Moviegoers rallied behind the star-driven comedy "Wild Hogs," which raced to number one at the North American box office, zooming past all expectations from Disney. Meanwhile, Viacom saw less-than-stellar debuts from its serial killer drama "Zodiac" from Paramount Pictures and the southern fried saga "Black Snake Moan" from arthouse unit Paramount Vantage. Overall, the box office remained healthy and surged well ahead of last year’s performance.
Buena Vista powered its way to an estimated $38M in opening weekend sales for its road comedy "Wild Hogs," delivering the largest March debut in history for a live-action film. The PG-13 pic starring Tim Allen, John Travolta, Martin Lawrence, and William H. Macy as four middle-aged men on a motorcycle adventure averaged a stellar $11,561 from 3,287 theaters. It was the year’s second biggest opening after "Ghost Rider‘s" $45.4M bow two weeks ago. According to studio research, 54% of the audience was actually female. Travolta’s everlasting sex appeal, Allen’s pull with moms thanks to his many Disney flicks, and the cast’s appearance on "The Oprah Winfrey Show" last week probably contributed to the solid turnout by women. The stars also allowed the film to tap into different audience segments.
"Wild Hogs" posted the best opening ever in March for a non-animated film and the third biggest overall. The only movies to debut better in this month were the "Ice Age" flicks of 2002 and 2006. It also gave Travolta the biggest opening by far of his career, beating the $23.5M of 2005’s "Be Cool," and the second best bow for Allen after the $57.4M bow of 1999’s "Toy Story 2." As expected, "Hogs" was slammed by critics but reviews are practically irrelevant for a star-driven comedy like this. This is a crowdpleaser, not a criticpleaser. Audiences make their decisions based on if they think they will get a good laugh or not and Buena Vista’s marketing push was indeed solid. Though the overall weekend gross was strong, what was even more encouraging was the significant Friday-to-Saturday boost of 49% which is rare for any new release. A journey into nine-digit territory seems likely.
Debuting far back in second place was the serial killer pic "Zodiac," with an estimated $13.1M from 2,362 sites. Averaging a respectable $5,546 per theater, the R-rated film from director David Fincher played to an older audience as two-thirds of the crowd was over the age of 25, according to studio research from Paramount. Males and females were evenly represented. Starring Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo, "Zodiac" follows the investigation behind one of California’s most notorious murderers from the 1960s and 70s. The $65M film fared better than last fall’s murder mysteries set in the Golden State, "The Black Dahlia" and "Hollywoodland," which debuted to $10M and $5.9M respectively.
Reviews were overwhelmingly positive for "Zodiac," but its 160-minute length may have cut into its grossing potential. Plus when factoring in ticket prices increases over the years, it can be estimated that "Zodiac" sold the fewest opening weekend tickets of any of Fincher’s films. Admissions were roughly the same as for "Fight Club," which bowed to $11M in 1999. The studio is hoping that good word-of-mouth can carry the film in the weeks ahead.
After leading the pack for two full weeks, the Johnny Blaze flick "Ghost Rider" fell to third but only dropped 43% for an estimated $11.5M gross. Sony’s Nicolas Cage starrer has taken in $94.8M in 17 days and should become the first new release of 2007 to break the $100M barrier. Disney’s "Bridge to Terabithia" also held up well dipping 39% in its third adventure to an estimated $8.6M. Cume stands at $57.9M.
Jim Carrey‘s thriller "The Number 23" fell from second to fifth place in its sophomore scare and collected an estimated $7.1M. Down an understandable 52%, the New Line title has taken in a semi-decent $24.7M in ten days and looks headed for a $35-38M finish.
Eddie Murphy‘s latest comedy "Norbit" enjoyed the smallest decline in the top ten and dipped 34% to an estimated $6.4M for a $83M sum. Fellow laugher "Music and Lyrics" dropped just 36% to an estimated $4.9M giving the Hugh Grant–Drew Barrymore pic $38.7M to date.
Paramount Vantage bowed its Samuel L. Jackson–Christina Ricci drama "Black Snake Moan" and collected an estimated $4M from 1,252 theaters. Averaging a mild $3,208, the debut was half the size of writer/director Craig Brewer‘s last film "Hustle & Flow," which opened in July 2005 to $8M from 1,013 theaters on its way to $22.2M and an Oscar. Jackson has witnessed many of his headlining vehicles struggle at the box office including "Freedomland," "The Man," and even "Snakes on a Plane," which despite hitting the top spot, grossed much less than expected given its media hype last summer.
The Fox comedy "Reno 911!: Miami" tumbled 64% in its second weekend to an estimated $3.8M for a ninth place finish. The R-rated pic has grossed $16.4M in ten days and should conclude with roughly $20M. Rounding out the top ten was the FBI thriller "Breach" with an estimated $3.5M, off 42%, for a $25.4M total.
Three smaller films dropped out of the top ten over the weekend. The slave trade drama "Amazing Grace" dipped only 26% in its second weekend to an estimated $3M. With $8.2M in ten days, the Samuel Goldwyn/Roadside Attractions period pic may find its way to $15-18M. The Billy Bob Thornton flop "The Astronaut Farmer" grossed an estimated $2.2M, down 52%, and put its sum at an embarrassing $7.7M. Look for a $11M final.
Lionsgate’s Tyler Perry comedy "Daddy’s Little Girls" fell 53% to an estimated $2.3M in its third frame and upped its cume to $28.4M. By comparison, the distributor saw stronger 17-day grosses of $44M and $55.7M respectively for the director’s last two films, "Diary of a Mad Black Woman" and "Madea’s Family Reunion." "Daddy’s" should end its run with $30-33M.
The top ten films grossed an estimated $100.8M which was up a stunning 30% from last year when "Madea" stayed at number one with just $12.6M; but off 4% from 2005 when "The Pacifier" debuted on top with $30.6M.