finale delivered with an unexpected cliffhanger.
Commitment: Eight hours.
Picked By: Ryan Fujitani, Editor
Why you should watch it: While the first season was the pitch black romantic comedy we always wanted, featuring the kind of twenty-something Los Angelenos the rest of the country loves to hate, the second season goes even deeper. Jimmy and Gretchen’s relationship is put to the test and the supporting cast also has a stellar season. Although You’re the Worst deals with heavy stuff, it does so with a light and raunchy touch, perfectly balancing raw emotions with belly laughs.
Commitment: 11 hours.
Picked By: Marya E. Gates, Social Media Specialist
What it is: Inspired by the series of novels written by George R.R. Martin, Game of Thrones is the fantasy epic that out epics all others. Set in the fictional continents of Westeros and Essos, the series follows the dynastic struggles among the realms of noble families for control of the Iron Throne.
Why you should watch it: If you are someone who still hasn’t jumped on the GOT bandwagon, do not be daunted by the task — or by the hype. It lives up to it all and this year did nothing but enhance the show’s stockpile of jaw-dropping and superbly written, performed, and directed moments. Even after five seasons, you will still catch yourself astounded that this is television at all.
Where to watch: HBO Go.
Commitment: 50 hours.
Picked By: Andria Hopkins, Review Aggregator
What it is: Ross Poldark is a British soldier who returns home from the Revolutionary War to find his family business bankrupt and his love betrothed to another, forcing him to rebuild his life.
Why you should watch it: It’s a romance novel brought to life. Aidan Turner is fantastic as Poldark, with flowing locks and shirtless scenes that are almost as gorgeous as the show’s sweeping shots of the English countryside. If you’re looking for something to keep you going until Outlander returns in the spring, this should serve you nicely.
Commitment: Eight hours.
Picked By: Beki Lane, Associate TV Editor
What it is: A psycho-sexy action drama, Banshee throws a dangerous ex-con into, wait for it… sheriffdom. When he attempts to reconnect with his true love and former cohort-in-crime, he ends up replacing the new sheriff who got killed before anybody could meet him, making for some crazy-ass goings-on in the Banshee PD.
Why you should watch it: It’s hard to find a show so crazy, so nasty, so sexy. The amazing cast makes it difficult to choose who to root for: the bad-ass, violent ex-con disguised as the sheriff? His ex-partner/lover-in-crime hiding her past, who now lives with her politician husband and two kids? The “businessman” mob-boss type who excommunicated himself from his Amish family to run the town? What about his promiscuous niece who was banished from the family? Explosive!
Commitment: 30 hours.
Picked By: Kerr Lordygan, Associate TV Editor
Why you should watch it: There’s a moment partway through Documentary Now!‘s season premiere spoofing the Maysles brothers’ Grey Gardens when you realize that you’re not only watching a spot-on send-up to the original, but also a story brilliantly taking on a life of its own. Perfect for cinephiles and comedy nuts alike, Documentary Now! is best when you’re familiar with the source material, but anyone who appreciates silly, weirdly specific humor should check this one out.
Commitment: Three hours.
Picked By: Sarah Ricard, TV Editor
What it is: Elliot (Rami Malek), a young computer programmer with mental health issues, is recruited by a group of revolutionary hackers to help them bring upon the destruction of some of the world’s largest corporations. But as the stakes are raised, our hero discovers that nothing is as it first seemed.
Why you should watch it: Plenty of shows — even very good ones — can be enjoyed on a surface level. Mr. Robot, on the other hand, demands your undivided attention. Everything — everything — about this show feels precise and premeditated; it draws you into a paranoid mindset, one that embodies the old conspiracist’s adage that there are no coincidences. Hallucinatory, insanely topical, and blessed with one of the best soundtracks (and undoubtably the best title screens) of any show on television, Mr. Robot will reward obsessives with plenty of unsettling layers to uncover.
Commitment: Eight hours.
Picked By: Tim Ryan, Senior Editor