Few will forget Bill Pullman‘s rousing speech as the US president in Independence Day, but it’s only one of a long string of vast and diverse roles that have seen him cast as romantic lead, action hero, comedy star and dark villain. In more than twenty years of screen acting he’s defined himself as a hard-working, engaging talent.
His latest film, Surveillance, opens in UK cinemas this week. Directed by Jennifer Lynch, it casts Pullman as one of a pair of FBI agents (with Julia Ormond) tracking down the culprit of a grisly collection of seemingly unpremeditated murders. With a fine ensemble cast it’s an original crime thriller; only Lynch’s second film since her 1993 debut Boxing Helena. It will open in the US on 26th June.
Of his five favourite films, Pullman says his choices depend on mood and context. “I always feel like there are a lot of different types of favourites,” he tells RT. “there are some that I look to for interesting things, some that I look to for acting things, others that I watch again and again. I don’t know if this is in any sort of order!”
“This is always the first choice when people say they have a new television set or home cinema system and they want to watch a great visual movie. I always choose this because I feel it has an incredible presence.”
“I like The Searchers for the same reason. I like to see those performances again and just the way that without special effects or tweaked shots or CGI or whatever you get this expansive feeling of being in the outdoors.”
“When I was in college, first year, I saw it and I really hadn’t been exposed to a lot of European filmmakers. It’s such a ‘film’ film. It wasn’t required viewing, it was just a film playing on campus and I hadn’t been interested in film before then. Nowadays people are deciding to get into film at age five when they’re sitting, watching the Oscars. I really didn’t come out of that culture — I was pretty much a John Wayne fan and that was it. Zabriskie Point was a time when I was in a lot of change and flux and these incredible visuals hit me like they had rearranged the organs in my body. The ending and the free-floating debris and everything is an image that burned itself in my consciousness.”
“It’s a little bit of a Slumdog movie in a way of somebody coming from incredibly unlikely beginnings and climbing through a lot of incredibly hard challenges to get somewhere. As an actor you’re continually riding the waves of whether you’re in or out, getting work or not getting work, and Kazan was really a guy who was condemned into not working and looking to go deep into someplace and just live inside his art.”
“This is one I’ve watched a couple of different times in a couple of different forms. I’ve watched the film version and I’ve also seen the mini-series. I think when I first saw that it changed my idea of acting. I go back to it sometimes just to put myself back in that place where my discoveries about what was possible on a film and the level of immersion between people — this incredible dance that they do — really formed.”
Surveillance opens in UK cinemas this week. It will open in the US on 26th June.