Directors take center stage this weekend providing starpower to four new films opening in North American theaters all hoping to take down reigning box office king Pirates of the Caribbean: Dead Man’s Chest.
M. Night Shyamalan leads the way with his latest creepy tale Lady in the Water while fellow east coast helmer Kevin Smith lets the expletives fly in the comedy Clerks II. Oscar winners Steven Spielberg and Robert Zemeckis serve as producers on the animated film Monster House which is aiming for kids, and Ivan Reitman provides a different type of super hero film in My Super Ex-Girlfriend. With four interesting new films and Johnny Depp still firing off his cannons, the overall marketplace should expand as it moves into the late July period.
Writer/director M. Night Shyamalan returns to theaters with his fantasy chiller Lady in the Water which marks his departure from the Disney family. The Warner Bros. release tells the story of a superintendent who discovers a mysterious creature in his building’s pool that must be sent back to her world. Paul Giamatti, Bryce Dallas Howard, Jeffrey Wright, and Bob Balaban star in the PG-13 pic. Known for his small cameos in previous pics, Shyamalan the actor has been promoted this time around and gets a meaningful supporting role. As they say, it pays to know the director. Could he be preparing himself for playing the lead role in a future film? Only time will tell.
The Philadelphia-based director has been seeing diminishing returns at the box office over the last few years. In 2002, his alien drama Signs with Mel Gibson opened to a sturdy $60.1M on its way to a robust $228M. Two years later, The Village tested Shyamalan’s brand name since it lacked any A-listers and the opening was still strong with $50.7M. But poor word-of-mouth quickly set in with the film plunging 68% in its second frame on its way to $114.2M overall. This time around, the director is once again the biggest name attached to the project. Giamatti won plenty of acclaim with Sideways, but he’s still not a star who drives in audiences on opening weekend. Shyamalan’s starpower will be put to the test once again, and some who left The Village with a bad taste might just pass on Lady. The new film should also open weaker than Village because it will debut in 500 fewer theaters.
Many elements to the film and its marketing are new this time around. With a different studio in charge, a notable difference is the female voiceover on the television commercials where a little girl whispers to viewers in a creepy way. This reinforces the new angle where the picture is being sold as a bedtime story. Shyamalan also became very visible this year with his American Express commercial. Instead of relying again on a twist, Lady instead plays out like a fantasy arthouse film that offers more comedy than all of Shyamalan’s past films combined. Audiences may end up once again dividing themselves into the love and hate camps after coming out of theaters. But in a world where people complain about the lack of originality coming out of Hollywood, the filmmaker does deserve credit for offering moviegoers something new and different.
The summer has not seen too many scary movies yet so Lady in the Water will stand out to audiences who like a good fright. With a story that is really out there, the film may find more fans with the fantasy and sci-fi crowds than with mainstream moviegoers. That will hurt ticket sales in the long term. Still, like with other Shyamalan movies, there is a mystery to them which draws in fans. That magic will work its charm again as the film will try to attract enough moviegoers to knock the popular Pirates out of first place. Emerging in 3,235 locations, Lady in the Water might find itself with around $33M this weekend.
The late-summer cartoon wars begin with Sony launching the first attack with its computer-animated entry Monster House. The PG-rated film tells the story of some teenage kids who believe that a neighborhood house is actually a ferocious beast. Although directing duties fell on newcomer Gil Kenan, it’s executive producers Spielberg and Zemeckis whose names are used most prominently in the marketing materials. Many families are sure to be fooled into thinking these brilliant filmmakers were behind the camera. The studio reported encouraging results for the sneak previews it offered last weekend to help spread advance buzz.
And advance buzz will be essential to box office success since rival studios will be unleashing their big toons in each of the next two weekends with Warner Bros. opening The Ant Bully on July 28 and Paramount tossing in Barnyard on August 4. There might not be room for all three to thrive so Sony’s early jump on the competition gives it a major leg up. The Disney/Pixar hit Cars has raced past the $220M mark, but is aging so young kids will be looking for something new to rally behind. Direct competition should not be too fierce for Monster this weekend since even the PG-13 Pirates is a bit too scary for smaller children. Sony is going all out with their push of Monster House which debuts in 3,553 sites on Friday. An opening of about $25M could result.
Mixing the date movie formula of The Break-Up with the comic book antics of X-Men, Fox unleashes its new comedy My Super Ex-Girlfriend. The PG-13 film stars Luke Wilson as a man who dumps his squeeze only to learn that she is secretly a famous super hero who now will use her powers to exact revenge. The plot has ample appeal to both men and women so interest from the date crowd will be solid. But the marketplace has been flooded with comedies over the last several weeks so those looking for a laugh can easily go elsewhere. The concept does, however, offer a unique what-if scenario that is sure to attract business. A slight female skew is likely.
Starpower is also an important component here. Uma Thurman has had many hits and though Wilson is not much of a leading man, he does offer value when playing second fiddle to a bigger star, like in this case. Trailers in front of the studio’s recent mutant sequel have raised awareness with the comic book crowd. But Wilson’s brother Owen, coming off of a $21.5M bow for You, Me and Dupree, won’t help any and Super probably has the most direct competition in its way among the weekend’s four freshmen. Flying into 2,702 theaters, My Super Ex-Girlfriend could take off with around $13M this weekend.
Kevin Smith leaves the Jersey girls behind and revisits the boys in Clerks II, a sequel to the 1994 indie hit that launched his career. The R-rated film finds his Garden State slackers in their thirties and working at a fast-food restaurant where colorful customers make their way in and out each day. Released by The Weinstein Company and MGM, Clerks II has a very specific audience of Smith fans it will appeal to. Others will be hard to reach as there is little starpower on the screen. The director’s 2001 summer comedy Jay and Silent Bob Strike Back opened to $11M from 2,765 theaters for a $3,985 average while 1999’s Dogma starring Matt Damon and a pre-J. Lo Ben Affleck bowed to $8.7M from 1,269 theaters for a $6,832 average.
Clerks II will debut in a level of theaters that is in between those two pics. Males in their twenties and thirties will make up the core crowd and there will be other options competing for their attention like Pirates and Lady. The marketing push has been good, but multiplexes will be crowded this weekend so getting in the undecided vote will be difficult. Opening in over 2,100 sites, Clerks II might bow to roughly $12M this weekend.
After two weeks of sailing ahead of the rest of the box office fleet, Pirates of the Caribbean: Dead Man’s Chest will face a serious challenge for its number one position this weekend. The Johnny Depp megahit dropped 54% in its second frame, but should suffer a smaller decline this time around. A number of new enemies will invade its waters so audiences will be scattered and competition should be formidable. Pirates may fall by 45% this weekend giving Disney about $34M for the frame. That would push the adventure sequel past the triple-century mark in a record 16 days and up to a staggering $321M by the end of the weekend.
Last weekend, the competing comedies Little Man and You, Me and Dupree battled it out for the distinction of being the biggest non-pirate movie in the country. Man inched ahead of Dupree by less than $100,000, but this weekend, the Wayans Brothers could see the larger decline losing about half of its business. That would give Sony around $11M for the frame and a ten-day cume of $40M. Dupree won’t have it easy though. My Super Ex-Girlfriend will offer direct competition for its core audience. A 45% drop could occur leaving Universal with roughly $12M for the frame and a stronger $44M after ten days.
Superman Returns has been chugging away trying to get itself to the $200M mark. But the Man of Steel’s third weekend gross of $12.3M was weaker than the corresponding takes of some of last summer’s big action offerings like Mr. & Mrs. Smith, Batman Begins, War of the Worlds, and even Fantastic Four. Pirates has been taking its toll on Superman and this weekend, the Clark Kent flick will no longer be in a massive 3,700+ theaters. Warner Bros could see a 45% decline to about $6.5M which would push the cume to $178M.
LAST YEAR: Johnny Depp spent his second weekend atop the charts with his cooky comedy Charlie and the Chocolate Factory which fell 50% to $28.3M fending off competition from a quartet of new releases plus some solid holdovers. Owen Wilson and Vince Vaughn spent another week in the runnerup spot with Wedding Crashers which held up remarkably well in its sophomore date slipping only 24% to $25.7M. The super hero flick Fantastic Four remained in third with $12.6M in its third mission. Among new movies, the highest gross came from the action thriller The Island which bowed to $12.4M. Given its enormous budget, it was a big disappointment for DreamWorks which found its way to just $35.8M. Paramount did not fare much better with the remake Bad News Bears which debuted in fifth with $11.4M. The Billy Bob Thornton pic scored just $32.9M overall, but at least it didn’t have a huge production cost. Opening in fewer theaters, but with an impressive average, was the pimp drama Hustle and Flow which bowed to $8M and a $7,915 average. The horror film The Devil’s Rejects followed with a $7.1M opening. Final tallies reached $22.2M for the Paramount Classics hip hop pic and $17M for the Lionsgate gorefest.
Author: Gitesh Pandya, www.BoxOfficeGuru.com