New Tomatometer Scores: Latest Ratings on Movies and Shows
Get up-to-date ratings on movies and shows currently in release or about to debut, plus more Tomatometer updates on classic films and series.
Here are the latest updates on Tomatometer scores all around Rotten Tomatoes, from current releases at theaters and on streaming to classic films and TV shows with freshly added reviews.

Best Christmas Ever (Photo by Netflix)
CURRENT AND UPCOMING RELEASES
11/20: Best. Christmas. Ever! may not quite be the Best. Movie. Ever! starting out at 38% Rotten with 13 reviews.
11/16: Heavy is the head that reviews Season 6, Part 1 of The Crown, apparently — it’s off to a royally Rotten start at 14 percent with seven reviews.
11/15: Eli Roth has done it again: Thanksgiving starts out Fresh at 82 percent with 17 reviews.
11/13: Saturday Night Live: “Timothée Chalamet; Boygenius” is Fresh at 80% with five reviews.
11/9: The Marvels has climbed out of Rotten territory and is tentatively Fresh at 61%, placing it as 3rd-lowest on the MCU movies ranked guide. See what the critics are saying.
11/8: The following now have their Critics Consensus summaries:
- Black Cake (Hulu) – Fresh 100% with 12 reviews
- The Buccaneers (Apple TV+) – Fresh 91% with 11 reviews
- The Curse (Showtime) – Fresh 86% with 22 reviews
- Lawmen: Bass Reeves (Paramount+) – Fresh 74% with 19 reviews
- A Murder at the End of the World (FX) – Fresh 80% with 10 reviews
- Neon (Netflix) – Fresh 90% with 10 reviews
11/7: The Curse starts out Fresh at 71 percent with seven reviews. For all you The OA fans out there: A Murder at the End of the World (FX) is Fresh at 80% with five reviews.
11/3: Scores from our What to Watch look of the week:
Plus, here’s everything that went Certified Fresh this week in movies:
- When Evil Lurks – 99 percent with 84 reviews
- Ninotchka – 95 percent with 40 reviews
- Rustin – 88 percent with 42 reviews
- The Persian Version – 81 percent with 58 reviews
- May December – 91 percent with 79 reviews
- How to Have Sex – 95 percent with 40 reviews
- All Dirt Roads Taste of Salt – 90 percent with 41 reviews
- Perfect Days – 92 percent with 53 reviews
- Radical – 93 percent with 44 reviews
- Mister Organ – 95 percent with 41 reviews
And on TV:
- The Gilded Age – 94 percent with 31 reviews
- Beckham – 90 percent with 20 reviews
11/2: Some television updates! The following now have a Critics Consensus:
- All the Light We Cannot See (Netflix) – Rotten at 33 with 18 reviews
- Chucky: Season Three (SyFy) – Fresh at 100% with 10 reviews
- Found (NBC) – Fresh at 80% with 10 reviews
- The Gilded Age: Season Two (MAX) – Certified Fresh 94% with 30 reviews
- Invincible: Season Two (Amazon Prime) – Fresh at 100% with 18 reviews

Chuck Klosterman (Photo by James Leynse / Contributor via Getty Images)
MORE HIGHLIGHTS & CLASSIC SCORE UPDATES
11/9: Before his national renown, Chuck Klosterman introduced his pop culture heart-on-sleeve philosophy and writing at the Akron Beacon Journal in Ohio. We’ve added nearly 50 of his movie reviews, including Fresh remarks on Being John Malkovich, Crouching Tiger, Hidden Dragon, Gladiator, Fight Club, Detroit Rock City, and Waking Life. Among the Rotten verdicts: American Psycho, Bringing Out the Dead, and Freddy Got Fingered. Read Klosterman’s reviews here.
11/2: In a job we call positively Orwellian, we’ve added every movie review written by novelist George Orwell. After publishing his fourth novel Coming Up for Air in 1939, Orwell spent the early 1940s reviewing books, plays, and movies before publishing Animal Farm in 1945, Nineteen Eighty-Four in 1949, and passing away in 1950. Orwell reviewed film for Time and Tide (a political and art magazine that existed from 1920 to 1986), most significantly The Great Dictator and The Lady Eve. Read Orwell’s reviews here.
Why do Tomatometers change over time? Because critics are always doing what they do best: Watching and reviewing. Plus, our team is always researching and highlighting reviews and essays from throughout movie history, often from overlooked or forgotten sources. The Tomatometer scores then becomes a living, breathing number, documenting thought and expression both then and now.


