As we farewell 2009 — and indeed, the decade — we’re already looking ahead to the biggest and best new films on the horizon this summer holidays. And there’s something for everyone here, from sci-fi spectaulars to arthouse gems, rhyming chipmunks to wry foxes, romantic comedies to desolate road journeys… whether your taste is for James Cameron or Jane Campion, we’ve got them all covered. Read on for all the details…
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Director: James Cameron Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez
And so it arrives. 15 years after James Cameron first conceived his alien epic, and after what feels like another 15 of teasers, trailers, and industry speculation, the revolutionary next step in movie immersion (or so we hope) is here. Avatar has ridden so much hype and expectation that it’ll be hard to exceed them — no movie could — yet we’re still excited to see what the director has created; having been a virtual recluse, obsessing over and refining his technology, in the decade since Titanic swept the Oscars and topped the all-time box office. And lest we forget that Cameron’s innate strength in character and story — the reason why we still love his old films — so if this can deliver in that sense, it could be something. Add a total 3-D environment into the mix, and who’s not gonna be there opening weekend?
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Director: Pedro Almodóvar Cast: Penélope Cruz, Lluís Homar
Pedro Almodóvar returns with his Volver leading lady Penélope Cruz, here cast as a muse to a middle-aged film director (Homar) whose past life is unraveling before him. With its obsession on memory as framed by images and film, Broken Embraces feels like an inward-looking work for the director. As we’ve come to expect, Almodóvar’s visuals are rich and lingering, while his ability to lay down a complex — and haunting — emotional puzzle from simple elements remains undimmed. It’s a quieter, more melancholy film that some of his more vivacious recent stuff, but a great one just the same. And not a blue alien in sight.
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Director: Peter Jackson Cast: Saoirse Ronan, Rachel Weisz, Mark Wahlberg, Stanley Tucci, Susan Sarandon
Even when Peter Jackson makes a small-scale drama there’s going to be a lot of buzz around it. After the epic excursions of The Lord of the Rings and King Kong, Jackson’s latest sees him return to the world of period suburbia for the first time since 1994’s Heavenly Creatures, in this eerie thriller drawn from Alice Sebold’s best selling novel. The film opens in 1973, where 14-year-old Susie Salmon (Ronan) is trapped and brutally murdered by the neighbourhood psycho (Tucci). Transposed to a kind of stylised purgatory, Susie is frozen is a netherworld from which she watches the aftermath of her death and the lives of her parents (Weisz and Wahlberg) as they try to pick up the pieces. While early predictions imagined this in Heavenly territory, The Lovely Bones is unlike anything Peter Jackson has done before: anchored by an ethereal performance from Ronan and an offbeat soundtrack by Brian Eno, its tone is odd and hard to shake; a hazy eulogy for a girl, and an era, long gone into faded memory.
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Director: Jane Campion Cast: Ben Whishaw, Abbie Cornish, Paul Schneider, Kerry Fox
Acclaimed director Jane Campion returns to feature films for the first time in six years with this sumptuous period piece about the relationship between romantic poet John Keats (Ben Whishaw, I’m Not There) and his lover, costumer Fanny Brawne (Abbie Cornish, Somersault). Already drawing raves from critics overseas, this has everything for the art house movie lover looking for an alternative to the popcorn movie onslaught: a tragic, forbidden romance, lovelorn poetry pouted by a dreamy-disheveled Whishaw, and costume design to swoon over (Cornish’s dresses and collars are almost certain to get Oscar love). Now, if only that silly Mr. Keats had remembered his winter coat…
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Director: Guy Ritchie Cast: Robert Downey Jr., Jude Law, Rachel McAdams
It’s been a long year without the presence of Robert Downey Jr. — unless anyone remembers The Soloist — so we can’t wait for his turn as Sir Arthur Conan Doyle’s original super sleuth. Early trailers were eye opening in their atypical violence and borderline sleaziness that, if nothing else, mean this’ll be a Sherlock Holmes the likes of which we’ve not seen before. With Guy Ritchie behind the lens it should be fast and more than a little spurious, with Jude Law filling Watson’s boots and Rachel McAdams as their feisty criminal sidekick. Glistening torsos, double entendres and double-barred shootouts ensue… just your usual stodgy period adaptation then. But who is the nefarious villain Holmes is facing? Is it Moriarty? Or Madonna?
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Director: Riad Sattouf Cast: Vincent Lacoste, Anthony Sonigo
Think of it as Superbad set in a French high school, but rawer. Designer Riad Sattouf’s critically-praised comedy about teenage geeks trying desperately to get it on has all the dick jokes, awkward moments and bromance of its slicker American cousins, but manages to out gross — and in some cases, out funny — previous examples of the genre by feeling like it’s almost a documentary. Hervé (Lacoste) and his best friend Camel’s (Sonigo) age-old quest to lose their virginity is great stuff, set to a cool electronic soundtrack by Flairs and punctuated with plenty of graphic tongue locks. Forget the usual middling Euro mush that gets passed off to the art houses — this is the film that deserves to be the breakout hit these holidays.
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Director: Betty Thomas Cast: Jason Lee, Zachary Levi, Justin Long, Christina Applegate, Anna Faris, Amy Poehler
The Squeakquel? Wait, what? In a stroke of marketing genius or unhinged lunacy, the return of the all-star rhyming rodents gets the weirdest sequel title of the year. Well, they could afford to call it anything, because the first Alvin and the Chipmunks was a surprise box-office smash this time two years ago — and this looks likely to repeat that bank as miniature moviegoers disgorge into the Christmas multiplex. The added attraction this time around is the appearance of the Chipettes (voiced by Christina Applegate, Anna Faris and Amy Poehler), who prove to be sassy matches for Alvin, Simon and Theodore. And there’s furry romance in the air, too.
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Director: Sam Taylor-Wood Cast: Aaron Johnson, Kristin Scott Thomas, Anne-Marie Duff
Seems like there’s not much left to know about The Beatles, until you realise how few movies have actually dramatised their lives (you have to go back to 1994’s Hamburg-set Backbeat for a prime-era Fab Four film). Nowhere Boy charts John Lennon’s pre-Beatles teenage turbulence in drab ’50s Liverpool. With a screenplay drawn from the memoir by his half-sister, Julia, it focuses on Lennon’s (Johnson) formative period as a restless kid caught in a tug-of-war between his austere but caring aunt Mimi (the ever great Scott Thomas) and his free-spirited, probably crazy mother (Duff, fantastic). The band (bar Ringo) makes an appearance, but this is all about Lennon and what shaped him — and under renowned photographer Sam Taylor-Wood’s debut direction, it makes for a pretty reverie.
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Director: Marc Lawrence Cast: Sarah Jessica Parker, Hugh Grant, Sam Elliott, Mary Steenburgen
It wouldn’t be the festive season without some date-night rom-com counterprogramming, so here come two of the genre heavyweights — Sex and the City‘s Sarah Jessica Parker and eternally stiff fop Hugh Grant — in this high concept fish out of water farce. Parker and Grant play married couple the Morgans, on the verge of divorce until they see a murder and are forced by the government to enter the witness relocation program… together. Will forced digs help them rekindle their love? Are you kidding? Does Hugh Grant have a scene in which he delivers a bumbling plea in the rain? Still, it looks crowd-pleasing, and Sam Elliott, here playing Hicksville’s local sheriff, can make anything worth the ticket.
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Director: Wes Anderson Cast: George Clooney, Meryl Streep, Bill Murray, Jason Schwartzman, Willem Dafoe
Wes Anderson’s films exist in eccentric worlds of highly stylised precision, so it should be no surprise to find that his latest is the natural extension — a stop-motion film made without CGI or modern enhancements, right down to the archaic look of the rippling fur on his hero’s coat. What is amazing is just how well Anderson’s version of the Roald Dahl book works. With its typically wry humour (the script was co-written by Noah Baumbach) and voice cast, Fantastic Mr. Fox will delight adults familiar with Anderson’s universe, yet it’s also bright and buoyant enough to enchant kids of any age. It’s a work of wonder that’s already earning Oscar animation buzz. Plus, there’s a stop-motion Jarvis Cocker performing songs.
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Directors: Ron Clements, John Musker Cast: Anika Noni Rose, Bruno Campos
Disney’s return to traditional 2-D cel animation is hitched to the classic tale of the prince turned amphibian, no doubt positioned to reclaim some of the studio’s animated luster after their forgettable prior efforts Brother Bear and Home on the Range. As this is the 21st century, of course, there’s a twist to the old story — the princess doing the kissing (Rose) is herself turned green. The animators look to have put a great deal of effort into their artistry here, with the film, which is set in the hoodoo-voodoo world of New Orleans, conjuring images of classic Disney in its meticulously-drawn images. Then there’s a cameo from Oprah Winfrey — which must amount to some kind of endorsement for the family audience.
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Director: Nancy Meyers Cast: Meryl Streep, Alec Baldwin, Steve Martin
Really, they had us at “Meryl Streep and Alec Baldwin”. The idea of America’s greatest actress sparring with the grouchy 30 Rock star would be enough to get any movie fan into the multiplex — even for a middle-aged rom-com from Nancy Meyers, writer-director of Something’s Gotta Give and What Women Want. Throw a hopefully back-in-form Steve Martin into the bargain, and the deal is sealed. Sure, this is autumn-life stuff — Streep and Baldwin are exes who fall back into an affair, while Martin is the other man vying for her attention — but Meyers knows her way around this territory and the trailer does the job well enough. Oh, did we mention Streep and Baldwin? Together?
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Director: Jason Reitman Cast: George Clooney, Vera Farmiga, Anna Kendrick, Jason Bateman, Melanie Lynskey, Danny McBride
If the early awards season showings are anything to go by, this is going to be the film to beat in the Best Picture category come Oscar time. Proving beyond all doubt that he’s not living in dad’s shadow, director Jason Reitman follows Thank You For Smoking and Juno with another acutely observed, crisply shot picture following a unique protagonist. Clooney plays a hired gun dispatched by companies to fire employees, which means he spends most of his life living out of his suitcase and in transit lounges (metaphor alert!). Breakout star Kendrick (stepping from Twilight‘s shadows) is the naive hotshot out to make him redundant, while Vera Farmiga plays another corporate drifter who may offer him his only chance at a lasting relationship. It’s funny, resonant and brilliantly assembled, with Reitman this time showing he’s as much a star as his performers.
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Director: Rachel Perkins Cast: Rocky McKenzie, Jessica Mauboy, Geoffrey Rush, Deborah Mailman, Ernie Dingo
Could the unexpected box office success of Samson and Delilah have opened up a new age for indigenous-themed films in Australia? Stone Bros may have vanished without trace, but comedy-musical Bran Nue Dae — packaged with a vibrant trailer and given a decent marketing push — might be the feel-good local hit of the summer. Rachel Perkins (One Night the Moon) directs Rocky McKenzie as Willie, a rebellious Aboriginal boy who gets kicked out of a strict religious mission in 1969 and goes on a road trip to find his way back to Broome — with the help of lethargic elder (Ernie Dingo) and a couple of hippies (“Oh my God, I think we just ran over an Aboriginal”, they exclaim in one of the trailer’s best moments). This gets a big boost from the presence of Rush, who looks to be having a great time sinking his teeth into the part of villainous Father on the trail to catch Willie.
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Director: Michael Lembeck Cast: Dwayne Johnson, Julie Andrews, Ashley Judd, Billy Crystal, Stephen Merchant
“You are hereby ordered to serve time as a tooth fairy,” says Julie Andrews (who else?), sentencing Dwayne Johnson’s self-involved, hardass hockey star to a life of wings and dental magic — all because he’s been found guilty of crushing dreams. Before you’ve had time to stop scratching your head Johnson’s on his way, attempting to fly haplessly, battling house cats, donning hockey skates and receiving briefings from his Q-branch-style mentor, played by Billy Crystal. (Has it been this long Billy? We’ve kinda missed you.) Let no one doubt The Rock’s dedicated quest to become a comedy star — might this be the vehicle that finally puts him into the humour big league?
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Director: Rob Marshall Cast: Daniel Day-Lewis, Penélope Cruz, Nicole Kidman, Sophia Loren, Kate Hudson, Marion Cotillard, Judi Dench, Fergie
If the prospect of Daniel Day-Lewis playing an all-singing, all-dancing extraction of Federico Fellini weren’t enough, take a look at his cast of co-stars: Cruz, Kidman, La vie en rose Oscar-winner Cotillard and Fellini muse Loren to name just a few; all under the direction of Chicago‘s Rob Marshall. This big screen version of the award-winning 1982 play is based on Fellini’s 1963 classic 8 ½, in which Marcello Mastroianni played a director juggling the women in his life as tried to complete his masterpiece and lapsed in and out of fantasy. Just add music, choreography, and the milkshake-drinking actor of his generation, no? It’s too early to tell whether Nine will pick up critical traction; just the same, we’ll be there for the cast alone.
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Director: John Lasseter Cast: Tom Hanks, Tim Allen, Joan Cusack
To infinity and beyond… in 3-D! Yep, to herald the 2010 release of Toy Story 3, Pixar have retrofitted the first two films in three dimensions and will release them as a limited double bill. If you’re under, oh, six and haven’t seen them — or if it’s been a while between viewings — this is a fantastic chance to see two of the greatest films of the CG animation era on the big screen… and in 3-D (not that we need it to want to watch them again). As the first wholly computer-generated feature, 1995’s Toy Story put both Pixar and the genre on the map, setting the pace for everything that followed. Though they’ve come far by those standards, the spirit of Woody (Hanks) and Buzz’s (Allen) adventures in toyland remains timeless. The sequel, arguably, went it one better by weaving an emotional farewell-to-childhood theme into the mix. Which all makes you wonder — just how will they top it for part three?
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Director: Clint Eastwood Cast: Matt Damon, Morgan Freeman
Normally there’d be no cause to look forward to a movie about rugby, but this one has point of difference: Clint Eastwood. Seems everything the man does attracts Oscar and box-office gold this decade — even when he’s snarling and slinging racial epithets from his porch, the man just can’t help but be loved. So to Invictus, which recounts the story of Nelson Mandela (Freeman) and South African rugby captain Francois Pienaar (Damon) as they attempt to bring unity to the nation via the 1995 World Cup. If that all sounds a touch predictable, then the pleasure is in Eastwood’s always stoic storytelling, great performances and attention to detail. By those accounts, this is set to be another crowd pleaser from the venerable American filmmaker.
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Director: Armando Ianucci Cast: James Gandolfini, Tom Hollander, Peter Capaldi
Overseas critics were left breathless by British director Armando Iannucci’s pointed political satire, with some even likening its vim and vigour to the lofty heights of Dr. Strangelove. Set in a charged political climate in which the US and UK governments are braying for a war, In the Loop follows a cast of characters — Gandolfini as a military general, Hollander the British secretary of state — as they deal and conspire in the sleazy backrooms of power. With Iannucci’s roving, documentary-like camera giving events a sense of heightened reality, this shoots fast and sharp with barbed comedy sure to delight fans of political skewering.
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Director: John Hillcoat Cast: Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Robert Duvall
Not to end your holidays on a downer or anything — hey, we’ve all gotta go back to school/work/prison eventually — but this adaptation of Cormac McCarthy’s sparse, Pulitzer-prize winning novel promises to be a bleak affair. Bleak, but brilliant, that is — if it can get close to the book for you, anyway. Viggo Mortensen and Kodi Smit-McPhee star as a father and son trudging through the desolate wasteland of a post-Apocalyptic America, where food is scarce and the few remaining survivors have resorted to cannibalism to serve their ravenous appetites. No giant tsunamis or humanity-saving Arks here; just the glimmer of hope that a shred of humanity might prevail in this ashen landscape. Word is generally positive on the film (directed by The Proposition‘s Hillcoat), with some tipping Mortensen for another Oscar nomination (when will this guy get his due?). That said, it doesn’t seem to be in the league of previous McCarthy awards-sweeper No Country For Old Men.
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