Streaming titles from Netflix, Hulu, CBS All Access, Amazon

(Photo by Netflix, Hulu, CBS All Access, Amazon)

153 Fresh Streaming Series and Movies by Tomatometer

Updated February 15, 2018

Can’t decide what to binge-watch next? Get hooked up with these Fresh original streaming series and movies, including The Handmaid’s Tale, Okja, The End of the F***ing World, 13 Reasons Why, Marvel’s Runaways, Dark, and 147 more titles listed by Tomatometer.

To be included, titles must be Fresh (60% or higher), series must have at least 10 reviews on a single season, and films must have over 20 reviews. Films that opened in fewer than 100 theatrical screens were included, which is why you’ll also find titles like Mudbound, which is nominated for Academy Awards in four categories.

Is your favorite streaming title missing? Tell us in the comments.

SERIES | MOVIES

SERIES

Fleabag (2016)
100%

#1
Synopsis: A dry-witted woman, known only as Fleabag, has no filter as she navigates life and love in London while trying... [More]
Directed By: Harry Bradbeer

Master of None (2015)
93%

#2
Synopsis: Comic Aziz Ansari and writer Alan Yang are the creators of this Netflix-original comedy, which is loosely based on Ansari's... [More]

Catastrophe (2015)
98%

#3
Synopsis: During a business trip in London, an American named Rob meets Sharon, an Irish teacher with whom he shares incredible... [More]

Happy Valley (2014)
98%

#4
Synopsis: A police sergeant dealing with personal tragedy investigates cases in a small West Yorkshire town.... [More]
Directed By: Euros Lyn

Dear White People (2017)
95%

#5
Synopsis: Based on the acclaimed film of the same name, this Netflix-original series follows a group of students of color at... [More]

The Good Fight (2017)
95%

#6
Synopsis: The series picks up one year after the events in the final episode of "The Good Wife." After a financial... [More]

Sneaky Pete (2015)
96%

#7
Synopsis: Giovanni Ribisi plays the role of Marius, a con man who tries to leave his old life behind by assuming... [More]

Synopsis: The cult classic TV show is back! Comic Jonah Ray plays the role of Jonah Heston, a hapless human who... [More]

Chewing Gum (2015)
100%

#9
Synopsis: Tracey Gordon, a religious, Beyoncé-obsessed 24-year-old, is fast to find out that the more she learns about the world, the... [More]

Big Mouth (2017)
99%

#10
Synopsis: Even for a cartoon character, going through puberty isn't easy for a young person. Andrew is learning that first hand... [More]

National Treasure (2016)
97%

#11
Synopsis: Much-loved comedian Paul Finchley faces an accusation of rape dating back to the 1990s.... [More]

Back (2017)
97%

#12
Synopsis: Stephen's plans to take over the family business are interrupted when his foster-brother returns.... [More]

Crazyhead (2016)
100%

#13
Synopsis: A twentysomething woman who can see demons joins a hunter on a quest to end the demon threat.... [More]
Directed By: Al Mackay, Johnny Capps

Alias Grace (2017)
99%

#14
Synopsis: Based on the 1996 Margaret Atwood novel of the same name, "Alias Grace" tells the story of young Grace Marks,... [More]

Making a Murderer (2015)
84%

#15
Synopsis: Exonerated after spending nearly two decades in prison for a crime he did not commit, Steven Avery filed suit against... [More]
Starring:

#16
Synopsis: Rescued after 15 years in a cult, Kimmy Schmidt decides to reclaim her life by venturing to New York, where... [More]

Five Came Back (2017)
98%

#17
Synopsis: Filmmakers who risked their lives during World War II to serve their country and expose the truth.... [More]

Lady Dynamite (2016)
97%

#18
Synopsis: Maria Bamford stars as a fictionalized version of herself in this comedy, loosely based on what the dynamic comic and... [More]

American Vandal (2017)
98%

#19
Synopsis: True-crime series are gaining popularity on TV so, of course, there was bound to be a satire of the genre.... [More]

Synopsis: Based on the comic book series by Charles Forsman, "The End of the F...ing World" sees two 17-year-old outsiders, James... [More]
Directed By: Jonathan Entwistle

One Day at a Time (2017)
99%

#21
Synopsis: This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the... [More]

Easy (2016)
90%

#22
Synopsis: From director and creator Joe Swanberg, this Netflix-original comedy anthology series explores diverse Chicago characters, modern romance technology and culture.... [More]
Starring:
Directed By: Joe Swanberg

Transparent (2014)
91%

#23
Synopsis: Mort has a secret that he really wants to tell his three adult children, who are so self-absorbed they don't... [More]
Directed By: Jill Soloway

Black Mirror (2011)
84%

#24
Synopsis: Featuring stand-alone dramas -- sharp, suspenseful, satirical tales that explore techno-paranoia -- "Black Mirror" is a contemporary reworking of "The... [More]
Starring:

Mindhunter (2017)
97%

#25
Synopsis: Catching a criminal often requires the authorities to get inside the villain's mind to figure out how he thinks. That's... [More]

Aisling Franciosi in Dublin, Ireland, May 2015 (Phillip Massey/Getty Images)

Fortune surely favors Aisling Franciosi.

That, in her first TV gig, she ended up playing opposite Gillian Anderson (The X-Files) and Jamie Dornan (Fifty Shades of Grey) in Allan Cubitt’s critically lauded The Fall confirms not only right place, right time — and right audition, Franciosi notes — but also is, of course, a testament to the 23-year-old’s promising talent.

This week, Netflix unleashes season 3 of the series, in which Franciosi appears as Katie Benedetto, a teen obsessed with Dornan’s alluring serial killer, Paul Spector. Season 2 left off with Spector shot and bleeding in the arms of Detective Superintendent Stella Gibson, Anderson’s flawed, but tenacious heroine.

How Katie, who has been arrested for trying to dispose of evidence of Spector’s crimes, responds to news of the shooting will be something to behold, Franciosi promised when Rotten Tomatoes spoke to her about the new season.

We also talked to her about landing the plum role as Lyanna Stark — aka Jon Snow’s (maybe, probably, definitely) mom — in season 6 of Game of Thrones and asked her about the prospects of a limited series on the untold love story between Lyanna and Prince Rhaegar Targaryen. Can’t fault a GoT fan for trying.


Aisling Franciosi, The Fall (Netflix)

Debbie Day for Rotten Tomatoes: Your character Katie is very complex, and she’s grown a lot since season 1 — can you describe what her arc has been since the time you read the first script and season 3.

Aisling Franciosi: I was instantly drawn to the character of Katie, I have to say, from the first time I read the script and was auditioning. I kind of went a few times where I felt, really, “This one has to be mine – I have to play this girl!” I mean, even though, in season 1, when we meet her, she’s seemingly a typical teenager, just young, maybe has a crush on Spector. I feel like — it’s clear from the beginning that there was some damage there and a potential for her to be drawn to pretty dangerous situation. Even in the first season, when she gets pinned down to the floor by Spector in kind of a slightly violent attack, and yet she still wants to see him, wants to see more of him, write songs about him, so, it’s very quickly moved from just a crush to something slightly more sinister.

Then, of course, in season 2, Allan brought me a great arc for Katie. I know a lot of people kind of hate the character — she’s quite trying, obviously, as a personality — but I feel sorry for her, as well. Not only has Spector claimed her life at a time, which is, for most people, a complex —during your teen years, all the lessons, your slight rebellious phase. On top of that, she’s had real tragedy in her life, and she’s broken in ways that he’s able to prey on. And, of course, he’s a master manipulator, so it’s all just a perfect storm, really, for poor Katie. In season 2, as well, she’s drawn in by Spector’s darkness and by her misplaced feeling of purpose. He gives her a sense of meaning, like she’s got something that’s important for her to do. She, I think, has convinced herself that he’s giving her the love that maybe she feels she’s not getting. She’s filling the void as a result of her father dying — yeah, a lot of complex stuff going on.

In season 3, we start to see the damage that the relationship with Spector has caused her and how she chooses to deal with it. She makes some pretty terrible and misguided choices. I think it comes from a place of misplaced and distorted sense of purpose, on top of the fact that she has become completely obsessed with him. At the end of season 2, Katie doesn’t matter at all, to him, and that was clear to the audience from the beginning, but, you know, in her world, he’s her everything and now she’s left to pick up the pieces, and she didn’t do that so well. I kind of feel that she’s a victim of Spector’s — obviously, a different kind of victim, but she’s a victim all the same. He’s definitely had a horrendous impact on her life.

Aisling Franciosi, The Fall (Netflix)RT: You have to understand your character’s motivations and like them, to some degree, right? Is it difficult for you to like Katie? Do you pity her?

Franciosi: No matter what part you’re playing, you have to … try to make the character real and relatable, or, at least, human. You have to find the humanity in them, some truth in there. She’s a damaged young girl who gets preyed on by this evil, sadistic murderer. I connect with the fact that she’s in a very vulnerable place, and when someone’s vulnerable they can be taken advantage of. Obviously, there are some scenes where, you kind of go, “You’re being such a little cow,” but, it’s coming from a place of inner turmoil.

There are things, obviously, that aren’t excusable, but you, as an actor, have to try and find a human reasoning for why they feel compelled to do the things that they do. So, for Katie, the obsession, loss, the need to feel wanted by Spector, needed by Spector, feel important to him, and then having to deal with the complexity of the kind of person that she’s discovering he is. I think she’s probably waded so far in that, when she realizes the kind of person he truly is, I think, in her head, just distorts her reality and everything around her to try and make it fit, this twisted love that she has for him. She’s damaged, so I felt sorry for her, in many ways. I don’t know that I like her, but she’s definitely interesting. In any situation when you see someone vulnerable being taken advantage of, it’s sad.

RT: She makes it very difficult for people to help her though, it seems.

Franciosi: She does, yeah. It’s a dangerous combination, in that she’s at a rebellious state in her life — whereas for most people that might be one thing to dye your hair, get a tattoo or piercing, or whatever — her rebellious streak and her stubbornness that come with being a teenager, being paired with a greedy, sinister complex situation.

RT: It’s biological, too, for her, though – she’s a teenager, so it’s rebellion, but is it also physical changes that teenage girls go through?

Franciosi: Of course, and I find the really interesting thing about her, too, is that she’s gone along the cusp of that strange time that girls find themselves in where she’s not a child anymore, but she’s not a woman, either. When he says to her, “You’re a child,” that’s something that really gets her back up, because, to her mind — those of teenagers — she thinks she knows it all.

She’s kind of just discovering her power, her sexuality, too. Spector, obviously — and this is why I think the casting of Jamie is so brilliant — he’s a very charming, attractive man, and, you know, that, in itself, would be enough of a motivation to kind of want to impress someone, wanting to feel liked by them. And, again, as I say, not only is he that man, anyway, but, on top of that, this manipulator who will play on all of those things that she wants. But, of course, he’s an attractive man, and initially her first reaction to Spector is just that she’s attracted to him. It’s only after she spends more time with him that she becomes attracted to the more sinister side, as well.

RT: She’s accomplished something that not many people have done, in that she’s actually gotten to know who he really is, so —

Franciosi: Yeah, which certainly is the version that he wants her to think.


Aisling Franciosi, The Fall (Netflix)

RT: So where is Katie, exactly, both physically and emotionally when season 3 begins?

Franciosi: She’s almost under house arrest, she’s on bail. When she hears that someone has been shot in police custody, she assumes that it’s Spector and goes into meltdown. Emotionally, we start to see her come unraveled a bit. She’s trying to cling on so hard to this false notion of love and connection that she has with Spector and this purpose that she thinks they share. She tries to — I’m trying to be careful, of plot twists, as well — she finds herself in very dark mind frame and tries to navigate her way through that in what she thinks Spector would approve of her doing, or like her doing. It’s not great.

RT: Do you think Spector is “grooming” Katie intentionally?

Franciosi: Yeah, I think so. Maybe not initially — she’s gotten drawn to him, more so than him drawing her in, I think — but once he realizes that he’s got her in the palm of his hand, then, yeah, I think she becomes just another plaything, another twisted plaything for him. Another, I think, another life, that he, in some way, can kind of destroy. Again, it’s different, than his murder victims, but, yeah, I think it’s intentional. I think he’s fully aware that he’s messing her up. In his speeches, when he says he doesn’t think why he does the things that he does, and that people’s pain brings him pleasure, and he says, “Especially yours,” to her – she’s another plaything for him.

RT: Is she supposed to be clinically, mentally ill? Is she a sociopath?

Franciosi: That’s a complex question. From my point of view, when I play her as an actor, I kind of don’t focus on that, I just focus on what her motivations might be. I didn’t decide, “OK, I’ve decided that Katie is a sociopath.” I think that there would be potential for her to become that. I think some of her behaviors definitely point towards this, but I don’t know that it’s something that’s inherent in her or that it’s a chemical thing that’s going on in her brain. I think it’s been quite environmental, her relationship with Spector having brought it out. Certainly, she’s, obviously, mentally fragile, for sure, and psychologically fragile. But, is she a sociopath? I don’t know. I think she makes some terrible choices, but I don’t know that it’s inherent in her make up.


The Fall Gillian Anderson, Jamie Dornan (Netflix)

RT: So I have to ask the requisite question — were you a fan of Gillian Anderson and Jamie Dornan when you first got this part, and what did you think about playing opposite them?

Franciosi: I remember when my brothers and I used to watch X-Files, so I had known her from that. Yeah, I was really excited. The Fall came along as my first TV job, so, I was already pretty excited, as it was, and then getting to work on a show that was so great for the first time, as my first job, was really a blessing.

It’s so funny how things change, as well, in the space of a year. Initially, it was, like, “Ah, I’m working with Gillian Anderson and this really nice guy playing the murderer, Jamie, he’s so lovely,” but, people would be, “Oh, yeah, I don’t know him.” And then, a year later, it’s like “Oh, my God! Jamie Dornan — and Gillian!” So, it was kind of the two of them, then. It just shows you how much can change so quickly. The two of them are great actors, so lovely. I had a lot, obviously, of scenes with Jamie, and he’s a very giving actor, and we get on really well, so it makes those heavier, more complex scenes easier to navigate when you know you can trust the person opposite you, and you’re being supportive of each other and stuff.

It’s been a really lovely experience. I can’t believe that we’re done. I’ll always have a special place for this job, because it’s been my life for four years now, so, it feels strange, since it was my first one, which I think is always kind of special.

RT: This being your first television job, it must be a little like, “Yay, I hit the jackpot!”

Franciosi: Absolutely. When I read the script, there was a real buzz around the script. I remember that. It was so interesting, because loads of actors got the train up together to go to Belfast from Dublin. I was living and studying in Dublin at the time, so, when we were on the train and there was a real buzzing, like, “Have you been seeing The Fall? Are you being seen for The Fall?” So, I knew that there was definitely excitement about it, but, obviously, I do feel like I’ve hit the jackpot. It’s also kind of spoiled me a bit, in that, the writing is so good — Allan is such a great writer — to be handed such a great, complex character makes it tricky navigating other scripts, where you’re kind of like, “Oh, that’s not like The Fall,” when you read some scripts. It was a very lucky start. They gave me a good sense of what good scripts are like and stuff to go on going forward.

RT: It’s great to have your standard set by such quality material.

Franciosi: I mean, it is and it isn’t, obviously, because I’m still kind of a newbie … The goal for me is always to do the best work that I can, but, it’s tricky navigating at the start of your career, because you’re, like, “Well, I can’t be too picky.”


Game of Thrones, season 6, episode 10: Robert Aramayo, Aisling Francioso. (Helen Sloan/courtesy of HBO)RT: And then you did Game of Thrones, which was another —

Franciosi: That was maximum exposure for minimum time. (Laughs.)

RT: Exactly. Your character, before you even stepped into it, was much loved by the fan universe.

Franciosi: I know, yeah.

RT: If you don’t mind talking about doing that scene, because — obviously, I can’t get you on the phone and not talk about you being Lyanna Stark.

Franciosi: Yeah, it was cool. I auditioned, and I hadn’t actually seen Game of Thrones. It was on my list, I’d heard it was great, and I had always meant to watch it, but, I hadn’t seen it. Obviously, confidentiality on these kind of jobs is really, really high, so when I was sent the scene to audition, it wasn’t really the same scene, and it wasn’t kind of — you know, I wasn’t sure who I was even auditioning for, because names are different, and all that. And then, when I found out, I was like, “OK!” And I binge-watched, and could say it’s excellent, just an amazing series, and I can see why it’s become such a huge success. In a way, I think I would have been really, really nervous, if I had known how — like, say if I had been a fan, like everyone else, from the books and then, seeing the series before auditioning, I think I would have been mad with the pressure playing her. (Laughs.)

I tend to believe you can’t please everyone, but most people really liked it. It was a lovely scene and working with Rob Aramayo, as young Ned Stark, as well. He was really lovely, and great fun to work with, and we got on really well. You know, when you instantly have a short scene with someone, but you’re supposed to have this deep connection with, to find that when you arrive on set, that you guys get along really well, it’s always helpful and reassuring. It comes across on screen.

Actually, it’s funny, when I was filming the scene, that day on set, Kit Harington was there. I don’t know what he was there for, but, you know — my Mom, or something, or my brother, who all knew that I was there — I hadn’t said what part or what scene or anything about it — if they said, “Did you see anyone, from the cast?” I was like, “No! No, I didn’t.” Because, obviously, the question was still there as to whether he was alive or not. (Laughs.)

RT: He wanted to meet his mum, right?

Franciosi: Yeah, sure — I can say that that’s why he was there. I don’t think it actually was why he was there. (Laughing.)

RT: So, how long were you in that bed? Did it take long? You looked so comfy.

Franciosi: It was just the one day. I was covered in gross, sticky blood, so it could be, normally, ‘cause I was lying down, but then it’s like you almost feel like you’ve wet yourself, because you’re covered in gross, wet, sticky blood.

RT: At that point, is she supposed to have just given birth, then?

Franciosi: Yes. It’s been a only few moments, really. Yeah.

RT: I hope we get to see more of you as Lyanna Stark. That would make people very, very excited. I think there are some fans out there who would be hoping for a limited series of Lyanna and Rhaegar Targaryen in their Tower of Joy. The untold love story…

Franciosi: Well, get them to pitch it!

RT: I will! Actually I think that’s probably the subject of a lot of fan fiction out there.

Franciosi: Oh, yeah, I try not to read too much on the Internet.

RT: Yeah, that’s dangerous. One more question: What are you working on right now?

AF: I’m working on a BBC3 series called Clique. It’s the same creators as Skins — I don’t know if you guys have got that over there. It’s a drama centered on these two best friends who go to university and find themselves in that sort of sinister internship world. (Laughs.) … [And there’s] an exciting project, but I’m afraid I’m not allowed to say yet — but, yeah, I’m being kept busy, so it’s nice.

The Fall season 3 begins streaming on Netflix on Oct. 29

 

2016 fall prem collage

Clockwise from top left: Marvel’s Luke Cage, Wolf Creek, The Simpsons, Harley and the Davidsons, NCIS, The Rocky Horror Picture Show: Let’s Do the Time Warp Again

It’s time for the Rotten Tomatoes one-stop fall TV premieres guide. This season promises to be an exciting one, with hotly anticipated premieres (Westworld, MacGyver), one-off special events (Hairspray Live!), and returning favorites (Gilmore Girls, The Blacklist). Whatever your tastes, this fall season is bound to have something for you. See below for the full list, which will be updated as more information develops. Happy New TV Time, everybody!


September | October | November | Winter | TBA


 September


Friday, Sept. 2
Narcos: Season 2 (2016) 93%, Netflix

Monday, Sept. 5
Harley and the Davidsons: Miniseries (2016) 80%, 9 p.m., Discovery
Mary and Jane: Season 1 () 38%, 10 p.m., MTV
Loosely, Exactly Nicole: Season 1 (2016) 60%, 10:30 p.m. MTV

Tuesday, Sept. 6
StartUp: Season 1 (2016) 36%, Crackle
9/11 Inside the Pentagon (2016) , 8 p.m., PBS
Dance Moms: Season 6 (2016) , 9 p.m., Lifetime (returning)
From Dusk Till Dawn: The Series: Season 3 (2016) , 9 p.m., El Rey
Atlanta: Season 1 (2016) 97%, 10 p.m., FX
Queen Sugar: Season 1 (2016) 94%, 10 p.m., OWN

Wednesday, Sept. 7
Full Circle: Season 3 (2016) , 9 p.m., DirecTV

Thursday, Sept. 8
Better Things: Season 1 (2016) 95% series premiere, 10 p.m., FX

quarryest

Quarry

Friday, Sept. 9
One Mississippi: Season 1 (2015) 93%, Amazon
Quarry: Season 1 (2016) 78%, 10 p.m., Cinemax

Saturday, Sept. 10
Girl in the Box (2016) , 8 p.m., Lifetime

Sunday, Sept. 11
The Circus: Inside the Greatest Political Show on Earth: Season 1 (2016) 75%, 8 p.m., Showtime
Son of Zorn: Season 1 (2016) 58%, 8 p.m., FOX
Indian Summers: Season 2 () , 10 p.m., PBS
Masters of Sex: Season 4 (2016) 80%, 10 p.m., Showtime

Monday, Sept. 12
Dancing With the Stars: Season 23 (2016) , 8 p.m., ABC

doc now

Documentary Now!

Wednesday, Sept. 14
American Horror Story: Roanoke (2016) 74%, 10 p.m., FX
Blindspot: Season 2 (2016) 100%, 10 p.m., NBC
Documentary Now!: Season 2 (2016) 93%, 10 p.m., IFC
South Park: Season 20 (2016) 73%, 10 p.m., Comedy Central
Legends of Chamberlain Heights: Season 1 (2016) 40%, 10:30 p.m., Comedy Central

Friday, Sept. 16
Fleabag: Season 1 (2016) 100%, Amazon
The White Helmets (2016) 100%, Netflix
Z Nation: Season 3 (2016) ,8 p.m., SyFy
High Maintenance: Season 1 (2016) 95%, 10 p.m., HBO

Saturday, Sept. 17
Sister Cities (2016) , 8 p.m., Lifetime

Sunday, Sept. 18
() %, 8:30 p.m., CBS

Monday, Sept. 19
The Big Bang Theory: Season 10 (2016) 83%, 8 p.m., CBS
Gotham: Season 3 (2016) 74%, 8 p.m., FOX
The Voice: Season 11 (2016) , 8 p.m., NBC
Kevin Can Wait: Season 1 (2016) 28%, 8:30 p.m., CBS
Lucifer: Season 2 (2016) 100%, 9 p.m., FOX
The Good Place: Season 1 (2016) 92%, 10 p.m., NBC
StarTalk: Season 3 (2016) , 11 p.m., NatGeo

NUP_172430_0283.JPG

This Is Us

Tuesday, Sept. 20
Brooklyn Nine-Nine: Season 4 (2016) 100%, 8 p.m., Fox
NCIS: Season 14 (2021) , 8 p.m., CBS
New Girl: Season 6 (2016) , 8:30 p.m., FOX
Bull: Season 1 (2016) , 9 p.m., CBS
Two Who Dared: The Sharp's War (2016) 100%, 9 p.m., PBS
Scream Queens: Season 2 (2016) 86%, 9 p.m., FOX
Marvel's Agents of S.H.I.E.L.D.: Season 4 (2016) 96%. 10 p.m., ABC
NCIS: New Orleans: Season 3 (2016) , 10 p.m., CBS
This Is Us: Season 1 (2016) 92%, 10 p.m., NBC

Wednesday, Sept. 21
The Goldbergs: Season 4 (2016) , 8 p.m., ABC
Lethal Weapon: Season 1 (2016) 67%, 8 p.m., FOX
Survivor: Season 33 (2016) , 8 p.m., CBS
Speechless: Season 1 (2016) 98%, 8:30 p.m., ABC
Empire: Season 3 (2016) 87%, 9 p.m., FOX
Law & Order: Special Victims Unit: Season 18 (2016) 100%, 9 p.m., NBC
Modern Family: Season 8 (2016) , 9 p.m., ABC
black-ish: Season 3 (2016) 100%, 9:30 p.m., ABC
Chicago P.D.: Season 4 (2016) , 10 p.m., NBC
Designated Survivor: Season 1 (2016) 87%, 10 p.m., ABC
Falling Water: Season 1 (2016) 26%, midnight, USA (preview)

143445_2185

Grey’s Anatomy

Thursday, Sept. 22
Easy: Season 1 (2016) 85%, Amazon
Grey's Anatomy: Season 13 (2016) 89%, 8 p.m., ABC
Rosewood: Season 2 (2016) , 8 p.m., FOX
Superstore: Season 2 (2016) 100%, 8 p.m., NBC (returning)
Chicago Med: Season 2 (2016) , 9 p.m., NBC
Notorious: Season 1 (2016) 22%, 9 p.m., ABC
Pitch: Season 1 (2016) 93%, 9 p.m., FOX
The Blacklist: Season 4 (2016) 90%, 10 p.m., NBC
How to Get Away With Murder: Season 3 (2017) 90%, 10 p.m., ABC

Friday, Sept 23
Longmire: Season 5 (2016) , Netflix
Transparent: Season 3 (2016) 100%, Amazon
Caught on Camera With Nick Cannon: Season 3 (2016) , 8 p.m., NBC
Hell's Kitchen: Season 16 (2016) , 8 p.m., FOX
Last Man Standing: Season 6 (2016) , 8 p.m., ABC
MacGyver: Season 1 (2016) 25%, 8 p.m., CBS
Dr. Ken: Season 2 (2016) , 8:30 p.m., ABC
The Exorcist: Season 1 (2016) 79%, 9 p.m., FOX
Hawaii Five-0: Season 7 (2016) , 9 p.m., CBS
Shark Tank: Season 8 (2016) , 9 p.m., ABC
Blue Bloods: Season 7 (2016) , 10 p.m., CBS
Van Helsing: Season 1 (2016) 82%, 10 p.m.,  SyFy

Saturday, Sept 24
Star Wars Rebels: Season 3 (2016) 100%, 8:30 p.m., Disney XD

Family Guy

Sunday, Sept. 25
Bob's Burgers: Season 7 (2016) , 7:30 p.m., FOX
NCIS: Los Angeles: Season 8 (2016) , 8 p.m., CBS
Once Upon a Time: Season 6 (2016) 89%, 8 p.m., ABC
Poldark: Season 2 (2016) , 8 p.m., PBS
The Simpsons: Season 28 (2016) , 8 p.m., FOX
Family Guy: Season 15 (2016) , 9 p.m., FOX
Secrets and Lies: Season 2 (2016) , 9 p.m., ABC
The Last Man on Earth: Season 3 (2016) 78%, 9:30 p.m., FOX
Quantico: Season 2 (2016) 60%, 10 p.m., ABC

Tuesday, Sept. 27
Aftermath: Season 1 (2016) , 10 p.m., SyFy
Drunk History: Season 4 (2016) 100%, 10:30 p.m., Comedy Central

Wednesday, Sept. 28
Criminal Minds: Season 12 (2016) , 9 p.m., CBS
Code Black: Season 2 (2016) , 10 p.m., CBS
Younger: Season 3 (2016) 100%, 10 p.m., TV Land
Impastor: Season 2 (2016) , 10:30 p.m., TV Land

Friday, Sept. 30
Amanda Knox (2016) 82%, Netflix
Crisis in Six Scenes: Miniseries (2016) 18%, Amazon
Marvel's Luke Cage: Season 1 (2016) 90%, Netflix

Back to Top


 October


Saturday, Oct. 1
Versailles: Season 1 (2015) 71%, 10 p.m., Ovation (US premiere)
Saturday Night Live: Season 42 (2016) 57%, 11:30 p.m., NBC

westw edt

Westworld

Sunday, Oct. 2
America's Funniest Home Videos: Season 27 (2016) , 7 p.m., ABC
Ash vs Evil Dead: Season 2 (2016) 100%, 8 p.m., Starz
Blunt Talk: Season 2 (2016) , 8:35 p.m., Starz
Madam Secretary: Season 3 (2016) , 9 p.m., CBS
Shameless: Season 7 (2016) 88%, 9 p.m., Showtime
Westworld: Season 1 (2016) 87%, 9 p.m., HBO
Elementary: Season 5 (2016) 100%, 10 p.m., CBS

Monday, Oct.3
Class Divide (2015) 100%, 9 p.m., HBO
Scorpion: Season 3 (2016) , 9 p.m., CBS
Conviction: Season 1 (2016) 20%, 10 p.m., ABC
Timeless: Season 1 (2016) 83%, 10 p.m., NBC

Tuesday, Oct.4
The Mindy Project: Season 5 (2016) 80%, Hulu
The Flash: Season 3 (2016) 85%, 8 p.m., CW
No Tomorrow: Season 1 (2016) 88%,  9 p.m., CW

Wednesday, Oct. 5
Arrow: Season 5 (2016) 88%, 8 p.m., CW
Frequency: Season 1 (2016) 77%, 9 p.m., CW

Thursday, Oct. 6
Those Who Can't: Season 2 (2016) , 10:30 p.m., TruTV

Friday, Oct. 7
13TH (2016) 97%, Netflix
The Ranch: Season 1 (2016) 60% (returning), Netflix

Sunday, Oct. 9
Divorce: Season 1 (2016) 63%, 10 p.m., HBO
Insecure: Season 1 (2016) 100%,  10:30 p.m., HBO

Monday, Oct.10
Freakish: Season 1 (2016) , Hulu
() %, Netflix
Supergirl: Season 2 (2016) 92%, 8 p.m., CW
2 Broke Girls: Season 6 (2016) , 9 p.m., CBS

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American Housewife

Tuesday, Oct. 11
The Middle: Season 8 (2016) , 8 p.m., ABC
American Housewife: Season 1 (2016) 58%, 8:30 p.m., ABC
Channel Zero: Candle Cove: Candle Cove (2016) 86%, 9 p.m., SyFy
Fresh Off the Boat: Season 3 (2016) 100%, 9 p.m., ABC
The Real O'Neals: Season 2 (2016) , 9:30 p.m., ABC
Chicago Fire: Season 5 (2016) , 10 p.m., NBC

Thursday, Oct. 13
Mascots (2016) 48%, Netflix
DC's Legends of Tomorrow: Season 2 (2016) 88%, 8 p.m., CW
Supernatural: Season 12 (2016) 100%, 9 p.m., CW
Falling Water: Season 1 (2016) 26%, 10 p.m., USA (regular timeslot)

Friday, Oct. 14
Goliath: Season 1 (2016) 78%, Amazon
Haters Back Off: Season 1 (2016) 50%, Netflix
Wolf Creek: Miniseries (2016) 77%, 10 p.m., POP

Saturday, Oct. 15
Glitch: Season 1 (2015) 80%, Netflix (U.S. premiere)

Sunday, Oct. 16
Eyewitness: Season 1 (1995) , Amazon
Graves: Season 1 (2016) 55%, Epix
The Durrells: Season 1 (2016) 94%, 8 p.m., PBS
Killing Reagan (2016) 63%, 8 p.m., Nat Geo
Berlin Station: Season 1 (2016) 60%, 10:45 p.m., Epix

Monday, Oct. 17
Jane The Virgin: Season 3 (2016) 100%, 9 p.m., CW
The Odd Couple: Season 3 (2016) , 9:30 p.m., CBS

Wednesday, Oct. 19
Chance: Season 1 (2016) 75%, Hulu

Thursday, Oct. 20
The Rocky Horror Picture Show: Let's Do the Time Warp Again (2016) 27%, 8 p.m., FOX

Black Mirror

Black Mirror

Friday, Oct. 21
Black Mirror: Season 3 (2016) 86%, Netflix
Midnight Diner: Season 1 (2017) , Netflix
The Vampire Diaries: Season 8 (2016) 100%, 8 p.m., CW
Crazy Ex-Girlfriend: Season 2 (2016) 100%, 9 p.m., CW

Saturday, Oct. 22
Dirk Gently's Holistic Detective Agency: Season 1 (2016) 71%, 9 p.m., BBC America

Sunday, Oct. 23
The Walking Dead: Season 7 (2016) 66%, 9 p.m., AMC
Your Pretty Face Is Going to Hell: Season 3 (2016) , 11:30 p.m., Cartoon (Adult Swim)
Dream Corp LLC: Season 1 (2016) 100%, 11:45 p.m., Cartoon (Adult Swim)

Monday, Oct. 24
Man With a Plan: Season 1 (2016) 21%, 8:30 p.m., CBS
() , 9 p.m., HBO

Wednesday, Oct. 26
Rectify: Season 4 (2016) 100%, 10 p.m., Sundance

Thursday, Oct. 27
The Great Indoors: Season 1 (2016) 45%, 8:30 p.m., CBS
The Living and the Dead: Miniseries (2016) 83%, 9 p.m., BBC America
Mom: Season 4 (2016) , 9 p.m., CBS
Life in Pieces: Season 2 (2016) , 9:30, CBS
Pure Genius: Season 1 (2016) 26%, 10 p.m., CBS

Friday, Oct. 28
Good Girls Revolt: Season 1 (2015) 71%, Amazon
Into the Inferno (2016) 92%, Netflix
Skylanders Academy: Season 1 (2016) , Netflix
Trailer Park Boys: Out of the Park: Europe (2017) , Netflix
Tracey Ullman's Show: Season 1 (2016) 91%, 11 p.m., HBO

Saturday, Oct. 29
The Fall: Season 3 (2016) 64%, Netflix

Monday, Oct. 31
Chewing Gum: Season 1 (2015) 100%, Netflix
People of Earth: Season 1 (2016) 89%, 9 p.m., TBS

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 November


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Salem

Wednesday, Nov. 2
Salem: Season 3 (2016) 100%, 9 p.m.,WGN
Stan Against Evil: Season 1 (2016) 67%, 10 p.m., IFC

Friday, Nov. 4
The Crown: Season 1 (2016) 88%, Netflix

Thursday, Nov. 10
Please Like Me: Season 4 () 100%, Pivot

Friday, Nov. 11
Red Oaks: Season 2 (2016) 100%, Amazon

Saturday, Nov. 12
The Killing Season: Season 1 (2016) 71%, 9 p.m., A&E

Tuesday, Nov. 15
Good Behavior: Season 1 (2016) 78%, 9 p.m., TNT
Teen Wolf: Season 6 (2016) 83%, 9 p.m., MTV
Shooter: Season 1 (2016) 47%, 10 p.m., USA
Sweet/Vicious: Season 1 (2016) 100%, 10 p.m., MTV

Wednesday, Nov. 16
The Art of More: Season 2 (2016) , Crackle
Ice: Season 1 (2016) , DirecTV
Nightcap: Season 1 (2016) , 8 p.m., POP

undercover

Undercover

Thursday, Nov. 17
Scrotal Recall: Season 1 (2014) 95%, Netflix
Undercover: Miniseries (2015) 75%, BBC America

Friday, Nov. 18
Beat Bugs: Season 2 (2016) , Netflix
The Grand Tour: Season 1 (2016) 91%, Amazon

Saturday, Nov. 19
Beat Bugs: Season 2 (2016) , BBC America

Sunday, Nov. 20
The Librarians: Season 3 (2010) , 8 p.m., TNT
The Affair: Season 3 (2016) 71%, 10 p.m., Showtime

Tuesday, Nov. 25
Gilmore Girls: A Year in the Life (2016) 87%, Netflix

Saturday, Nov. 29
Leah Remini: Scientology and the Aftermath, 10 p.m., A&E

Wednesday, Nov. 30
Vikings: Season 4 (2016) 92%, 9 p.m., History (returning)
Incorporated: Season 1 (2016) 73%, 10 p.m., SyFy

 

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 Winter


Sunday, Dec. 4
Mariah's World: Season 1 (2016) 44%, 9 p.m., E!

Wednesday, Dec. 7
Shut Eye: Season 1 (2016) 37%, Hulu
Hairspray Live! (2016) 76%, 8 p.m., NBC

Thursday, Dec. 8
() %, Crackle
Gangland Undercover: Season 2 (2016) , 10 p.m., A&E

Friday, Dec. 9
Captive: Season 1 () 75%, Netflix
Mozart in the Jungle: Season 3 (2016) 100%, Amazon

Sunday, Dec. 11
The Hollow Crown: The Wars of the Roses (2016) 100%, 9 p.m., PBS

Friday, Dec. 16
The Man in the High Castle: Season 2 (2016) 64%, Amazon

Sunday, Dec. 25
Doctor Who: The Return of Doctor Mysterio (2016) 89%, BBC America

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TBA


() %, CBS
Doubt: Season 1 (2017) 55%, CBS
() %, TNT
Riverdale: Season 1 (2017) 88%, CW
The Royals: Season 3 (2016) , E!
Search Party: Season 1 (2016) 100%, TBS
() %, TNT
Training Day: Season 1 (2017) 24%, CBS
() %, TNT

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