
(Photo by Gabriel Olsen/Getty Images)
All Robert Rodriguez Movies Ranked
Alita: Battle Angel turns 5!
Texas native Robert Rodriguez developed his signature kinetic style way back while he was still in film school, when a short film he made called Bedhead earned him enough attention to convince him to pursue film seriously. Since then, Rodriguez has embraced his love of genre fare and become one of Hollywood’s foremost purveyors of slick, well-crafted grindhouse-style action. He began his big screen career with bombastic modern westerns like Desperado and From Dusk Till Dawn, the latter of which featured fellow cult connoisseur Quentin Tarantino. The friendship between the two of them produced multiple collaborations over the years, including the neo-noir Sin City and the aptly named joint double feature Grindhouse, which spawned a tongue-in-cheek spinoff franchise.
In between all of that, Rodriguez found time to crank out an effects-driven, family-friendly adventure about a couple of Spy Kids, and the film was such a critical and commercial hit that it spawned three sequels, all of which Rodriguez also directed. It’s no wonder James Cameron entrusted him with his long-in-development Alita: Battle Angel, which quickly emerged as a cult favorite. His latest were Netflix’s We Can Be Heroes and Spy Kids: Armageddon. With all of that in mind, we thought it was about time to take a look at his filmography and see how his films match up with each other. Read on to see the full list and see where your favorites land!
#1
Critics Consensus: A kinetic and fun movie that's sure to thrill children of all ages.
Synopsis: Two young kids become spies in attempt to save their parents, who are ex-spies, from an evil mastermind. Armed with
[More]
#2
Critics Consensus: Made on a shoestring budget, El Mariachi's story is not new. However, the movie has so much energy that it's thoroughly enjoyable.
Synopsis: El Mariachi (Carlos Gallardo) is a traveling guitar player with the modest desire to play music for a living. Looking
[More]
#3
Critics Consensus: Visually groundbreaking and terrifically violent, Sin City brings the dark world of Frank Miller's graphic novel to vivid life.
Synopsis: In this quartet of neo-noir tales, a mysterious salesman (Josh Hartnett) narrates a tragic story of co-dependency, while a musclebound
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#4
Critics Consensus: Though the concept is no longer fresh, Spy Kids 2 is still an agreeable and energetic romp.
Synopsis: Now full fledged Spy Kids, Carmen (Alexa Vega) and Juni (Daryl Sabara) Cortez are back for another James Bond style
[More]
#5
Critics Consensus: Machete is messy, violent, shallow, and tasteless -- and that's precisely the point of one of the summer's most cartoonishly enjoyable films.
Synopsis: After nearly being killed during a violent fight with a powerful drug lord, a former Mexican Federale known as Machete
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#6
Critics Consensus: A cool and hip grindhouse throwback, Planet Terror is an unpredictable zombie thrillride.
Synopsis: An ordinary evening in a small Texas town becomes a grisly nightmare when a horde of flesh-eating zombies goes on
[More]
#7
Critics Consensus: Although it may be too zany for adults, We Can Be Heroes balances its sophisticated themes with heart and zealous originality.
Synopsis: When alien invaders kidnap Earth's superheroes, their children must team up and learn to work together if they want to
[More]
#9
Critics Consensus: No consensus yet.
Synopsis: A student tries to buy his way out of a huge debt to the tune of $7,000 by volunteering for
[More]
#10
Critics Consensus: Violent, pulpy, loopy fun, with Depp stealing the show.
Synopsis: Return of the mythic guitar-slinging hero, El Mariachi (Antonio Banderas), in the final installment of the Mariachi/Desperado trilogy. The saga
[More]
#11
Critics Consensus: A pulpy crime drama/vampire film hybrid, From Dusk Till Dawn is an uneven but often deliriously enjoyable B-movie.
Synopsis: On the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid,
[More]
#12
Critics Consensus: Alita: Battle Angel's story struggles to keep up with its special effects, but fans of futuristic sci-fi action may still find themselves more than sufficiently entertained.
Synopsis: Set several centuries in the future, the abandoned Alita is found in the scrapyard of Iron City by Ido, a
[More]
#13
Critics Consensus: Spy Kids: Armageddon offers solidly diverting action for younger viewers, even if it's starting to feel like this franchise has run out of reasons to continue.
Synopsis: When the children of the world's greatest secret agents unwittingly help a powerful Game Developer unleash a computer virus that
[More]
#14
Critics Consensus: Rip-off of other sci-fi thrillers.
Synopsis: To the students at Harrington High, the principal and her posse of teachers have always been a little odd, but
[More]
#15
Critics Consensus: Shorts has imagination and energy, but most viewers beyond elementary school will likely tire of the kiddie humor and sensory overload.
Synopsis: In the little town of Black Falls, every house looks the same and almost everyone works for Black Box Unlimited
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#16
Critics Consensus: The movie will be found wanting if one is not taken in by the 3-D visuals.
Synopsis: Pint-sized kid spy Juni Cortez (Daryl Sabara) faces his biggest challenge yet when he confronts the Toymaker (Sylvester Stallone), a
[More]
#17
Critics Consensus: A Dame to Kill For boasts the same stylish violence and striking visual palette as the original Sin City, but lacks its predecessor's brutal impact.
Synopsis: The damaged denizens of Sin City return for another round of stories from the mind of Frank Miller. In "Just
[More]
#18
Critics Consensus: Although Hypnotic isn't without glimmers of inspiration, the ultimate effect of this often clunky crime caper will be to leave you feeling rather sleepy.
Synopsis: Determined to find his missing daughter, Austin detective Danny Rourke finds himself spiraling down a rabbit hole investigating a series
[More]
#19
Critics Consensus: While possessed with the same schlocky lunacy as its far superior predecessor, Machete Kills loses the first installment's spark in a less deftly assembled sequel.
Synopsis: When the president (Carlos Estevez) of the United States has a mission that would be impossible for just any mortal
[More]
#20
Critics Consensus: Burdened by a rote plot and unfunny scatological humor, All the Time in the World suggests that the Spy Kids franchise has run its course.
Synopsis: Marissa Cortez Wilson is a retired spy who keeps that identity hidden from her clueless husband and whip-smart twin stepchildren,
[More]
#21
Critics Consensus: The decision to turn this kiddie fantasy into a 3-D film was a miscalculation.
Synopsis: Bullied by classmates, young Max (Cayden Boyd) escapes into a fantasy, conjuring up the action-packed lives of Lavagirl (Taylor Dooley)
[More]
To celebrate 25 years of Rotten Tomatoes, guests Clarke Wolfe and Winston A. Marshall join Rotten Tomatoes Is Wrong host Mark Ellis to reminisce about some of our favorite movies from 1998. From the comedy blockbuster Rush Hour to the romantic drama Practical Magic, we cover all that 1998 had to offer.
Does anyone remember the Jonathan Taylor Thomas Christmas classic I’ll be Home from Christmas? Winston sure does and has an amazing story about it.
Check out all that and more all on this After Dark special RT25 episode!
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All Salma Hayek Movies Ranked By Tomatometer
A string of ’90s hits launched Salma Hayek’s career: She and Antonio Banderas sizzled in Desperado, she stuck her foot in Quentin Tarantino’s mouth in From Dusk Till Dawn, and starred opposite peak-Friends Matthew Perry in fan favorite rom-com Fools Rush In. Wild Wild West with Will Smith was decidedly not a hit, but one of those bizarre epic Hollywood misfires whose stature only grows with time.
Hayek got her only Oscar and Golden Globe nomination for 2002’s Frida, her Certified Fresh biopic about the Mexican art icon. Soon after, she and Banderas and Robert Rodriguez wrapped up their Mexico trilogy with Once Upon a Time in Mexico, which was preceded by Desperado and El Mariachi. She again reunited with Banderas for Puss in Boots, whipped out the guns for Everly, and gave a layered, dramatic performance recently in Beatriz at Dinner.
Recently, she’s basking in the filmography-best reviews for Puss in Boots: The Last Wish, along with Magic Mike’s Last Dance. Now, we’re ranking all Salma Hayek movies by Tomatometer! —Alex Vo
#1
Critics Consensus: Arriving more than a decade after the previous installment, the smart, sweet, and funny Puss in Boots: The Last Wish proves some franchises only get better with age.
Synopsis: This fall, everyone's favorite leche-loving, swashbuckling, fear-defying feline returns. For the first time in more than a decade, DreamWorks Animation
[More]
#2
Critics Consensus: It isn't deep or groundbreaking, but what it lacks in profundity, Puss in Boots more than makes up for with an abundance of wit, visual sparkle, and effervescent charm.
Synopsis: Long before meeting Shrek, Puss in Boots, just named a hero for saving a woman from a charging bull, is
[More]
#3
Critics Consensus: It may not quite scale Aardman's customary delirious heights, but The Pirates! still represents some of the smartest, most skillfully animated fare that modern cinema has to offer.
Synopsis: Accompanied by his ragtag crew, an enthusiastic pirate captain (Hugh Grant) sails the high seas and dreams of besting his
[More]
#4
Critics Consensus: Visually splendid and narratively satisfying, Tale of Tales packs an off-kilter wallop for mature viewers in search of something different.
Synopsis: Three fairy tales revolve around a king (John C. Reilly) who must slay a sea monster, a giant flea and
[More]
#5
Critics Consensus: Sausage Party is definitely offensive, but backs up its enthusiastic profanity with an impressively high laugh-to-gag ratio -- and a surprisingly thought-provoking storyline.
Synopsis: Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the
[More]
#6
Critics Consensus: Frida is a passionate, visually striking biopic about the larger-than-life artist.
Synopsis: This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger-than-life painters
[More]
#7
Critics Consensus: Beatriz at Dinner offers timely social commentary enlivened by powerful, layered performances from Salma Hayek and John Lithgow.
Synopsis: Beatriz is a Los Angeles massage therapist and holistic healer who drives to the seaside mansion of her client Cathy.
[More]
#8
Critics Consensus: Not much of a story, but the execution is interesting.
Synopsis: A production company begins casting for its next feature, and an up-and-coming actress named Rose (Salma Hayek) tries to manipulate
[More]
#9
Critics Consensus: Provocative and audacious, Dogma is an uneven but thoughtful religious satire that's both respectful and irreverent.
Synopsis: Two fallen angels who were ejected from paradise find themselves banned in Wisconsin. They are now headed for New Jersey
[More]
#11
Critics Consensus: Violent, pulpy, loopy fun, with Depp stealing the show.
Synopsis: Return of the mythic guitar-slinging hero, El Mariachi (Antonio Banderas), in the final installment of the Mariachi/Desperado trilogy. The saga
[More]
#13
Critics Consensus: House of Gucci vacillates between inspired camp and dour drama too often to pull off a confident runway strut, but Lady Gaga's note-perfect performance has a timeless style all its own.
Synopsis: House of Gucci is inspired by the shocking true story of the family behind the Italian fashion empire. When Patrizia
[More]
#14
Critics Consensus: A pulpy crime drama/vampire film hybrid, From Dusk Till Dawn is an uneven but often deliriously enjoyable B-movie.
Synopsis: On the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid,
[More]
#15
Critics Consensus: Smart and well-acted, The Hummingbird Project marks a flawed yet undeniably intriguing addition to writer-director Kim Nguyen's filmography.
Synopsis: Cousins Vincent and Anton are players in the high-stakes game of high-frequency trading, where winning is measured in milliseconds. Their
[More]
#16
Critics Consensus: No consensus yet.
Synopsis: In 19th-century Mexico two women (Penélope Cruz, Salma Hayek) from vastly different backgrounds join forces against a ruthless U.S. bank
[More]
#17
Critics Consensus: Rip-off of other sci-fi thrillers.
Synopsis: To the students at Harrington High, the principal and her posse of teachers have always been a little odd, but
[More]
#18
Critics Consensus: It's undeniably messy, but Savages finds Oliver Stone returning to dark, fearlessly lurid form.
Synopsis: California entrepreneurs Ben (Aaron Johnson) and Chon (Taylor Kitsch) run a lucrative business raising marijuana and share a one-of-a-kind love
[More]
#19
Critics Consensus: No consensus yet.
Synopsis: A real estate agent (Mathieu Demy) from Paris arrives in Los Angeles to settle his late mother's estate, but a
[More]
#20
Critics Consensus: An ambitious superhero epic that soars as often as it strains, Eternals takes the MCU in intriguing -- and occasionally confounding -- new directions.
Synopsis: Marvel Studios' Eternals features an exciting new team of Super Heroes in the Marvel Cinematic Universe, ancient aliens who have
[More]
#21
Critics Consensus: Several genres and plotlines intertwine in Lonely Hearts but don't connect, creating an uneven and unsatisfying film.
Synopsis: Det. Elmer Robinson (John Travolta), still grieving the loss of his suicidal wife, pursues two notorious murderers in 1940s New
[More]
#22
Critics Consensus: Magic Mike's Last Dance is loose and limber enough to entertain, although it's hard to escape the feeling that this franchise has lost a step or two along the way.
Synopsis: "Magic" Mike Lane (Channing Tatum) takes to the stage again after a lengthy hiatus, following a business deal that went
[More]
#23
Critics Consensus: The movie will be found wanting if one is not taken in by the 3-D visuals.
Synopsis: Pint-sized kid spy Juni Cortez (Daryl Sabara) faces his biggest challenge yet when he confronts the Toymaker (Sylvester Stallone), a
[More]
#24
Critics Consensus: The Roads Not Taken is the well-acted result of an undeniably singular vision -- one which is ultimately frustratingly, fatally inert.
Synopsis: A day in the life of Leo and his daughter, Molly, as she grapples with the challenges of her father's
[More]
#25
Critics Consensus: The Hitman's Bodyguard coasts on Samuel L. Jackson and Ryan Reynolds' banter -- but doesn't get enough mileage to power past an overabundance of action-comedy clichés.
Synopsis: The world's top protection agent is called upon to guard the life of his mortal enemy, one of the world's
[More]
#26
Critics Consensus: Here Comes the Boom benefits from Kevin James's genial presence but the film doesn't deliver enough laughs to live up to its title -- or enough satisfying plot to make up the difference.
Synopsis: Once a collegiate wrestler, Scott Voss (Kevin James) is now a 42-year-old, apathetic biology teacher in a failing high school.
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#27
Critics Consensus: Hotel earns a handful of points for sheer ambition, but they aren't enough to carry the movie over its steep pretensions.
Synopsis: In Venice, Italy, a collection of strangers at a hotel vary from strange to corrupt to disturbed. A film crew
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#28
Critics Consensus: How to be a Latin Lover inspires a few laughs from its talented ensemble, but it raises the question: Is bad representation better than no representation?
Synopsis: Maximo gets the surprise of his life when his wealthy, 80-year-old wife dumps him for a younger car salesman. Forced
[More]
#29
Critics Consensus: No consensus yet.
Synopsis: After suffering a freak accident, an unemployed ad man (José Mota) hires an agent to help him turn his newfound
[More]
#30
Critics Consensus: This overstuffed, scattershot vampire flick suffers from poor characterization and an unwieldy mix of scares and chuckles.
Synopsis: Darren (Chris Massoglia) is just like any other teenager, until the day he encounters the Cirque du Freak and a
[More]
#31
Critics Consensus: Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based.
Synopsis: Arturo Bandini (Colin Farrell) is a writer who moves from Colorado to Los Angeles with aspirations of completing a great
[More]
#32
Critics Consensus: Only Fools Rush In to see a basic romantic comedy where opposites try to attract and find an unlikely happy ending.
Synopsis: Three months after a one-night stand with Isabel Fuentes (Salma Hayek) in Las Vegas, New York City real estate developer
[More]
#33
Critics Consensus: No consensus yet.
Synopsis: After creating a prosperous life in Iran, a Jewish family may be forced to abandon everything as a revolution looms
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#34
Critics Consensus: When it comes to building an entertaining sci-fi drama around some cool ideas, this Bliss is largely ignorant.
Synopsis: Bliss is a mind-bending love story following Greg (Owen Wilson) who, after recently being divorced and then fired, meets the
[More]
#35
Critics Consensus: Everly benefits from Joe Lynch's stylish direction and Salma Hayek's starring work, but it's too thinly written and sleazily violent to fully recommend.
Synopsis: Fighting back after four years as a yakuza sex-slave, a woman (Salma Hayek) matches wits and weaponry with a legion
[More]
#36
Critics Consensus: Despite the charms of its ensemble, The Hitman's Wife's Bodyguard fails to protect the audience from repetitive and tired genre tropes.
Synopsis: The world's most lethal odd couple -- bodyguard Michael Bryce (Ryan Reynolds) and hitman Darius Kincaid (Samuel L. Jackson) --
[More]
#37
Critics Consensus: Like a Boss oversees a merger of powerful comedic talents, but the end results are likely to leave audience members feeling swindled out of their investments.
Synopsis: Best friends Mia and Mel run their own cosmetics company -- a business they built from the ground up. But
[More]
#38
Critics Consensus: No consensus yet.
Synopsis: When bisexual porn star Valentino (Vincent D'Onofrio) meets new-in-town hustler Gary (Thomas Jane), there is an immediate attraction between the
[More]
#39
Critics Consensus: A slick but bland thriller.
Synopsis: Having already stolen two from the set of three priceless Napoleon Diamonds, expert jewel thief Max Burdett (Pierce Brosnan) decides
[More]
#40
Critics Consensus: No consensus yet.
Synopsis: During a routine prison work detail, convict Piper (Laurence Fishburne) is chained to Dodge (Stephen Baldwin), a cyberhacker, when gunfire
[More]
#41
Critics Consensus: Bombastic, manic, and largely laugh-free, Wild Wild West is a bizarre misfire in which greater care was lavished upon the special effects than on the script.
Synopsis: When President Ulysses S. Grant (Kevin Kline) learns that diabolical inventor Dr. Arliss Loveless (Kenneth Branagh) is planning to assassinate
[More]
#42
54
(1998)
15%
Critics Consensus: Robbed of its integral LGBTQ themes, 54 is a compromised and disjointed glance at the glory days of disco.
Synopsis: In 1970s New York City, Studio 54 is the epicenter of sex, drugs and disco music. It's there that up-and-comer
[More]
#43
Critics Consensus: Grown Ups' cast of comedy vets is amiable, but they're let down by flat direction and the scattershot, lowbrow humor of a stunted script.
Synopsis: The death of their childhood basketball coach leads to a reunion for some old friends (Adam Sandler, Kevin James, Chris
[More]
#44
Critics Consensus: While it's almost certainly the movie event of the year for filmgoers passionate about deer urine humor, Grown Ups 2 will bore, annoy, and disgust audiences of nearly every other persuasion.
Synopsis: Lenny Feder moves his family back to his hometown to be with his friends, but he finds -- what with
[More]
#45
Critics Consensus: Stranding Pierce Brosnan as a charmless cad, this tone-deaf romantic comedy is Some Kind Of something, but it definitely isn't beautiful.
Synopsis: A woman starts to fall in love with a successful college professor who had a baby with her younger sister.
[More]
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Salma Hayek has a busy year lined up, with Beatriz at Dinner and The Hitman’s Bodyguard on the docket for later this year — and an appearance in the irreverent ensemble comedy How to Be a Latin Lover this weekend. In honor of Ms. Hayek’s return to theaters, we decided the time was right to take a fond look back at some of the brighter critical highlights from an admirably eclectic filmography, arranging them by Tomatometer — and offering you a chance to rank your own personal favorites in the bargain. It’s time for Total Recall!
Use the up and down arrows to rank the movies, or click here to see them ranked by Tomatometer!

Since breaking into Hollywood in 1992 with his low-budget masterpiece El Mariachi, Robert Rodriguez has done it all — and not only in terms of his eclectic filmography, which includes action, sci-fi, horror, comedy, and family-friendly thrills. He’s also one of the most hands-on filmmakers in the studio system, assuming editing, composing, and cinematography duties on top of directing, writing, and production. Given all that, we felt it was only right that we honor Rodriguez’s work on the long-awaited Sin City sequel A Dame to Kill For by taking a look back at some of the brightest critical highlights from his career. It’s time for Total Recall!
With Robert Rodriguez behind the cameras and a script from Scream‘s Kevin Williamson about a high school faculty taken over by alien parasites — not to mention an attractive cast that included Jordana Brewster, Josh Hartnett, Salma Hayek, and Famke Janssen — 1998’s The Faculty should have been an instant genre classic. Alas, the movie sort of sputtered out at the box office, where it earned a mere $40 million, and a sizable percentage of critics found it lacking. But the Austin Chronicle’s Marc Savlov was entertained: “No one around these days edits with such sublime accuracy as Rodriguez. A master of the smash-cut, The Faculty is overflowing with the director’s ‘I’ll try anything once’ spirit, and that’s what makes the film such witty, freaky fun.”
El Mariachi (Antonio Banderas) returned — with a beefed-up budget — in this 1995 sequel, which finds the guitar (and gun)-toting vigilante on a mission to purge Mexico of its drug lords. But Desperado isn’t just a Nancy Reagan pipe dream — it’s also a taut and bloody (albeit somewhat uneven) tale of love, loss, and deeply satisfying revenge. Jeanne Aufmuth of the Palo Alto Weekly approved, calling it “A zesty action thriller that recycles the best of the B genres and rolls them into a big-budget, pistol-packing extravaganza that in its best moments leaves you breathless with wonder.”
Rodriguez picked up a Tarantino script for 1996’s From Dusk Till Dawn, a gonzo action thriller/horror hybrid about a pair of ne’er-do-well brothers (played by Tarantino and George Clooney) who flee to Mexico after a bloody bank robbery, only to end up at a strip club where the staff, the bartender, and the star dancer (Salma Hayek) are — hey, guess what? — vampires. An unusual blend, to be certain, and one that wasn’t to everyone’s liking — but it proved irresistible to critics like Phil Villarreal of the Arizona Daily Star, who called it “Like a Cheesecake Blizzard: It’s a pulpy mess loaded with empty calories, but it’s so divine that once you start, you can’t help but shovel it into your mouth until the last drop, brain freeze and diet be damned.”
Rodriguez concluded his Mariachi Trilogy on a high note with Once Upon a Time in Mexico, adding an assortment of big names (including Johnny Depp, Mickey Rourke, and Willem Dafoe) and a tangle of subplots to match. Though some critics felt Mexico‘s storyline crowded the Mariachi (Antonio Banderas) to the margins, the movie ultimately made almost $100 million at the box office — and the admiration of critics like Peter Hartlaub of the San Francisco Chronicle, who argued, “Despite the movie’s dark humor, violence and the occasional nonvoluntary facial surgery that will drive away the queasy, Once Upon a Time in Mexico is the most crowd-pleasing film in the series.”
You know, it isn’t supposed to work this way. Characters who get their own explosively violent movies generally don’t come to life as bit players in silly kiddie flicks, then star in fake movie trailers — but Machete (Danny Trejo) doesn’t play by the rules. Aided by an eclectic cast of talented character actors (led by Trejo, of course, along with Don Johnson, Cheech Marin, Jeff Fahey, and Michelle Rodriguez), soaked in the nasty Grindhouse vibe, and blessed with inspired, albeit brief, appearances from Robert De Niro and Steven Seagal, Machete gave fans just about everything they’d been asking for. “It’s a movie that just wants to have fun,” wrote the Washington Post’s Michael O’Sullivan. “To a large degree, it succeeds.”
Is it a (probably unnecessary) sequel to a goofy kids’ movie? Yes. But Spy Kids 2: The Island of Lost Dreams has so much going for it — including a stellar supporting cast that included Ricardo Montalban, Antonio Banderas, Carla Gugino, Tony Shalhoub, Danny Trejo, and, as a mad scientist who genetically engineers teeny-tiny animals and an army of flying pigs, Steve Buscemi. While plenty of critics scoffed at — or were, at the very least, sadly perplexed by — Rodriguez’s decision to release back-to-back family films, the sequel earned nearly $120 million at the box office and earned praise from scribes such as Roger Ebert, who argued, “With Spy Kids 2: The Island of Lost Dreams, the Spy Kids franchise establishes itself as a durable part of the movie landscape: a James Bond series for kids.”
Rodriguez’s half of the Grindhouse double feature found him at his most gleefully bloodthirsty, delving into the zombie genre with loads of gory style and a rock-solid cast that ran the gamut from superstars (Bruce Willis!) to wizened B-movie vets (Jeff Fahey!) Also: Fergie from the Black Eyed Peas gets her brains eaten, and Rose McGowan plays a go-go dancer with a machine gun for a leg. What else can a film fan ask for? Nothing, according to David Edwards of the Daily Mirror, who pronounced it “Insanely violent, ludicrously gory and probably as much fun as you’ll have in a cinema this year.”
Put together Robert Rodriguez and Frank Miller (plus special guest director Quentin Tarantino, who took the reins for one scene), and what do you have? The great big mess o’ pulpy noir action known as Sin City. Adapted from Miller’s comic series, City blended cutting-edge digital backlot technology with gritty, gleefully violent imagery and a marquee cast that included Bruce Willis, Jessica Alba, Elijah Wood, Clive Owen, Benicio del Toro, and Mickey Rourke. It certainly wasn’t a combination for everyone — the movie provoked accusations of misogyny, and some critics found it an exercise in style over substance — but even a few scribes predisposed to dislike this kind of thing were won over in the end, like the New York Observer’s Andrew Sarris, who admitted, “In the end, I have to say I liked Sin City almost in spite of myself.”
Made for the astonishingly low sum of $7,000, Rodriguez’s debut overshot its intended audience — the Mexican home video market — and became one of the great success stories of modern independent cinema in the process. At bottom, El Mariachi is really just another movie about vengeance, mistaken identity, guns, and a guy named Booger, but hey — when you can use familiar ingredients with this much flair, why get fancy? “It goes without saying,” prophesied the New York Times’ Janet Maslin, “that Mr. Rodriguez, having made such a clever and inventive debut, is prepared for a big future of his own.”
Spy Kids at number one? Look, we’re just as surprised as you. But it makes a certain amount of sense — this big box office hit represented Rodriguez using all his filmmaking gifts (he wrote, directed, edited, and produced) to reach the broadest possible audience. In a way, the over-the-top, family-friendly action of Spy Kids represented the full fruition of the talent that blasted its way onto the screen with El Mariachi almost a decade before — and it’s also, in the words of USA Today’s Andy Seiler, “A good live-action children’s movie — a species so rare that many presumed it extinct.”
In case you were wondering, here are Rodriguez’s top 10 movies according RT users’ scores:
1. Desperado — 80%
2. Sin City — 78%
3. Planet Terror — 78%
4. From Dusk Till Dawn — 77%
5. El Mariachi — 76%
6. Once Upon a Time in Mexico — 64%
7. Machete — 64%
8. The Faculty — 55%
9. Spy Kids — 45%
10. Spy Kids 2: The Island of Lost Dreams — 38%
Take a look through Rodriguez’s complete filmography, as well as the rest of our Total Recall archives. And don’t forget to check out the reviews for Sin City: A Dame to Kill For.
Remember the news that director Doug Liman and screenwriter Simon Kinberg were planning to bring their "Mr. & Mrs. Smith" to television? OK, well, it seems like they have their Mrs. Smith locked up.
According to Moviehole.net, none other than Ms. Jordana Brewster will be stepping into the role made famous by Angelina Jolie. Jordana is certainly not a stranger to genre fans; she can be found in flicks like "The Faculty," "The Fast and the Furious," "D.E.B.S.," and "The Texas Chainsaw Massacre: The Beginning." Oh, and she was also in "Annapolis," but we forgive her for that.
Filming will begin in a few months, and ABC is looking at a Fall 2007 slot for the series. Apparently the pilot episode of "Mr. & Mrs. Smith" will pick up six months after the movie left off. No word yet on who’ll be snagging the Brad Pitt role. I’m guessing it will be someone attractive.
This week in RT Ketchup: Kevin Smith answers critics in RT’s Forums; hunky Heath Ledger may play the Joker in the next "Batman Begins"; another grotesque "Saw 3" poster has been unveiled; you’d better get your "Harry Potter" DVDs fast; and some excellent clips of "The Simpsons Movie" have been released.
In other news, Jay Leno to give his thumbs up; Disney returns to traditional animation; Lindsay Lohan incurs the studio’s wrath while filming "Georgia Rule;" and The Hoff decides to fight back! Read on for details:

Look at that grin. Yep. That’s pretty menacing alright.
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Director Kevin Smith, who is known for pulling no punches with readers on message boards, visited Rotten Tomatoes’ own forums to respond to criticism made by a poster that his latest movie "Clerks II" is a commercial flop.
Apparently, Heath Ledger IS The Joker…
Another Joker casting rumor is always good fun, but the guys over at Latino Review seem pretty confident that they’re offering the straight scoop: Heath Ledger as The Joker in the sequel to "Batman Begins." (And I really wish they’d give us the title already.)
"Saw 3" Poster Has Bite!
You know how the first "Saw 3" poster showed a gaping mouth that was missing a trio of teeth? Well, those choppers have apparently been located: You’ll find ’em on the all-new "Saw 3" poster. (This flick could do more damage to the dental industry than "Marathon Man."
Peep a Pair of "Simpsons Movie" Clips
Some of the "Simpsons" creators stopped by the San Diego Comic Con to do a presentation on a little something called "The Simpsons Movie," and they even brought some clips! And you can watch ’em too!
"Harry Potter" and the Recall Scheme
Specific DVDs go "out of print" all the time, sometimes due to poor sales and sometimes due to elaborate marketing schemes. Anyway, the point is this: If you want to own a "Harry Potter" movie on DVD, you better buy your copies before December.
In Other News:
- Guillermo Del Toro has signed a one-year deal with FOX TV to develop and executive-produce one-hour series projects for the network. He plans to write or co-write a drama as part of the deal, and also to direct a pilot.
- The frustrated CEO of Morgan Creek Productions called out Lindsay Lohan, stating in a letter that "we are all aware that your ongoing all-night heavy partying is the real reason for your so-called ‘exhaustion,’" and threatened to "pursue full monetary damages" should she pull any more no-shows on the set of "Georgia Rule."
- Jay Leno will step in as a guest reviewer alongside Richard Roeper on "Ebert & Roeper" as Roger Ebert continues to recover from surgery. The episode will air August 5-6. Kevin Smith will co-host on August 12-13.
- Simon Pegg is set to star in "Run, Fat Boy, Run" written by Michael Ian Black, and to be directed by David Schwimmer.
- Disney will go back to 2D animation with "Frog Princess," a female spin on the tale of the Frog Prince.
- Elisha Cuthbert will star in "My Sassy Girl," about a brazen girl who turns the life of a small-town guy from the Midwest upside down.
- Dreamworks has acquired the comedy "The Intern" from writers Lee Eisenberg and Gene Stupnitsky, who worked together on NBC’s "The Office."
- Samuel L. Jackson will star with Hayden Christensen in "Jumper" to be directed by Doug Liman in his first Sci-fi feature.
- Quentin Tarantino is interested in remaking the Dutch horror film "Dead End," even though it has not been released yet. The film will debut in Holland August 3rd, but Mr. Tarantino was shown a 20 mintue clip that piqued his interest.
- And finally, Weekly Ketchup fave David Hasselhoff is suing a British tabloid for claiming that he was removed from the Wimbledon Championships for public drunkenness. Fortunately, Mr. Hasselhoff is not including the staff of Rotten Tomatoes in the suit, after we reported the same story in the Weekly Ketchup three weeks ago.

Good to have you back, Hoff
CHUD.com clues us in on a few of the first cast members signed to star in the Tarantino/Rodriguez horror flick "Grind House," which is presently in production down in beautiful Austin, Texas. Here’s a clue: One of the new cast members is no stranger to things that occur "Six Feet Under."
Says the CHUD gang: "Robert Rodriguez is currently hard at work making mayhem down in Austin with his part of the RR/QT combo Grind House, and now we’ve heard of another human appearing in the flick: Six Feet Under corpse-restoration expert Freddy Rodriguez… Though his HBO show may be over, Freddy will still have bodies to contend with — the Robert Rodriguez half of the horror-exploitation double-feature is called Project Terror, a zombie homage that apparently concerns a sheriff department dealing with an outbreak of infected lunatics (called "sickos").
We’re not sure of Freddy’s role in the film, but given the involvement of gore god Greg Nicotero and Rodriguez’s penchant for splatternalia, there’s a good possibility he’ll meet a messy end. Project Terror also stars Michael Biehn (yay!), Josh Brolin, Tom Savini and Marley Shelton, among others yet to be confirmed or identified."
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Both filmmakers have displayed some success in the arena of horror: Robert Rodriguez for his "From Dusk Till Dawn" and "The Faculty," and Quentin Tarantino for his acting career. (ba dum bum)
For a bit more info on the project, including some scoopage on the QT side of the story, hit CHUD.
Courtesy of Yahoo! Movies comes our first look at Robert Rodriguez‘s "The Adventures of Shark Boy & Lava Girl in 3-D." The tale of adventurous kids and colorfully imaginary heroes hits theaters on June 10th …
… and it’s pretty impressive how this filmmaker can veer from something dark and dangerous like "Sin City" to something flashy & fun for the whole family! (Kinda like he did when the "Spy Kids" trilogy followed "From Dusk Till Dawn" and "The Faculty.") David Arquette ("Scream") and Kristin Davis ("Sex and the City") play the parents in this kid-laden affair.