Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
The Double
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Dallas Buyers Club
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Tim’s Vermeer
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
The Invisible Woman
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
At Berkeley
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Miss Violence
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
The Fifth Estate
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Stray Dogs
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Moebius
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
The Unknown Known
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
The Armstrong Lie
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
Rush
Michael Haneke is no stranger to the Palme d’Or — he took home the prize with 2009’s The White Ribbon — and the director’s latest, a somewhat uncharacteristic drama about an elderly couple, has emerged as an early favorite this year. Reviews thus far have been unanimously positive, and some positively rapturous.
