Bonding with Bond, Day 22: Die Another Day

One intrepid RT editor is watching all of the James Bond films in order.

by | November 11, 2008 | Comments

We come to the end of the Pierce Brosnan era, and he exits the Bond universe in a flurry of silliness.


Die Another Day (2002) 58%

DieAnotherDay1

When I went to the video store to pick up my last two rentals in this series, the guy ringing me up said, “How are you gonna rent Die Another Day and Casino Royale at the same time? Casino Royale was off the hook, but Die Another Day has an invisible car!” With that over-the-counter assessment in mind, I set off to embark on the wild ride that is Die Another Day, the final Pierce Brosnan installment and one that would yield more scribbles in my notebook than any other thus far.

The opening action sequence is the first one in a while that failed to impress me. There are hovercrafts and exploding diamonds, and it was novel (if not ridiculous) to see Bond surfing his way onto a North Korean beach, but it wasn’t very exciting. It’s also the first time we don’t see Bond escape at the end of the preliminary scenes, and as the opening credits roll by to an awful Madonna song, we see glimpses of Bond’s life in captivity, slowly transforming into Robinson Crusoe. When the song dies down and a scraggly Bond is trotted out before a North Korean general, you almost expect him to be carrying a volleyball with a face painted on it.

Usually, I can forgive lapses in logic if the execution of the story is strong enough to merit it, but this was not often the case in Die Another Day. Take, for example, the first encounter that Bond has with the central villain, Gustav Graves (played by Toby Stephens). Graves is practicing a bit of fencing in what appears to be a fancy private studio when Bond comes strolling in — we’re not even clear how either of them got here, as the last scene has Graves on his way to meet the Queen, with Bond standing in the audience as Graves drives away. Bond sidles up to the fencing instructor, played by Madonna, and after a mere exchange of names, she offers to introduce him to Graves. Why? Who knows?

Then, after the ensuing introduction, Graves and Bond engage in a friendly fencing match — okay, fine. But after Bond ups the ante with a controversial diamond from Graves’s company, Graves insists they raise the stakes, fence with real swords, and choose a winner based on who draws blood first. They do so, and everyone simply watches for about 5 minutes before Graves’s assistant steps in and stops the fight. This makes absolutely no sense. If I walked into a private gun range where Bill Gates was engaged in target practice, then challenged him to a duel at twenty paces with live ammunition, and nobody did anything to stop us, that MIGHT come close to what took place in the aforementioned scene.

If you can, with good conscience, chalk these up to subtle, innocent oversights, then consider what else Die Another Day offers. There’s the poorly constructed set pieces that look like they were built by high school drama teams in their garages; there’s Q branch’s incredible leaps in technology, like a seamless virtual reality battle simulator and the infamous invisible car; there’s Bond surfing on a tidal wave caused by a collapsing glacier; there’s Graves’s ice palace and electrified Nintendo Power Glove. I’m sorry, but when did they bring Joel Schumacher in to direct a Bond movie?

And what about the acting? Well, in all honesty, it wasn’t that bad, but there also isn’t a whole lot of opportunity for actors to emote in any of these Bond films. The “acting” here mostly consists of thinly veiled (emphasis on “thinly”) double entendres, lots of scowling, some screaming, and a few lines of expository dialogue. What’s sad is that, even with such a simple script, there is still room to screw it up, which Halle Berry (as Jinx) does on numerous occasions. Now, this might be personal bias, but I wouldn’t place Berry much higher than Denise Richards, and I never have, Oscar win notwithstanding. I have never thought she was a great actress, and she did nothing to convince me otherwise in this movie, so it was pretty much par for the course.

Overall, I thought this was an absolutely ludicrous and unnecessary addition to the Bond series. It felt like they hired the writers of the James Bond Jr. cartoon series to pen the script for Die Another Day because everyone else was too busy working on movies that actually required some logic. However — and this is a big “however” — if you’re able to turn your brain off completely, or if you’re the type of attention-deficit viewer this movie was obviously aimed at (and which I can be from time to time), it will certainly keep you occupied for a couple of hours. It’s silly, it’s inane, it’s excessive, and sometimes it’s even downright stupid, but when you break it down, it pretty much follows the same formula shared by many of the Bond films, so if you rent it, you know what you’re getting into anyway.



Favorite line: Zao: “Who sent you?” Jinx: “Yo momma.” This, ladies and gentlemen, is quality dialogue.

Favorite moment: There’s a touching scene at the end when Graves reveals his true identity to his father, the aforementioned North Korean general. The audience already knows this, and as the general enters the room, Graves is standing with his back turned to him. He turns to face his father, but all suspense is ruined when we see he’s wearing a ridiculous pair of goggles to match his Power Gloves. I actually laughed out loud.


Other Articles:

Tag Cloud

Winter TV what to watch Acorn TV Country 45 justice league CNN 2016 Fantasy Best and Worst Spring TV OWN American Society of Cinematographers Watching Series Trivia Writers Guild of America Podcast TCA 2017 BBC America docudrama Comic Book Superheroes Mindy Kaling MTV YA Lifetime Valentine's Day BBC PBS Teen Rocky MSNBC Mystery Extras TBS See It Skip It Rom-Com Music Disney Polls and Games sitcom political drama HBO Schedule A&E Lionsgate Starz serial killer Video Games FXX Food Network Election Infographic Unbreakable Kimmy Schmidt Holidays Calendar zombie Winners Pop Tumblr X-Men TV President aliens TruTV Character Guide AMC cinemax Comedy Central DirecTV crime thriller El Rey ABC Family ABC Logo NBC 24 frames Set visit Paramount Network GIFs Emmys politics Syfy Musical singing competition Oscars golden globes spy thriller The CW Reality boxoffice TLC Rock VICE Star Trek period drama composers First Look Animation Paramount medical drama Fall TV TV Land E3 romance transformers technology Summer Dark Horse Comics Toys USA Network Masterpiece Nickelodeon travel Martial Arts FX dc Tomatazos Esquire FOX WGN Warner Bros. Interview Universal Western Year in Review Hulu USA Biopics Comedy PaleyFest Netflix Freeform The Arrangement Christmas Sneak Peek vampires Kids & Family dceu TCM CMT DC Comics Amazon SundanceTV LGBTQ Ghostbusters Sundance Now Ellie Kemper sports Creative Arts Emmys Super Bowl Pirates Cosplay VH1 Premiere Dates SDCC TIFF Marathons Fox News DC Universe talk show Photos thriller Opinion comiccon ESPN cooking RT History Action based on movie Marvel E! TNT discovery Sci-Fi Sundance Nominations dramedy social media Thanksgiving war Pixar Star Wars CBS police drama 2015 harry potter diversity Cartoon Network biography crime drama Certified Fresh Mary Tyler Moore Bravo ITV APB psycho supernatural NYCC Drama History historical drama Adult Swim cops Britbox adventure science fiction 2017 binge Showtime 21st Century Fox Awards Musicals BET Red Carpet Horror 007 Trailer Reality Competition Countdown cats Spike Disney Channel crime Box Office GLAAD GoT IFC Crackle TCA Nat Geo Grammys CBS All Access ratings